Liki, 1978. Watercolor on paper. 63" x 45". Private collection
Bibliography | BOOKS, EXHIBITION CATALOGUES, AND PERIODICALS
2024
Javault, Patrick, “Figure de dos, images satellites et tissus à sequins,” The Art Newspaper, Paris, France, Online Article: March 29, 2024.
Mang, Lolita, “8 expositions à voir absolument en avril à Paris (et ailleurs en France),” Vogue Paris, France, Online Article: March 28, 2024
Nancy Graves: Same Twice, Exhibition catalogue, featuring essay “Mapping the New” by Simonetta Moro, Ceysson éditions d’Art, Paris, France, 2024
Thereau, Juliette, “The Detail and the Whole: Nancy Graves’ Late Paintings and their Reception,” Dissertation, Ecole Normale Supérieure Paris-Saclay - Université Paris-Cité, France, 2024
Vartanian, Hrag, “Best New York City Art Shows of 2024: Vital Signs: Artists and the Body,” Hyperallergic, Online Article: December 12, 2024
2023
Avgikos, Jan, “Painting in New York: 1971-83,” Artforum, Artforum International, New York, NY, January 2023
Harris, Gareth. “Europe’s first museum dedicated to art by women artists’ to open in southern France,” The Art Newspaper, New York, NY, online article: 8/26/2023.
Heller, Martin. „Vom Schillern der fremden Federn,“ 1984. Essay reprinted in Martin Heller: Für Alle! Texte und Bilder zum Ernst des Lebens, edited by Martin Heller, Julia Stoff, Juri Steiner. Scheidegger & Spiess AG, Zurich, Switzerland, 2023. Pp. 323-330. Nancy Graves, Shaman, ill. p. 301
Polich, Dick, Here We Go: Writings on Art, Craft and Leadership, edited by Daniel Belasco, published 2022. Photo of Nancy Graves working on Ceridwen, Out of Fossil,s 1977, with Dick Polich, p. 38.
Risen, Clay. “Dick Polich, Artists’ Ally in the Creation of Sculptures, Dies at 90,” The New YorkTimes, New York, NY. Online and in print: Ceridwen, out of Fossils, illus. p. 21. 1/20/2023
Rose, Barbara, ed. by Rachel Stella. “Nancy Graves, l’art comme aventure,” Barbara Rose: Un sourire critique. Ceysson éditions d’art, Paris, FR, 2023. Exhibition catalogue. Pp. 74-75, Ciliate and Zymurgy, illus.
2022
Ammer, Manuela and Ulrike Muller, editors, The Animal Within—Creatures in (and outside) the mumok Collection, Exh. Cat. Contributions by Fahim Amir, Jack Halberstam, Eva Hayward, Johanna Hedva, Bhanu Kapil, Karola Kraus, Joni Murphy, Kathryn Scanlan, Kalpana Rahita Seshadri, Kerstin Stakemeier, Oxana Timofeeva, Jörg Wolfert, and Tanya Zamirovskaya. Verlag der Buchhandlung Walther und Franz König, Köln, Germany, 2022
Kelly, Brian P. “Art Market: What Sold at Art Basel in Basel 2022,” artsy.net, New York, NY, June 21, 2022
Johnson, Elizabeth. “Nancy Graves: Synecdoche II,” The Brooklyn Rail, New York, NY, April 2022
Ratcliff, Carter. “Nancy Graves: A World of Metaphors,” Exh. Cat. Nancy Graves: Synecdoche II, Locks Art Publications, Philadelphia, PA, 2022
2021
Dodenhoff, Benjamin, Anna Flitta, Marie Gentges, Patrick C. Haas, Alexandra Kolossa, Myriam Krill, Annette Lagler, Angela Theisen, Stephanie Wagner. “Kopfreise / Mental Journey,” Exh. Cat. Bon Voyage Resisen in der Kunst der Genenwart / Travelling in Contemporary Art, Ludwig Forum für Internationale Kunst Aachen, Germany, 2021, p. 32
Hodermarsky, Elisabeth, Helen A. Cooper, Linda Konheim Kramer, Marta Kuzma. On the Basis of Art: 150 Years of Women at Yale, Exh. Cat., Yale University Press, New Haven, CT, 2021, pp. 70, 112-115.
Cipolle, Alex V. “In Washington, a Beloved Birthplace for Artistic Giants,” The New York Times, New York, NY, October 10, 2021, section F, p. 16
Smith, Roberta. “Pattern & Decoration: A Movement That Still Has Legs,” The New York Times, New York, NY, August 8, 2021, section C, p.6
“16 Museum Directors Show Us the Art That Hangs in Their Offices, From Richard Armstrong’s Al Held to Zoé Whitley’s Lynette Yiadom-Boakye,” ArtNet News online, June 3, 2021
Moro, Simonetta. Mapping Paradigms in Modern and Contemporary Art; Poetic Cartography, Routledge Advances in Art and Visual Studies Press, Milton Park, UK, 2021, pp. 97-98
Bradley, Kimberly. “Elvis vs. Lenin: A Superpower Confrontation on Canvas,” The New York Times, New York, NY, September 29, 2021
Ratcliff, Carter. “Revisiting the Joy of Pattern and Decoration,” Hyperallergic, New York, NY, August 29, 2021.
2019
Auther, Elissa, Anna Katz, Alex Kitnick, Rebecca Skafsgaard Lowery, Kayleigh Perkov, Sarah-Neel Smith, Hamza Walker. Exh. Cat. With Pleasure: Pattern and Decoration in American Art 1972-1985, The Museum of Contemporary Art, Los Angeles, in association with Yale University Press, Los Angeles, CA and New Haven, CT, 2019, pp. 154-155
Fineman, Mia and Beth Saunders, Apollo’s Muse; The Moon in the Age of Photography, Metropolitan Museum of Art, 2019, p. 141. Illustration plates 100, 101.
Maertens, Marie, “Redécouvrir Nancy Graves,” Connaissance des Arts, Sept 2019, p. 122.
Porter, Janelle, Amy Goldin, Elissa Auther. “Maximalism Now!, Exh. Cat. “Less is a Bore; Maximalist Art & Design, The Institute for Contemporary Art, Boston, MA, 2019. pp. 70, 90-91.
Storr, Robert, “Nancy Graves: Back to Nature” in Nancy Graves; Mapping, Mitchell-Innes & Nash Gallery, 2019, pp. 8-14.
Andrew, Jason. “Nancy Graves: Sorting the cosmic haze,” Two Coats of Paint, March 3, 2019.
Zucker, Adam. “Artfully Mapping,” March 19, 2019.
2018
Belasco, Daniel. “Perpetual Flux: The Cast Sculpture of Jasper Johns, Nancy Graves, and Roy Lichtenstein,” Exh. Cat. Found Made Cast: Sculptures by Nancy Graves, Jasper Johns, Roy Lichtenstein, Castelli Gallery, New York, NY, pp. 10-14.
2017
Rosenberg, Susan, "The Name of the Game; Set and Reset (1983) and Lateral Pass (1985)" in Trisha Brown; Choreography as a Visual Art, Wesleyan University Press, Middletown, CT, 2017 pp. 262 – 289, ill.
Siren, Janne, ed.,Taste, Rich Products Corporation, Buffalo, NY, 2017, p. 38 ill.
Carter Ratcliff, “Nancy Graves; The Naturalist,” Art & Antiques Magazine, October 2017, pp. 64-73.
Belasco, Daniel, “Perpetual Flux,” Found, Made, Cast; Sculptures by Nancy Graves, Jasper Johns, Roy Lichtenstein, Castelli Publications, 2018. 24 pp.
2016
Kushner, Marilyn, "Pushing Boundaries; Dine, Graves, Lichtenstein, Rauschenberg and Rosenquist: Collaborations with Donald Saff" in Farnsworth, Volume 13, Summer 2016. Exh. cat. The Farnsworth Art Museum, Rockland, ME, pp. 10 – 14, ill.
Lombino, Mary-Kay; “Above the Earth,” Touch the Sky; Art and Astronomy. Frances Lehman Loeb Art Center, Vassar College, 2016.
Hylton, Will S., “Blowup; Chuck Close’s Self Imposed Exile” The New York Times Magazine July 17, 2016, p. 38.
2015
Lombino, Mary-Kay. XL: Large-Scale Paintings from the Permanent Collection. Exh. brochure. The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, 2015, np.
Montross, Sarah J., ed., Rodrigo Alonso, Miguel Angel Fernandez Delgado, Rory O’Dea, Past Futures: Science Fiction, Space Travel, and Post-War Art of the Americas. Exh. cat, Bowdoin College Museum of Art, Brunswick, ME and MIT Press, Cambridge, M.A., 2015, p. 23, and pp. 5, 24, 68, 69, 70, 71, illus.
Hunter, Christina, Christopher Lyon, Linda Nochlin. Nancy Graves. Exh. cat. Mitchell-Innes & Nash Gallery, New York, NY, 2015, 80 pp.
Nochlin, Linda, "Nancy Graves: The Subversiveness of Sculpture" in Women Artists; The Linda Nochlin Reader. Edited by Maura Reilly. Thames & Hudson, New York, 2015, pp. 153–160, ill.
“Frances Lehman Loeb Art Center presents XL: Large-Scale Paintings from the Permanent Collection” announcement in Hudson Valley Magazine, January 30, 2015.
“Nancy Graves,” Mitchell-Innes & Nash announcement in Art Forum, February 2015, p.61.
Jaffe, Tali. “In Focus: Nancy Graves,” interview with Christina Hunter in Cultured Magazine, February 2015.
Buhmann, Stephanie. “Nancy Graves,” Chelsea Now, February 12, 2015.
Buhmann, Stephanie. “Nancy Graves,” Buhmann on Art, Downtown Express, February 12, 2015.
Hodara, Susan. “At Vassar College, Canvasses So Big They Are Seldom Seen,” The New York Times, February 13, 2015.
Sanati, Mecedeh. “On the Radar,” Toronto Globe and Mail, February 14, 2015.
Kulik, Shayna. “Tuesday’s Gallery Picks,” Pattern Pulp, February 17, 2015.
Indrisek, Scott. “5 Must-See Gallery Shows – Nancy Graves, Steven Cox, and More,” Blouin ArtInfo, February 19, 2015.
Ferguson, Bruce W. “Video: Nancy Graves Unveiled at Mitchell Innes & Nash.” Blouin ArtInfo, February 19, 2015.
Cooper, Anneliese.”Week in Review: From Sean Scully to Bjork, Our Top Stories,” Blouin ArtInfo U.K., February 20, 2015.
Ebony, David. “Top 10 New York Gallery Shows for February,” ArtNet News, February 25, 2015.
Laster, Paul. “The go-to guide to Armory Arts Week,” Christie’s, March 2015.
Guiducci, Mark. “It’s Time to Rediscover Nancy Graves: Post-Minimalist, Anti-Pop Lover of Camels.” Vogue Magazine, March 2, 2015.
“Nancy Graves Panel Discussion at Mitchell-Innes & Nash,” KulturExpress Magazin, March 3, 2015.
Yerebakan, O.C. “New York – Nancy Graves at Mitchell-Innes & Nash through March 7th, 2015,” Art Observed, March 5, 2015.
Hodkin, Jeremy. “Video: Guide to the Masters -The Science of Art Behind Nancy Graves,” Blouin ArtInfo, March 25, 2015.
Sutphin, Eric. “Nancy Graves; Mitchell-Innes & Nash,” Art in America, April 2015, p. 113.
“Natural Impulses”, Artforum, May 2015, p.144.
Indrisek, Scott. “Nancy Graves”, Modern Painters, May 2015, p. 100.
Feeney, Mark. “Art and Science meet at Bowdoin.” Boston Globe, May 8, 2015.
Levin, Kim. “Nancy Graves at Mitchell-Innes & Nash.” Art News, June 2015, p. 79.
2014
Belasco, Daniel, ed., Dick Polich, Vanessa Hoheb, Thom Joyce, Dick Polich: Transforming Metal into Art. Exh. cat, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY, 2014, pp. 23, 24, 26, 27, 65 – 69, 90, 100 illus.
Cooper, Harry, ed. Modernism from the National Gallery of Art; The Robert and Jane Meyerhoff Collection. Exh. cat., de Young Museum, San Francisco, CA, Fine Arts Museums of San Francisco, 2014, pp.72 – 73 illus.
Marking Twenty Years. Exh. cat., The Kemper Museum of Contemporary Art, Kansas City, MO, 2014 p. 70.
Zummo, Peter, “Lateral Pass: About The Recording”, liner notes for Lateral Pass, LP recording, Foom, 2014, cover illus.
“Film Screening: Aves.” Introduced by Christina Hunter, Smithsonian American Art Museum: The Singing and the Silence: Birds in Contemporary Art. Museum magazine, Smithsonian American Art Museum, Washington, DC. Winter 2014 – 2015.
Mania, Astrid, “Nancy Graves; Ludwig Forum fuer Internationale Kunst”, Art Forum March 2014 p. 101 illus.
Wei, Lilly, “Nancy Graves” Art News March 2014, p.103 illus.
Wood, Sura. “Modernism Points the Way,” Bay Area Reporter, June 12, 2014.
“Wise Buys: 50 Women Artists Worth Watching,” Art+Auction, September 2014.
2013
Franzen, Brigitte, and Annette Lagler, eds., Benjamin Dodenhoff, Brigitte Franzen, Walter Grasskamp, Christina Hunter, Linda Kohnheim Kramer, Annette Lagler, Petra Lange-Berndt, Josephine Mengedoht, Susan Rosenberg, Joan Simon. Interviews with Chuck Close, Yvonne Rainer, Nancy Graves Project & Special Guests. Exh. cat., Ludwig Forum, Aachen, Germany, Hatje Cantz, 2013, 304, p. German and English, 86 plates, 200 illus.
Franzen, Brigitte, and Holger Otten, eds. Nancy’s Cosmos. Children’s book for the exh. Ludwig
Forum, Aachen, Germany, 2013, 80 p. German and Dutch, ill.
Halliday Johnson, Kelsey. “Synecdoche: Moving Towards Abstraction.” In Nancy Graves; Synecdoche. Exh. cat., Locks Gallery, Philadelphia, PA., 2013, 75 p. illus.
Sayre, Henry, ed. A World of Art. Pearson Education, Inc, 7th ed., 2013, pp. 308 – 09 illus.
Petri, Belinda, “Die mit den Kamelen“, in Klenkes, Stadtmagazin Aachen, October 2013, cover and p. 24ff illus.
Baksay, Gabor, “Occupy Ludwig Forum”, in Mega Beta Aachen, October 2013, cover and p.1 -5 illus.
Schmetz, Jenny, “Klar, die Kamele – aber noch viel mehr!”, in Aachener Zeitung, Friday October 11, 2013 p. 11 illus.
2012
Cozzolino, Robert, ed. The Female Gaze; Women Artists Making their World. Exh. cat., The Pennsylvania Academy of Arts, Philadelphia, PA. Hudson Hills Press, 2012, p. 273 illus.
Mothner, Ira S, “Art of 365”, Folio; The Magazine of the CUNY Graduate Center, Winter 2012, cover and p. 9-15.
2011
Adams, Laurie Schneider, Art Across Time, 4th ed. McGraw Hill, New York, NY, 2011, p. 270.
Adams, Laurie Schneider, A History of Western Art, 5th ed. McGraw-Hill, New York, NY, 2011, p. 576.
Farrell, Jennifer, ed., Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr, and Judith Tannenbaum. Get There First, Decide Promptly; The Richard Brown Baker Collection of Post War Art. Exh. cat., Yale University Art Gallery, Yale University Press, 2011, p. 47 n.82, p.132 illus., p. 362.
Franzen, Brigitte, ed.,et al. Hyper Real – Kunst und Amerika um 1970, Hyper Real – Art and Amerika around 1970. Exh. cat. Ludwig Forum, Aachen, Germany. 420 pp in German and English. Walther Koenig, Cologne, 2011, pp. 29, 359, 407.
Franzen, Brigitte, ed., et al. Nie Wieder Stoerungsfrei! Aachen Avantgarde seit 1964. Exh. cat., Ludwig Forum, Aachen, 368 pp. German w English translations. Kerber Art, 2011, pp. 184 – 85 illus., pp. 294 – 95, illus.
Grachos, Louis, ed., Douglas Dreishpoon and Mariann W. Smith, Albright-Knox Art Gallery; Highlights of the Collection. Albright-Knox Art Gallery, 2011, p. 43 illus.
Marter, Joan. Grove Encyclopedia of American Art, 1st ed. 2011, p. ?
Ocvirk, Otto G., Robert E. Stinson, Philip R. Wigg, Robert O. Bone, and David L. Cayton, Art Fundamentals: Theory and Practice, 12th Ed. McGraw-Hill, New York. NY, 2011, p. 67, p. 92.
“Awards & Grants,” Art in America March 2011, p. 183.
Owens, Mitchell. “Creative License,” Architectural Digest September 2011, pp. 120-121.
2010
Nancy Graves Encaustics. Exh. brochure, R & F Gallery, Kingston, NY, October 2 – November 20, 2010.
Water. Exh. brochure, Zimmerli Art Museum, Rutgers, New Brunswick, NJ, 2010, n.p.
Andrews, Richard, Mark A. Anderson, and Squire Broel, Nexus: Work & Vision/Squire Broel. Exh. cat., Walla Walla foundry, Walla Walla, WA, 2010, pp. 2, 36, 38 illus. and 40.
Frank, Patrick and Sarah Preble. Prebles Artforms. 2010, p.?
Lippincott, Jonathan D. Large Scale: Fabricating Sculpture in the 1960s and 1970s. Princeton Architectural Press, New York, 2010, pp. 224 and 225.
“Class Notes,” Miss Halls Pittsfield, MA, Winter 2009-2010, p. 32.
“Artworld: Grants,” Art in America January 2010, p. 142.
Weintstein, Tresca. “Modernism and Post-Modernism at The Berkshire Museum, Ven Voisey: Artifact; Nancy Graves: Journey to North Africa; Joe Wheaton and Susan Rodgers: Spatial Relationships,” Berkshire Living: A Good Life in the Country July 2010.
2009
The Year in Review: SCheMA 2007 – 2008: Smith College Museum of Art, “Acquisitions/Drawings.” (Smith College Museum of Art, Northampton, MA, 2009), p. 6.
Nancy Graves, September 17 – October 24, 2009. Exh. brochure, Ameringer/McEnery/Yohe, New York, NY, 2009) n.p.
Bissel, Gerhard. “Nancy Graves.” Allgemeines Künstlerlexikon, vol.61. Saur Publishers, Leipzig, 2009.
Davis, Zina. “The Lightness of Being.” Nancy Graves: Inspired Vision, Sculpture, Paintings, Drawings. Exh. cat., Joseloff Gallery, Hartford Art School, University of Hartford, CT, 2009.
Kotik, Charlotta. “Elizabeth Enders: Landscape/Language/Line.” Elizabeth Enders: Landscape/Language/Line. Exh. cat., Lyman Allyn Art Museum, New London, CT, 2009, p. 19.
Lagler, Annette. “Nancy Graves.” Ludwigs Grafik 1: Von Warhol bis Pettibon. Cologne, Germany, 2009, pp. 7, 17, 74 – 84 and 130.
Lange-Berndt, Petra, Animal Art: Präparierte Tiere in der Kunst 1850-1900. Munich, Germany, 2009, pp. 12, 91, 120 – 123, 127 – 129, 131 – 137, 139 – 151, 155, 159, 161, 185, 218, 233, 270 – 281.
Lange-Berndt, Petra. “Das Ende der Trophäen: Eine kurze Geschichte präparierter Tiere in der Kunst/ The Demise of Trophies: A short history of taxidermied animals in art.” In Peter Noever, ed. Möbel als Trophäe: Funiture as Trophy: Exh. cat., MAK (Österreichisches Museum für angewandte Kunst/Gegenwartkunst/ Austrian Museum of Applied Arts/Contemporary Art),Vienna, Austria, 2009, pp. 109 – 113.
Rattemeyer, Christian. The Judith Rothschild Foundation/Contemporary Drawings Collection: Catalogue Raisonné. The Museum of Modern Art, New York, NY, 2009, p. 135.
Romain, Dulce Maria, Kerry Oliver-Smith and Thomas W. Southall. American Selections from the Samuel P. Harn Museum of Art. Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL, 2009, pp. 146 – 147.
Tesner, Linda. “William Morris: The Early Artifacts.” SOFA West Santa Fe: Sculpture Objects & Functional Art Fair (SOFA). Exh. cat., SOFA West: Santa Fe Convention Center, Santa Fe, NM, 2009, p. 29.
Thompson, Matthew. No Sound. Exh. cat., Aspen Art Museum, Aspen, CO, 2009, pp. 6, and 12.
“Awards & Grants,” Art in America January 2009, p. 144.
Landi, Ann. “The Guggenheim’s Director is a Portrait of Modesty,” The Wall Street Journal February 26, 2009, p. D5.
Cotter, Holland. “Young Artists, Caught in the Act,” The New York Times/Weekend Arts April 10, 2009, pp. C 23 and 26.
“Chuck Close: Artist,” New York Magazine April 20, 2009, p. 38.
Ebony, David. “Art World: Willoughby Sharp 1936-2008,” Art in America February 2009, p. 150.
Catlin, Roger. “Nancy Graves Exhibit at University of Hartford,” The Hartford Courant Hartford, CT, April 9, 2009.
O’Shaughnessy, Tracey. “Nancy Graves’ Delightful Garden,” The Republic-American Waterbury, CT, May 3, 2009.
“Editor’s Pick: The Return of the Silent Film,” Time Out Aspen, CO, May 22-28, 2009, p. 3.
“No Sound.” Members Magazine aspenartmuseum: Exhibitions Aspen Art Museum, Aspen, CO, spring/summer 2009, pp. 8 and 9.
Louie, Elaine. “Closeting the Arguments,” The New York Times/Home June 18, 2009, p. D6.
“Luther W. Brady Art Gallery,” Galleries: a guide to Washington/Baltimore metropolitan area art galleries September 2009, p. 7.
Ameringer/McEnery/Yohe advertisement for Nancy Graves Exhibition, September 17-October 24. Art in America October 2009, n. p. 17.
2008
Bishop, Budd Harris, Dulce Maria Román and Kerry Oliver-Smith. Paradigm to the Unexpected: Modern and Contemporary Art from the Shey Collection. Exh. cat., The Samuel Harn Museum of Art, Gainesville, FL, 2008, pp. 144 and 145.
Gioni, Massimiliano and Jarrett Gregory. After Nature. Exh. brochure, The New Museum, New York, NY, 2008, n.p.
Gioni, Massimiliano. “The Collapse of the stellar systems will occur – like creation – in grandiose splendor — Blaise Pascal.”. G. Sebald. After Nature. Exh. cat., The New Museum, New York, NY, 2008, n.p.
Mollweide-Siegert, Mona. Dorothee von Windheim: Auf der Suche nach Wirklichkeit, Zwei Werkgruppen im Kontext von Spurensicherung und Erinnerungskultur. Ph. D. thesis, University of Bonn, Germany, 2008.
Tucker, Marcia and Liza Lou, a short life of trouble: forty years in the new york art world. University of California Press, Ltd., 2009, pp. 74, 75, 86 – 87, 93 and 111.
“Awards & Grants,” Art in America January 2008, p. 158.
“News Briefs: Awards,” Artnews February 2008, p. 50.
“Michele Birnbaum Fine Art, L.L.C.,” The New York Sun: Arts Around Town February 13, 2008, p. 20.
Rothstein, Edward. “Attic-Like Museum’s New Annex of Ideas,” The New York Times April 5, 2008, ppp. B7 and B11.
Esplund, Lance, “An Old Theme Gets New Tricks on the Bowery,” The New York Sun July 17, 2008, p. 21
Bucarelli, Viviana. “Ecosostenibili o ecodisastrati?,” Il Giornale Dell’Arte July-August 2008.
Schjeldahl, Peter. “Feeling Blue: Artists get serious,” The New Yorker August 4, 2008, p.p. 74-75.
Vallese, Gloria. “La lezione delle Tenebre,” Arte summer 2008, pp. 96 and 97.
2007
Cuperman, Pedro and Nancy Graves. Tango. Exh. cat., Punto de Contacto/ Point of Contact Inc., Syracuse, NY, 2007, illus.
Hayter, Carla Esposito. The Monotype: The History of a Pictorial Art. Skira, 2007, pp. 18 and 147 illus. and 200.
Rose, Barbara. “Nancy Graves: Art as Adventure.” Nancy Graves: Bronze Sculpture of the 1980s. Exh. cat. Ameringer & Yohe Fine Art, New York, NY, 2007.
Sanchez, Anna-Marie. “A Portrait Among the Paintings: The Legacy of Gordon F. Hampton” and Laurie Monahan, Ph. D., “Grand Gestures, Abstract language.” Grand Gestures: The Gordon F. Hampton Collection. Exh. cat., University Art Museum, California State University, Long Beach, CA, 2007, pp. 13, 14, 32 illus. and 56, cat. no. 11.
Twentieth Century Women Artists from the Frances Lehman Loeb Center, Vassar College. Exh brochure, The Gallery at the Park Avenue Bank, New York, NY, 2007, n.p. illus.
Wright, Tricia. Smithsonian Q & A, The Ultimate Question and Answer Book: American Art and Artists. Harper Collins, Irvington, NY, 2007, pp. 175 and 184.
“Art World/Grants,” Art in America January 2007, p. 176.
Cahill, Timothy. “Portrait of an Artist as a Young Woman,”Berkshire Living March/April 2007, pp. 38-39.
Rivlin, Gary, “Casinos Go All In To Draw Asians: OrientalOpulence to Cater to a Big-Betting Niche,” The New York Times, June 13, 2007, p. C1
Tuchman, Phyllis. “Marcia Tucker,” Alumni Newsletter: Institute of Fine Arts, no. 43 Summer 2007, p. 17.
Faculty notes. Bardian Fall 2007, p. 67 Nancy Graves Foundation grant.
Exhibition announcement. Art News December 2007, back cover.
2006
Adams, Laurie Schneider. Art Across Time 3rd ed. McGraw Hill, 2006, p. 984.
Berry, Ian. Michael Oatman: A Lifetime of Service and a Mile Of Thread. Exh. cat., The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, 2006, pp. 76, 77 and 93.
Brommer, Gerald F. Discovering Art History. Davis Publications, Worcester, M.A., 2006, p. ?
Buckberrough, Sherry. Femme brut(e). Exh. cat., Lyman Allyn Art Museum, New London, CT, 2006, pp. 10, 18 illus. and 20.
Erickson, Ruth, “Foreword” and Jane Kent “Essay.” 30 Years of New Year Graphics from the Jewish Museum. Exh. cat., Burlington City Arts/Firehouse Gallery, Burlington, VT, pp. 30–31.
Fishaut, Anna. Particular Presence: Discerning Meaning in Postminimal Casting. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts, Department of Art History, Theory and Criticism, The School of the Art Institute of Chicago, 2006, pp. 2, 4, 6, 9, 29 – 39, 42 illus., 43 illus., 44 illus, 87 and 89.
Gillian Jagger lecture, March 14, 2006. Brochure lecture series New York Studio School of Drawing, Painting & Sculpture: Spring 2006 Evening Lecture Series, New York, NY, 2006, n. p.
Nugent, Bob and Donald Kuspit. Imagery: Art for Wine. San Francisco, CA, 2006, pp. XXI, 84, 85 and 272.
Ocvirk, Otto G., Robert E. Stinson, Philip R. Wigg, Robert O. Bone, and David L. Cayton. Art Fundamentals: Theory and Practice , 10th ed, McGraw Hill, 2006, p. 240.
Pérez-Oramas, Luis. An Atlas of Drawings: Transforming Chronologies. Exh. cat. The Museum of Modern Art, New York, NY, 2006, “Constructions,” fig. 34 illus.
Tuchman, Phyllis. “Introduction,” Nancy Graves 1970 – 1980. Exh. cat., Ameringer & Yohe Fine Art, New York, NY, 2006.
“News: The Winners’ Circle,” Sculpture January-February 2006, p. 10.
Dobrzynski, Judith H. “In Search of ‘the Unknown Roy’,” Artnews May 2006, p. 62.
“Treasure of the Month: An In-Depth Look at a Single Masterwork,” Norton Museum of Art: Members Magazine May-August 2006, p. 14.
Advertisement for Nancy Graves exhibition at Ameringer & Yohe. Art in America 6 June/July 2006, p. 42.
Advertisement for Nancy Graves exhibition at Ameringer & Yohe. Art + Auction XXIX June 2006, inside front cover.
Gregg, Gail. “’I Will Never Look at Painting the Same Way Again,’” Artnews October 2006, p. 168.
Art in America: 2006 Guide to Galleries-Museums-Artists (Annual 2006-2000). p. 310 and entry numbers 1955, 2180, 2845, 3007, 3623, 4653, 4881 and 5474.
Grant, Daniel. “The Art of Nancy Graves Is ‘Well Into the Six Figures,” Artnewsletter XXXII, October 3, 2006, pp. 4-5.
“Linda Nochlin Is Distinguished Scholar at Annual Conference,” CAA News 31 November 2006, p. 3.
Dorment, Richard. “Journey from ‘Nebraska,”The New York Review of Books LII December 21, 2006, p. 8.
2005
Kramer, Linda Konheim. “The Aesthetic Vocabulary of Nancy Graves.” Nancy Graves: A Retrospective. Exh. cat. Ameringer & Yohe Fine Art, New York, NY, 2005.
Salvesen, Magda and Diane Cousineau. Artists’ Estates: Reputations in Trust. New Brunswick, NJ, 2005, pp. 202 and 203.
Sandback, Amy Baker, Nils Bütter, Robert Rainwater and Sarah Richards. Imagined Worlds: Willful Invention and the Printed Image 1470-2005. Exh. cat., AXA Gallery, New York, NY 2005, pp. 26, 27 fig. 13, 90 and 91.
Sasse, Julie. Paint on Metal: modern and contemporary explorations and discoveries. Exh. cat., Tucson Art Museum, Tucson, AZ, 2005, pp. 10, 12 fn. 29, 13, 64, 65 and 149.
Stein, Judith E. “Nancy Graves: The Shining Elusive Element.” Nancy Graves: The Shining, Elusive Element. Exh. cat., Locks Gallery, Philadelphia, PA, 2005.
Advertisement for “Nancy Graves A Retrospective” at Ameringer & Yohe Fine Art, New York. Art + Auction February 2005, inside front cover.
Grant, Daniel. “Art Market: Weak Dollar Lures Art Buyers,” Artnews 104 March 2005, p. 80.
Glueck, Grace. “It’s a Cast of Hundreds from Hopper to Christo,” The New York Times February 25, 2005, p. E34.
Cunningham, Bill. “Winter’s Cheer: Tulips, art and jazz at benefits bring smiles,” The New York Times February 27, 2005, Style section, p. 10.
Johnson, Ken. “Nancy Graves: ‘A Retrospective,’ Art in Review/The New York Times March 11, 2005, p. E39.
Johnson, Ken. “Nancy Graves,” The Listings/The New York Times March 18, 2005, p. E30.
Cohen, David. “Gallery-Going: Nancy Graves: A Retrospective,” The New York Sun March 24, 2005, Arts and Letters, p. 16
Ebony, David. “Art Show Shines in the Big Apple,” Art in America April 2005, p. 47.
“Miami Art Museum’s Upcoming Season Transcends Borders with an Impressive Range of Cultural Perspectives,” Art Season Preview/Entertainment News & Views June 2005, p. 41.
Rosof, Libby. “Close-Up: Heroic portraits from visiting artist Chuck Close,” The Pennsylvania Gazette July/August 2005, pp. 57-58.
Castro, Jan Garden. “New York: Nancy Graves,” Sculpture 24 July/August 2005, pp. 5, 73 and 74.
“Vassar Innovators,” Vassar Views Vassar College, Poughkeepsie, NY, summer 2005, p. 10.
Johnson, Pat. “Arts in the Parts/Abstraction Expands The Vision of Art,” The Sandpaper Surf City, NJ, September 14, 2005, pp. 22 and 58.
Advertisement for Nancy Graves exhibition at Locks Gallery. Art in America 9 October 2005, p. 30.
“Awards & Grants,” Art in America 10 November 2005, p. 198.
Goodrich, John. “Gallery Going,” The New York Sun: Arts & Letters November 3, 2005, p. 15.
“‘Mapping Space’: MAM exhibition offers 37 perspectives on environs,” Coral Gables Gazette November 17-23, 2005.
“Mapping Space Charts New Ways of Seeing Our World,” ? November 18-24, 2005, p. 8.
Glueck, Grace. “Images of the Great Beyond, No Reality Check Required,” The New York Times November 26, 2005, p. A19 or B11.
Miller, Stacy. “A Career in Art: An Interview with Chuck Close,” CAA News November 2005, p. 11.
2004
Anderson, Mark, Chris Bruce, Keith Wells and Jim Dine. Extending the Artist’s Hand: Contemporary Sculpture from the Walla Walla Foundry. Exh. cat., Museum of Art, Washington State University, Pullman, WA, 2004, pp. 9, 12, 22, 66 illus.,67 illus., 104 and 108.
Art in the Chambers: Selections from the Cornell Fine Arts Museum. Rollins College, Winter Park, FL. Exh. brochure, Orange County Government, Arts & Cultural Affairs, Orlando, FL, 2004, n.p.
Bee, Harriet S. and Michelle Elligott, eds. Art in our Time: A chronicle of The Museum of Modern Art. The Museum of Modern Art, New York, NY, 2004, p.152.
Blackburn Cozad, Rachael. Kemper Museum of Contemporary Art: The First Ten Years Kansas City, MO, 2004, pp. 105 and 197.
Hunter, Sam, John Jacobus and Daniel Wheeler. Modern Art: Painting Sculpture Architecture Photography 3rd ed. Prentice Hall, 2004, pp. 385 and 386.
Rescher, Nicholas. “Perspectives on Nature in American Thought." in De Groot, Jean, ed., Nature in American Philosophy. Washington D.C. 2004, p. 177.
Vlas-Joones, Adelina. “Nancy Graves" in Pierre Théberge, Mayo Graham and Kitty Scott, Noah’s Ark. Exh. cat., National Gallery of Canada, Ottawa, 2004, pp. 10, 58, 59 and 108.
Perron, Wendy. “Dance: Trisha Brown, the Artist’s Dance Partner,” The New York Times Sunday, January 11, 2004, p.4
Henry, Clare. “A little help from his friends,” Financial Times January 21, 2004, p. 10.
Williams, Deena Walker. “Acconci and Graves at Carl Solway,” ArtSpike Magazine 3 January 21-February 3, 2004, p. 5.
“Art Safari,” Louisville Visual Art Association spring – February-May 2004.
Recht, Stacy. “Architectural Dancing: Multidimensional artists at Carl Solway Gallery redefine visual art,” Citybeat/Arts Cincinnati, OH, March 3-9, 2004 p. 41.
“Art Lectures: Nancy Graves,” The Cincinnati Enquirer/Weekend Calendar March 26, 2004, p. 50.
Advertisement for Nancy Graves placed by Ameringer & Yohe. The New York Times April 30, 2004, p. E33.
Advertisement for Nancy Graves, Ellen Phelan, Donald Sultan exhibition at Ameringer & Yohe. The New York Times May 14, 2004, p. E27.
Leffingwell, Edward. “Drawn to Dance,” Art in America May 2004, pp. 91, 93 + 95.
Durrell, Jane. “Nancy Graves: Carl Solway Gallery, Cincinnati, OH,” Dialogue Columbus, OH, May/June 2004, p. 49.
Goodman, Jonathan. “Reviews: Riverdale, New York, ‘Inside/Outside/On the Wall’,” Sculpture magazine 23 June 2004, p. ?
Advertisement for Nancy Graves placed by Ameringer & Yohe. Art + Auction July 2004, inside front cover.
“Awards & Grants,” Art in America September 2004, pp. 150 and 152.
Princenthal, Nancy. “The Underside of Innocence,” Art in America September 2004, pp. 118-121.
Indyke, Dottie, “Living with Art: Calculated to Move Your Molecules,” Artnews 103 October 2004, pp. 150 and 152.
Perez-Brennan, Tanya. "Museum gets major art gift,” The Florida Times-Union Jacksonville, FL, November 10, 2004, p. B-3.
2003
Art in the Chambers: Selections from the Orlando Museum of Art’s Permanen Collection. Exh. brochure, Orange County Government, Arts & Cultural Affairs, Orlando, FL, 2003, n.p.
Art Show and Benefit Sale: Trisha Brown Dance Company. Price list for benefit sale at PaceWildenstein, Chelsea New York, NY, January 2003, n.p.
Close, Timothy et al., American Art: Wilfred Davis Fletcher Collection. Exh. cat., Boise Art Museum, Boise, ID, 2003, pp. 58, 59 and 177.
Craves, Wayne. American Art: History and Culture revised 1st ed. McGraw Hill, 2003, pp. 596, 613 – 615 and title page.
Goodyear, Anne Collins et al. eds. Flight: A Celebration of 100 Years in Art and Literature. New York, NY and San Francisco, CA, 2003, pp. 184, 185 and 239.
Harper, Cheryl. “The Museum of Merchandise.” A Happening Place. Exh. cat., The Gershman Y, The Jewish Community Centers of Greater Philadelphia, Philadelphia, PA, 2003, pp. 47, 57, 63 and 70.
“July 2004.” Works from the JPMorgan Chase Art Collection, 2004 Calendar. JPMorgan Chase, 2003, n.p.
Lange-Berndt, Petra. Tierkörper in der zeitgenössischen Kunst, unpublished Dissertation for the University of Hamburg, Germany, 2004, pp. 131-166. illus. no. 240 – 249, 251, 254 – 257, 263, 266, 269, 274 – 279, 284, 288 – 290, 295 – 296, 298 – 302, 315 – 319, 322, 324.
Rodenberry, Heather K. Divas: A Selection of Women Artists of the 20th Century. Pensacola Museum of Art, Pensacola, FL, 2003, inside front cover, pp. 15 illus., 18 and 19.
Tesner, Linda Brady. Artists and Maps: Cartography as a Means of Knowing. Exh. cat., The Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR, 2003, pp. 9 and 12.
Hirsch, Faye. “Dunham’s Demonology,” Art in America 1 January 2003, pp. 66-73.
Morgan, Robert C. “Nancy Graves’s lyrical experiments in cast and stained glass proved some of her last—and most lasting—works,” Glass The Urban Glass Art Quarterly spring 2003, p. 68.
Kramer, Linda Konheim. “The Prints of Nancy Graves,” The Print Club of New York, Inc. spring 2003, pp. 4 and 5.
Gregg, Gail. “What Are They Teaching Art Students These Days?,” Artnews 102 April 2003, pp. 106-109.
Lovelace, Carey. “Art & Politics I: Feminism at 40,” Art in America 5 May 2003, pp. 67-73.
Advertisement for Sculptural Invitational at The Hebrew Home for the Aged at Riverdale, New York. Art in America 6 June 2003, p. 77.
Row, D.K. “Attitudes about Latitudes,” The Oregonian September 30, 2003, pp. E1 - E3.
La Rocco, Claudia. “‘Dance and Art,’” Sun Journal Lewiston, ME, October 11, 2003, Arts Etc., illus.
Zimmer, Elizabeth. “Trisha Brown’s artistic collaborators take center stage,” The Village Voice/Art November 12-18, 2003, p. c83.
Glueck, Grace. “Art: Review: The Artists Who Helped Take Dance Off the Wall,” The New York Times September 14, 2003, p. E34.
Rosenberg, Karen. ed. “Retrospective: Anti-Gravity,” New YorkNew York 36 October 13, 2003, p. 125.
Griffin, Tim. “Trisha Brown: Addison Gallery of American Art, Philips Academy, Andover, Massachusetts,” Artforum 42 December 2003, p. 142.
“Art World: Awards and Grants,” Art in America December 2003, p. 126.
2002
Adams, Laurie Schneider. Art Across Time 2nd ed. McGraw Hill, 2002, p. 1016.
Auping, Michael, ed. Modern Art Museum of Fort Worth110. London, England, 2002, pp. 15, 17, 72 and 240.
Barlow, Andrew. “The Heyer Bequest.” The Brighton and Hove Collections: Fine Art Highlights. The Royal Pavillion, Libraries and Museums, Brighton, England, 2002, p. 23.
Berger, Maurice, Guillaume Bernardi, Trisha Brown, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer and Hendel Teicher. Trisha Brown: Dance and Art in Dialogue, 1961 – 2001. Exh. cat., Addison Gallery of American Art, Phillips Academy, Andover, MA, 2002, pp. 12, 90, 130 – 139, 203, 260 – 262, 283, 292 and 314.
Carmean, Jr., E.A. Nancy Graves: An American Treasure. Exh. brochure, Meredith Long & Company, Houston, TX, 2002., n.p.
Delehanty, Suzanne. Miami Currents: Linking Collection and Community. Exh. brochure Miami Art Museum, Miami, FL, 2002, n.p.
Getlein, Mark. Gilbert’s Living with Art 6th ed. McGraw Hill, 2002, p. 262.
Kelder, Diane. Nancy Graves, Breaking Boundaries: Sculpture, Painting and Drawing on Loan from the Nancy Graves Foundation. Exh. cat., Art Gallery of the Graduate Center, The City University of New York, NY, 2002.
Lippard, Lucy. “Taking Off: The Aves Works.” Nancy Graves Aves: Forms in Flight. Exh. cat., Knoedler & Company, New York, NY, 2002.
Personal and Political: The Women’s Art Movement, 1969-1975. Exh. brochure, Guild Hall, East Hampton, NY, 2002, n.p.
Preble, Duane, Sarah Preble and Patrick Frank. Art Forms 7th ed., Upper Saddle River, NJ, 2002, p. 30.
Stewart, Mary. Launching the Imagination: A Comprehensive Guide to Basic Design 1st ed. New York, NY, 2002, p. 3 – 3
The Mitchell Gallery. General brochure The Elizabeth Myers Mitchell Art Gallery, St. John’s College, Annapolis, MD, 2002, n.p.
Zelanski, Paul and Mary Pat Fisher. The Art of Seeing 5th ed. Upper Saddle River, NJ, 2002, pp. 184 and 185.
Cembalest, Robin. “Flashback 1980: Gender Bender,” Artnews 101 January 2002, p. 136.
“Arts & Leisure Guide: Other Locations Nancy Graves,” The New York Times/Arts&Leisure February 24, 2002, p. 49.
Advertisement for “Nancy Graves: Aves, Forms in Flight” at Knoedler & Co., Inc., New York. Artnews 101 March 2002, p. 4.
“Hightlights: Nancy Graves at Knoedler & Company” and “Knoedler & Co.,” Art Now Gallery Guide March 2002, pp. 14-15 and 91.
Advertisement for “Nancy Graves: Aves, Forms in Flight” at Knoedler & Co., New York. Art in America 3 March 2002, back cover.
“Nancy Graves Knoedler” and “Nancy Graves CUNY Graduate Center,” New York March 18, 2002.
“Short List: Nancy Graves Knoedler,” The New Yorker March 25, 2002, p. 19.
“Galleries: Uptown Nancy Graves,” The New York Times/Arts & Leisure Guide March 31, 2002, p. 37.
Advertisement for “Nancy Graves: Aves, Forms in Flight,” at Knoedler & Co., New York. Artnews 101 April 2002, p. 2 .
“Art On View: Flights of Nancy,” New York Magazine 35 April 8, 2002, p. 105.
Johnson, Patricia C. “Nature and Art Connect in Spirited Work: Hybrid Talent,” Houston Chronicle/Arts & Entertainment/Art Review April 13, 2002, p. 9D.
“Galleries-Uptown: Nancy Graves,” The New Yorker April 15, 2002, p. 16.
Tomkins, Calvin. “Can Art Be Taught?,” The New Yorker April 15, 2002, p. 45.
Morgan, Robert C. “New York Reviews: Nancy Graves Knoedler and Art Gallery of the Graduate Center, CUNY,” Artnews 101 May 2002, p. 168.
Tomkins, Calvin. “Profiles: Man of Steel,” The New Yorker August 5, 2002, pp. 52-63.
Fanger, Iris. “The Play of Dance and Its Surroundings,” The New York Times/Dance September 22, 2002, p. 8.
Gomez, Edward M. “Power and Glory in Sisterhood,” The New York Times/Art/Architecture October 13, 2002, pp. 35-36.
Rothkopf, Scott. “Road Food: Carroll Dunham,” Art Forum XLI October 2002, pp. 132-137.
“Art World: Grants,” Art in America 11 November 2002, p. 174.
“News Briefs: Kudos,” Artnews 101 November 2002, p. 108.
2001
Adams, Laurie Schneider. A History of Western Art, 3rd ed. McGraw Hill, 2001, p. 547.
Benson, Richard and Richard Lytle. Yale University School of Art: Dean’s Letter Summer 2001. New Haven, CT, 2001, inside front cover and p. 6.
Brodie, Judith and Andrew Robison. A Century of Drawing: Works on Paper from Degas to LeWitt. Exh. cat., National Gallery of Art, Washington D.C., 2001, pp. 264 and 265.
De Medeiros, Melissa. Models of Observation: Flowers, Fishes, Birds, Butterflies. Exh. brochure Knoedler & Company, New York, NY, 2001, n.p.
De Salvo, Donna. “New York: 1969-1974.” Century City: Art and Culture in the Modern Metropolis. Exh. cat. Tate Modern, London, England, 2001, pp. 126, 127 and 284.
Fichner-Rathus, Lois. Understanding Art, 6th ed. Harcourt College Publishers, 2001, p. 518.
Kramer, Linda Konheim. “Nancy Graves (1939 – 1995)." Nancy Graves: Paintings, Sculpture and Works on Paper. Exh. brochure, The Lowe Gallery, Atlanta, GA, 2001, n.p.
Mattera, Joanne. The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax. New York, NY, 2001, pp. 22 and 25.
Streit-Lust. Exh. cat., Ludwig Forum, Aachen, Germany, 2001, pp. ?
Tannenbaum, Barbara, Mitchell D. Kahan and Jeffrey Grove. Akron Art Museum, Art Since 1850: An Introduction to the Collection. Akron Art Museum, Akron, OH, 2001, pp. 38, 188, 189 and 253.
Weingartner, Rudolph H. and Starr Figura. Prints by Sculptors: The Rudolph H. and Fannia Weingartner Collection of the Mary and Leigh Block Museum of Art. Exh. cat., Mary and Leigh Block Museum of Art, Northwestern University, Evanstown, IL, 2001, pp. 51, 74 and 75.
Fox, Catherine. “Gymnastic Sculpture,” The Atlanta Journal and Constitution/Weekend Review, Visual Arts January 26, 2001, p. Q8.
Advertisement for the exhibition Nancy Graves 1939-1995 at Lowe Gallery, Atlanta. Art Papers Magazine 25 January-February 2001, back cover illus.
Advertisement for the Knoedler & Company summer exhibition: “Models of Observation: Flowers, Fishes, Birds, Butterflies,” Artnews 100 Summer 2001.
Van Gelder, Lawrence. “Footlights: Across Centuries.” The New York Times July 25, 2001, p. E1.
“Models of Observation: Flowers, Fishes, Birds, Butterflies,” The New Yorker August 13, 2001, p. 16.
Johnson, Ken. “Art Guide: ‘Models of Observation’ Knoedler,” The New York Times August 17, 2001, p. E30.
“Yale University School of Art: Selections for the Exhibition,” Yale University School of Art: Dean’s Letter summer 2001.
“Art & Antiques Guide: Nature Observed,” Where: New York September 2001, pp. 56-57.
“National News: Kudos,” ARTnews 100 September 2001, p. 60.
Heartney, Eleanor. “Report from London: Boomtowns of the Avant-Garde,” Art in America 9 September 2001, p. 68.
“Art World: Grants,” Art in America 10 October 2001, p. 190.
Cuperman, Pedro Interview with Trisha Brown. “A Conversation with Trisha Brown,” Point of Contact 5 Syracuse University, Syracuse, fall/winter 2001, pp. 2 and 26-33.
2000
Collishan, J. Welded Sculpture of the Twentieth Century. Exh. cat., Neuberger Museum of Art, State University of New York, Purchase, New York, 2000, pp. 108, 109, 128 and 129.
Kemper, Jr, R. Crosby. Banking on Art: Fifty Years of Collecting. Kansas City, MO, 2000, cover, and pp. 50 and 51.
Landay, Janet. The Museum of Fine Arts Houston Visitor Guide. The Museum of Fine Arts, Houston, TX, 2000, pp. 352 – 353.
Ojeda, Oscar Riera, ed. National Airport Terminal: Cesar Pelli. Gloucester, MA, 2000, n.p.
Sayre, Henry M. A World of Art, 3rd ed. Upper Saddle River, NJ, 2000, p. 158.
Scott, Sue. Collector’s Choice II: Contemporary Art from Central Florida Collections. Exh. cat. Orlando Museum of Art, Orlando, FL, 2000, pp. 3, 15 and 24.
Yau, John. Nancy Graves, Points of Departure: Animal, Vegetable, Mineral. Exh. cat. Knoedler & Company, New York, 2000.
“Galleries: Solos (Nancy Graves).” New York March 27, 2000, p. 127
Johnson, [Ken]. “Art Guide: Nancy Graves,” The New York Times April 7, 2000.
Dow, Melinda. “Mount Everett students learn all about sculpture at Botanical Garden,” Berkshire Record September 22, 2000
Berman, Avis. “New York,” Archives of American Art Journal 40 Smithsonian, 2000, pp. 51-55.
1999
Adams, Laurie Schneider. Art Across Time, vol. II. McGraw-Hill College, 1999, p. 939.
Barlow, Margaret. Women Artists. Hugh Lauter Levin Associates, 1999, pp. 294, 295 and 297.
Collischan, Judy. Contemporary Classicism. Exh. cat., Neuberger Museum of Art, State University of New York, Purchase, NY, 1999, pp. 16, 17, 28, 31 and 32.
Fairbrother, Trevor and Bagley Wright. The Virginia and Bagley Wright Collection. Exh. cat., Seattle Art Museum in association with the University of Washington Press, Seattle, WA and London, England, 1999, pp. 118, 119 and 180.
Goldman, Judith. Kenneth Tyler: Thirty Years of Printmaking. Exh. brochure, Art Center College of Design, Alyce de Roulet Willimason Gallery, Pasadena, CA, 1999, n.p..
Kelder, Diane. Nancy Graves Prints: On Loan from the Nancy Graves Foundation. Exh. brochure, Gallery of the College of Staten Island, CUNY Staten Island, NY, 1999, n.p.
Mittler, Gene and Rosalind Ragans. Exploring Art. Glencoe McGraw-Hill, 1999, p. 44.
Phillips, Lisa. The American Century: Art & Culture 1950-2000. Exh. cat., Whitney Museum of American Art, New York, NY, 1999, pp. 262 and 263.
Preble, Duane, Sara Preble and Patrick Frank. Artforms: An Introduction to the Visual Arts 6th ed. Addison Wesley Educational Publishers, 1999, p. 32.
Ratcliff, Carter. Stamford Sculpture Walk ’99. Exh. cat., Stamford Town Center and Downtown, Stamford, CT, 1999, n.p.
Stavitsky, Gail. “Waxing Poetic: Encaustic Art in America during the Twentieth Century.” Waxing Poetic: Encaustic Art in America. Exh. cat., The Montclair Art Museum, Montclair N J, 1999, pp. 27 and 68.
Steiner, Raymond. The Art Students League of New York: A History. Saugerties, NY, 1999, p. 182.
“CSI to open ‘Nancy Graves Prints’,” Staten Island Advance February 15, 1999.
Nochlin, Linda. “On Nancy,” in “Four Close-Ups and One Nude, Art in America 87 February 1999, pp. 66-67 and 69.
Fressola, Michael J. “ ‘Nancy Graves: Prints’ at CSI,” Staten Island Advance March 5, 1999, p. B3.
S, V. H. “New Yorker Galerie Knoedler zu Gast bei Raab,” Die Welt March 10, 1999.
Goldstein, Sandy. “Important Sculptors of the Late Twentieth Century,” The Stamford Downtowner 1 Stamford, CT, spring 1999, pp. 1 and 3.
“MAM Presents Waxing Poetic: Encaustic Art In America,” The Montclair Art Museum Members’ Bulletin spring 1999, n.p.
Zeaman, John. “Warming up to an old technique: Encaustic revival in Montclair,” The Hackensack Record July 9, 1999.
“‘Waxing Poetic’ on Display at Museum,” East Orange Record July 22, 1999.
“Art: Museums,” New York August 2, 1999.
Glueck, Grace. “In Artists’ Prints, Work and Play and Some Departures: Nancy Graves,” The New York Times November 5, 1999, pp. E 37 and E 40.
“Art Guide,” The New York Times November 12, 1999, p. E43.
Wageman, Virginia. “Print Show highlights women artist: recent Prints from the Bank of America Collection,” Honolulu Advertiser December 12, 1999.
1998
Arnason, H. H. and Marla F. Prather. History of Modern Art: Painting Sculpture Architecture Photographs. Harry N. Abrams, New York, NY 1998, p. 730, plate 454 Illus.
State of the Art. Barrett Kendall, 1998.
Carmean Jr., E.A. “Common Denominators. Different Solutions.” Nancy Graves: 20 Years of Prints and Sculpture. Exh. cat., The Bermuda National Gallery, Hamilton, Bermuda, 1998.
Fine Ruth E. and Molly Donovan. Women Artists in the Vogel Collection. Exh. cat., Brenau University Galleries, Gainesville, GA, 1998, pp. 9, 13-15, 30, 53 and 58.
Gilbert, Rita. Living with Art 5th edition. McGraw Hill, New York, NY, 1998, pp. 94, 277 and 278
Lambeth, James and Miles James. Cuisine of the Creative. Miami Dog Press, Johnson, AR, 1998, pp. 46 – 49.
Morgan, Robert C. “American Sculpture and the Search for a Referent” and “Nancy Graves: Translucency.” The End of the Art World. New York, NY, 1998, pp. 91, 95 – 97 and 139–148.
Ocvirk, Otto G. et al. Art Fundamentals: Theory and Practice 8th ed. McGraw-Hill, 1998, pp. 50, 51 and 239.
Omaggio a Nancy Graves. Exh. brochure, 2RC Edizioni d’Arte, Rome, Italy, 1998, n.p.
Ragans, Rosalind et al. “Harmony,” Art Connections: Level 4. Columbus, OH, 1998, pp. 178 and 179.
Ross, David A., Adam D. Weinberg and Beth Venn. American Art of the Twentieth Century: Treasures of the Whitney Museum of American Art. Whitney Museum of American Art and Abbeville Press, New York, NY, 1998, p. 250.
Storr, Robert, Kirk Varnedoe and Deborah Wye, Chuck Close. Exh. cat., The Museum of Modern Art, New York, 1998, pp. 29 and 108.
Teicher, Hendel et al. Trisha Brown: Danse, Précis de Liberté. Exh. cat., Centre de la Vieille Charité, Marseille, France, 1998, cover and p. 58.
Weber, Joanna. “Of Colored Bones and Metal Rods: Nancy Graves’s Calegli." Yale University Art Gallery Bulletin 1997 – 98. Yale University Art Gallery, New Haven, CT,1998, pp. 88 – 93.
Westerson, Kris. Nancy Graves (1940 – 1995): Camel Investigations. Exh. brochure, University of North Texas Art Gallery, Denton, TX, 1998, n.p.
“Nancy Graves: Camel Investigations, The University of North Texas Art Gallery/Art 1998: Spring Exhibitions Denton, TX, 1998, n.p.
Palmer, Rachel. “Variations on a Theme,” Entertainment Chronicle January 22, 1998, p. 3.
Sandlin, Kristi. “‘Camel Investigations’ brings fine arts, history to life,” The North Texas Daily/Arts and Entertainment January 22, 1998, p. 7.
“Must-See UNT,” Fort Worth Star-Telegram January 23-29, 1998, p. 3.
Mitchell, Charles Dee. “Nancy Graves at UNT,” The Daily Morning News February 7, 1998, p. 8C.
Akhtar, Suzanne. “Nancy Graves’ camel images travel well through many media,” Fort Worth Star-Telegram/Arts February 15, 1998, p. G3.
“Winter/Spring Exhibitions: Nancy Graves: Excavations in Print,” Newsletter: Middlebury College Museum of Art 12 Winter/Spring 1998, p. 1.
Dugan, Cory. “Digging Graves, ‘Excavations in Print’ unearths an uneven body of work by a post-modern Pioneer,” Memphis Flyer:Arts & Leisure July 21, 1998, n.p.
“Nancy Graves: A Wealth of Influences,” National Gallery News/Monthly Newsletter of the Bermuda National Gallery July-August 1998, n. p.
Johnson, Ayo. “Educational opportunities abound at the upcoming Nancy Graves Exhibition,” Bermuda Sun September 11, 1998, n.p.
“Nancy Graves: Special Exhibition Concludes Tour of American Federation of Arts Traveling Prints Exhibition,” National Gallery News/Monthly Newsletter of the Bermuda National Gallery September 1998, Cover article.
Hess, Heidi. “Fantastic fun!: Graves Show Wins Rave Reviews,” National Gallery News/Monthly Newsletter of the Bermuda National Gallery October 1998, Cover and p. 3.
Masefield, Jennifer. “Bold Genius: Opening Address Lauds Nancy Graves’ Vision,” National Gallery News/Monthly Newsletter of the Bermuda National Gallery November 1998, Cover and p. 2.
1997
Anderson, Mark. Cast Contemporary Sculpture: The Walla Walla Foundry. Exh. cat., Sheehan Gallery, Whitman College, Walla Walla, WA, 1997, n.p.
Archer, Michael. Art Since 1960 . London, England, 1997 and 2002, p. 121.
Contemporary Masterworks: Artists and Collectors Celebrate Knoedler & Company’s150th Anniversary. Exh. cat. Knoedler & Company, New York, 1997, n.p.
Close, Chuck. The Portraits Speak: Chuck Close in Conversation with 27 of his Subjects. New York, NY, 1997, pp. i, 1 – 37, 40 and 707.
Hughes, Robert. American Visions: The Epic History of Art in America . New York, NY, 1997, pp. 579 – 581.
James-Gadzinski, Susan and Mary Mullen Cunningham. American Sculpture in the Museum of American Art of the Pennsylvania Academy of Fine Arts. Museum of American Art of the Pennsylvania Academy of Fine Arts, Philadelphia in association with the University of Washington Press, Seattle and London, 1997, p. 329.
Remer, Abby. Pioneering Spirits: The Lives and Times of Remarkable Women Artists in Western History. Worcester, MA, 1997, p. 129.
Rosenbaum, Allen. In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of the Art Museum. Exh. cat., The Art Museum, Princeton University, Princeton, NJ, 1997, pp. 260 and 341.
Rosenberg, Gary D. “Finding Fossils in Fossil Abstractions at Dinofest.” Dinofest International Proceedings. Arizona State University, Tempe, AZ, 1997, pp. 559 – 562 and 568.
Sayre, Henry M. A World of Art, 2nd ed. Upper Saddle River, NJ, 1997, p. 142.
Tuchman, Phyllis. Drawing Transfigured: Works on Paper from the Ludwig Collections 1960s-70s. Exh. brochure, Robert Hull Fleming Museum, Burlington, VT, 1997, pp. 3 and opp. 3.
Welcome to the New National Airport: What a Departure. Washington, D.C, 1997, n.p.
Wilkins, David G., Bernard Schultz and Katheryn M. Linduff. Art Past/Art Present 3rd ed. New York, NY, 1997, pp. 590 and 591.
Shapiro, Harold T. “The President’s Page: A Sumptuous Feast for the Eye and Mind,” The Alumnae Weekly Princeton, NJ, before June 1997.
Wiseman, Carter. “Flights and Fancy,” Artnews 96 June 1997, pp. 116-121.
Protzman, Ferdinand. “ Artwork Reflects Nation’s Vibrancy and Diversity,” The Washington Post July 16, 1997.
Green, Roger. “Graves Transformed Mundane,” The Ann Arbor News August 17, 1997, Section E 6.
Johnson, Ken. “ Nancy Graves, Knoedler,” The New York Times October 17, 1997.
Advertisement for Nancy Graves: Between Painting & Sculpture at Knoedler & Company, NY, Artnews 96 October 1997, p. 75.
Rotman, Brian. “The Truth About Counting,” The Sciences 37 The New York Academy of Sciences, November/December, 1997, pp. 34-39.
Landi, Ann. “Acquiring Minds: Budding collectors get a serious education in how to buy art,” Artnews 96 December 1997, pp. 134 and 136.
1996
Bouhours, Jean-Michel. L’art du mouvement: Collection cinématographique du Musée national d’art moderne, 1919 – 1996. Centre Georges Pompidou, Paris, France, 1996), pp.187 and 188.
Clinton, Hillary Rodham and Marcia Tucker. Twentieth Century American Sculpture at The White House: Exhibition IV. Exh. cat., The White House, Washington, D.C., 1996, n.p.
Donovan, Molly. “Nancy Graves,” in Mark Rosenthal, The Robert and Jane Meyerhoff Collection: 1945-1995. Ex. cat., National Gallery of Art, Washington, D.C., pp. 55 illus., 56 and 240.
Drucker, Johanna and Coco Fusco. Identitat Multiple: Obres del Whitney Museum of American Art. Exh. cat., Museu d’Art Contemporani de Barcelona, Spain, 1996, pp. 44 and 84.
“Fossil Abstractions.” Dinofest International: Official Program & Guide. Arizona State University, Tempe, AZ, 1996, n.p.
Frankel, David, ed. Sniper’s Nest: Art That Has Lived with Lucy R. Lippard. Exh. cat., Center for Curatorial Studies, Bard College, Annandale on Hudson, NY, 1996, pp. 17 illus. and 89.
Freedman, Ann. Nancy Graves: New Sculpture/Temptations of the Imagination-The Last Series. Exh. cat. Knoedler & Company, New York, NY, 1996, n. p.
Larson, Kay. “Elegies of Narnia: For Nancy Graves, 1940 – 1995.” Nancy Graves: In Memoriam. Exh. cat., Locks Gallery, Philadelphia, PA, 1996, n.p.
Lawson, Karol Ann Peard. Woman’s Work: A Century of Achievement in American Art. Exh. cat., The Columbus Museum, Columbus, GA, 1996, p. 10.
Le Thorel, Pascale. Petit Dictionnaire des artistes contemporains. Paris, Larousse, 1996.
Ludwig, Irene and Peter et al. Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Ludwig Museum für Internationale Kunst, Chinesisches Kunstmuseum, Beijing, China, 1996, pp. 92 – 93.
Oldknow, Tina. Pilchuck: A Glass School. Pilchuck Glass School in association with the University of Washington Press, Seattle, WA, 1996, pp. 252 and 278
Padon, Thomas. Nancy Graves: Excavations in Print, A Catalogue Raisonné. Harry N. Abrams, Inc., Publishers in association with the American Federation of Arts, New York, NY, 1996.
Ruzicka, Joseph, Ink on Paper: The Quad/Collection 1971-1996. Exh. cat. Milwaukee Art Museum, Milwaukee, WI, 1996, pp. 62 and 153.
Ruzicka, Joseph. Landfall Press: Twenty-five Years of Printmaking. Exh. cat. Milwaukee Art Museum, 1996, pp. 8, 15, 36, 137, 195 and 209.
Sandler, Irving. Art of the Post Modern Era: From the Late 1960s to the Early 1990s. Boulder, CO, 1996 and 1998, pp. 77 – 79, 110, 142 and 159.
Scheps, Marc and Evelyn Weiss. 20th Century Art/ Kunst des 20. JahrhundertsL’art du 2oe siècle, Museum Ludwig Koln. Cologne, Germany, 1996, pp. 19, 248 and 249.
Some New Prints…Some Recent Acquisitions. Brochure, Flanders Graphics, Minneapolis, MN., 1996, n.p.
Stiles, Kristine and Peter Selz, eds. Theories and Documents of Contemporary Art. Berkeley, CA and London, England, 1996, pp. 578-579 and 597 – 600.
Stoops, Susan L. et al. More than Minimal: Feminism and Abstraction in the '70s. Exh. cat. Rose Art Museum, Brandeis University, Waltham, MA, 1996, pp. 6, 9, 19, 21, 33-35, 50-53, 92 and 101.
Tyler, Kenneth, Sanjot Kaur Sekan and Elizabeth McDonald. Beyond Print: Masterworks from the Ken Tyler Collection. Exh. cat. Lasalle-SIA College of the Arts, Dr. Earl Lu Gallery, Singapore, 1996, n.p.
Wale, George, Linda Cathcart, Michael Edward Shapiro and Robert Hughes. Nancy Graves, American (1940-1995): Camels VI, VII, VIII. Exh. brochure, Burlington Art Center, Burlington, Ontario, Canada, 1996, n.p.
“News and Events: Nancy Graves remembered,” Scultpure 15 Washington D.C., February 1996, p. 9.
Perreault, John. “A New View,” Review April 1, 1996, p.16.
Stapen, Nancy. "Art Review: Feminism meets minimalism," The Boston Globe/Living/Arts April 30, 1996, pp.27 and 36.
Advertorial. “Art Preview: Rose Art Museum/More Than Minimal: Feminism and Abstraction in the’70s,” Art New England April/May 1996, p. 51
Karmel, Pepe. "Nancy Graves: Temptations of the Imagination: The Last Series," The New York Times May 17, 1996, p. C 24.
Shine, James G. “Art Legacy of Vassar alum Nancy Graves,” Daily Freeman, Preview May 17, 1996, p. 9.
“Camels VI, VII, VIII,” The Centre Burlington Art Centre, Burlington, Ontario, Canada, spring 1996, p. 3.
Clemons, Joan D., “Tribute to Nancy Graves 1941-1995,” Miss Hall’s School Bulletin 15 Pittsfield, MA, spring 1996, front and back covers, pp. 8-9 and 32.
“In Memoriam,” Vassar Quarterly Alumnae and Alumni of Vassar College, Poughkeepsie, NY, spring 1996, p. 63.
Nochlin, Linda. “Nancy Graves ‘1940-1995, Art at Vassar/Newsletter of the Friends of the Frances Lehman Loeb Art Center Vassar College Art Gallery, Poughkeepsie, New York, spring 1996, pp. 1-5.
Horowitz, Stash. “Sex Education,” The Back Bay Courant Boston, MA, June 25, 1996, p. 10.
“Summer Calendar: The Rose Art Museum,” Boston Magazine June 1996, p. 84.
Announcement of Nancy Graves exhibition at Knoedler & Company, Inc. The Art Newspaper 60 June 1996.
Kimmelman, Michael. “Different Sides,” The New York Times August 16, 1996, p. C22.
Unger, Miles. “Needful Things: Feminism and Abstraction,” Art New England, August/September, 1996.
Bourdon, David. “New York and Philadelphia: Nancy Graves at Knoedler and Locks,” Art in America 84 September 1996, p. 105
“Saff Tech Arts advertisement,” Art in America 84 September 1996.
Nadelman, Cynthia. “Nancy Graves: The Missing Link,” Artnews 95 September 1996, p. 82.
Stapen, Nancy. “National: More Than Minimal: Feminism and Abstraction Rose Art Museum, Brandeis University,” ARTnews September 1996, p. 138.
Lloyd, Ann Wilson. “Waltham, MA: ‘More Than Minimal: Feminism and Abstraction in the ‘70s,” Sculpture October 1996, pp. 62-63.
Announcement of formation of Foundation, Art in America 84 December 1996, p. 44.
“Office of the Director,” The Brooks Memphis Brooks Museum of Art, Memphis, Tennessee, winter 1996, pp. 2-3.
Cover illustration “Between Sign and Symbol.” Pequod 40 New York University, NY 1996.
“Fossill Abstractions,” Dinofest International/Official Program & Guide Arizona State University, Tempe, Arizona 1996.
“Nancy Graves: Excavations in Print,” The American Federation of Arts Exhibition Program 1997 New York, NY 1996, p. 36.
1995
Fichner-Rathus, Lois. Understanding Art 4th ed. Englewood Cliffs, 1995, p. 462.
Hamilton, Susan, Some Very Important American Artist. Exh. cat. American Embassy, Jakarta and Wetterling Teo Gallery, Singapore, 1995, n.p.
Heller, Jules and Nancy G. North American Women Artists of the 20th Century: Biographical Dictionary. 1995, p. 223.
Hobbs, Jack and Richard Salome. The Visual Experience. Davis Publications, 1995.
Johnson, Diana L. and George Hofmann. Color in Space: Pictorialism in Contemporary Sculpture. Exh. cat., David Winton Bell Gallery, Brown University, Providence, RI, 1995. pp. 22 and 23.
Kahn, Robin, ed. Time Capsule: A Concise Encyclopedia by Women Artists. New York, NY, 1995, p. 60.
Minamishima, Hiroshi. “Ken Tyler and the Great Artists of Modern Art.” Center for Contemporary Graphic Art and Tyler Graphics Archive Collection. Center for Contemporary Graphic Art and Tyler Graphic Archive Collection, Fukushima, Japan, 1995, pp. 53, 54 and 176.
Murray, Elizabeth. Artist’s Choice: Elizabeth Murray — Modern Women. Exh. brochure, The Museum of Modern Art, New York, NY, 1995, n.p..
Rubinstein, Charlotte Streifer. “Part II: Beyond Gender.” In Three Dimensions: Women Sculptors of the ‘90s. Exh. cat., Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, 1995, pp. 55, 56 and 70.
Simon, Joan and Nancy Princenthal. Timepieces: A Collaboration of Nancy Graves with Saff Tech Arts. Exh. cat., Brenau University Galleries, Gainsville, GA, 1995.
Tyler, Kenneth, Kaoru Yanase and Hiroshi. “Interview with Kenneth Tyler.” Graphic Vision: Kenneth Tyler Retrospective Exhibition: Thirty Years if Contemporary American Prints. Exh. cat., Center for Contemporary Graphic Art and Tyler Graphics Archive, Fukushima, Japan, 1995, pp. 16, 28 and 30.
Wilkin, Karen. Spring Summer 1995 Exhibition: Grounds for Sculpture. Exh. cat., Grounds for Sculpture, Hamilton, NJ, 1995, n.p..
Zelanski, Paul and Mary Pat Fisher. Shaping Space. Harcourt Brace College Publishers, 1995.
Vogel, Carol, “Inside Art/Knoedler Gallery Discord,” The New York Times January 13, 1995, p. C28.
“Sunday Best, The Picks of the Day: Nancy Graves,” The Atlanta Journal/The Atlanta Constitution Atlanta, GA, January 29, 1995, p. N 2
Kangas, Matthew. “Glass Art (advertisement).” Art News, January 1995, p. 56.
“Center for Contemporary Graphic Art & Tyler Graphics Archive Collection established in Japan: The Collection,” Walking Through V Tyler Graphics Ltd., summer 1995, pp. 14.
Print Collector’s Newsletter July-August 1995
Brace, Eric. “Donald Saff: ‘Invented in a Garbage Pail,’” Artnews May 1995, pp. 119-120.
Dorsey, John. ‘The Graphic Details: Don Saff’s Studio Puts Flesh on Bones of Artists’ Ideas,” The Sun Baltimore, MD?, April 16, 1995, p. I J
Cuperman, Pedro. “Time Swerving,” Point of Contact 4 Syracuse, NY, fall 1995, pp. 55-62.
Bahlman, D.R., “Artist Nancy Graves, Pittsfield native, is dead at 54,” The Berkshire Eagle Pittsfield, MA, October 24, 1995, pp. A1? and A4.
Smith, Roberta, “Nancy Graves, 54, Prolific Post-Minimalist Artist,” The New York Times New York, NY, October 24, 1995, p. B8.
Temin, Christine. “Nancy Graves’ Art of natural whimsy,” The Boston Globe October 26, 1995, obituary.
Fressola, Michael J. “ ‘Beyond Gender’ at the Newhouse,” Staten Island Advance December 29, 1995, p. C7.
1994
Art Resources in Teaching, Centennial Birthday Journal: 1894-1994 (A.R.T, Chicago, IL, 1994), p. 40.
Bowker, R.R. Who’s Who in American Art 1993 – 1994. 1994
Butler, Cornelia H. Inspired by Nature. Exh. cat., Neuberger Museum of Art, State University of New York, Purchase, New York, 1994, pp. 2, 10 and 14.
Cateforis, David, Putting Things Together: Recent Sculpture from the Anderson Collection. Exh. brochure The Art Museum of Santa Cruz, Santa Cruz, CA, 1994, n.p.
Craven, Wayne. American Art: History and Culture. Brown & Benchmark, University o Michigan, 1994, p. 613.
Mondale, Joan and Siri Engberg, “Reception Hall,” United States Ambassador’s Residence, Tokyo: Guide to the Art Collection (The Friends of Art and Preservation in Embassies, 1994, n.p.
Myers, Donald. Sculpture, An Illustrated Catalogue, National Gallery of Art (National Gallery of Art, Washington, D.C., 1994), p. 105.
Sculpture. Exh. cat. National Gallery of Art, Washington, D.C., 1994
Shapiro, Daniel and Jack Flam. Western Artists/African Art. Exh. cat. The Museum for African Art, New York, 1994, pp. 38 and 39.
Storr, Robert. Mapping. Exh. cat., Museum of Modern Art, New York, NY, 1994, pp. 19, 40 and 56.
The Century Association Yearbook 1994 New York, NY, 1994, p. 156.
“Nancy Graves: Excavations in Print,” The American Federation of Arts Exhibitions Program 1994-95, New York, NY, 1994, p. 27.
“Nancy Graves: Recent Works,” The Chrysler Museum Bulletin/Exhibitions 24 Norfolk, VA, winter 1994, Cover and p. 5.
Tobias, Phillip V. “Piltdown Unmasked,” The Sciences 34 The New York Academy of Sciences, January/February 1994, pp. 38-42.
Annas, Teresa. "Art: New York sculptor pushes boundaries," The Virginian Pilot and The Ledger-Star March 6, 1994, p. G13.
McGreevy, Linda. "Enlarged Dimensions: Graves' brainy sculpture excavates art History," City Magazine/Art & Artists Norfolk, VA, March 1994, p. 31.
“Naumkeag gardens to host summer sculpture exhibition,” The Berkshire Eagle Pittsfield, MA, May 13, 1994.
Tully, Judd. “Africa Comes to Soho,” Art & Auction May 1994, p. 163.
“African Art = Life,” Artnews May 1994, p. 95.
‘The Frances Lehman Loeb Art Center Opening Day,” Friends of the Frances Lehman Loeb Art Center: Art at Vassar spring 1994, p. 3.
“Current Exhibitions,” The Chrysler Museum Bulletin 24 Norfolk, VA, spring 1994, p. 8
Weightman, Sharon. "Sculptor explores the boundaries," The Florida Times-Union/Art & Style May 29, 1994, Section H, pp. 1 and 4.
“’Ein Teil von mir,’” Süddeutsche Zeitung Magazin 22 June 3, 1944, p. 31.
Du Plessix Gray, Francine. “Onward and Upward with the Arts: Rebuilding Rome,” The New Yorker June 6, 1994, pp. 48-55.
Shuter, Marty. “The Challenge of Modern Art: Artist’s Jacksonville Show Mixes The Old, The Odd And The New," Savannah News-Press/Arts and Travel June 12, 1994, Section F, pp. 1 and 6.
Weeks, Ted. "Nancy Graves: Works of frenetic energy and drama," Folio Weekly Jacksonville, June 14, 1994, p. 42.
Gillett, Michelle. “Alice in Naumkeag,” The Berkshire Eagle Pittsfield, MA, July 5, 1994.
Liebmann, Lisa. “Africa, at the Source,” The New York Times Magazine July 10, 1994, p. 40.
Mullins, Michael. “Zen…and the Art of Interior Design,” Southwest Passages July/August 1994, p. 49.
Smith, Roberta. “Art in Review: ‘Mapping’," The New York Times October 14, 1994, p. C28.
“Alumni/ae News: 1994,” Skowhegan Newsletter fall 1994.
“Nancy Graves Stuck, the Flies Buzzed,” J.J. Brookings Gallery Newsletter winter 1994, n.p.
1993
All Roads Lead to Rome. Exh. cat. Palazzo delle Esposione, Rome, Italy, 1993.
“Art Programs: Modern Prints and Drawings.” National Gallery of Art 1992 Annual Report. National Gallery of Art, Washington, DC, 1993, pp. 33 and 34
Bony, Anne. Les Années 70. Paris, France, 1993
Greenberg, Jan and Sandra Jordon. The Sculptor’s Eye: Looking at Contemporary American Art. New York, NY, 1993, pp. 16-17, 82-83, 110 and 111.
Grounds for Sculpture. Exh. cat. Grounds for Sculpture, Hamilton, NJ, 1993, n.p.
Han, H.N. and Eleanor Heartney. Neither East Nor West: Seven Contemporary New York Artists. Exh. cat. Taipei Gallery, New York, NY, 1993, pp. 9, 13 and 25-29.
“Nancy Graves: Excavations in Print, ”The American Federation of Arts Exhibitions Programs 1993-94 (New York, NY, 1993), p. 19.
Nash, Laura, Breeching Containment. Exh. brochure The Gallery, Three Zero, New York, NY, 1993, n. p.
Newman, Sasha, Lesley K. Baier, eds. and Nicholas Fox Weber, Yale Collects Yale: 1950-1993. Exh. cat. Yale University Art Gallery, New Haven, CT, 1993, pp. 33, 40, 41, 76 and 89.
Platt, Susan. “Nancy Graves,” WCA (Women’s Caucus for Art) Honor Awards for Outstanding Achievement in the Visual Arts: 14th Annual Exhibition. Exh. cat. Bellevue Art Museum, Bellevue, WA, 1993, pp. 14 – 17.
Plotkin, Linda, Beyond Description: Images of Nature. Exh. brochure G. W. Einstein Company, Inc., New York, NY, 1993, no. 9.
Reflet-Restitution: La sculpture pop et hyperréaliste. Exh. brochure, Abbaye Saint-André, Centre d’Art Contemporain, Meymac, Corrèze, France, n.p.
Russell, Stella Pandell. Art in the World 4th ed. Harcourt Brace Jovanovich Publishers, 1993, pp. 465, 478 and 479.
Rybczynski, Witold. A Place for Art: The Architecture of the National Gallery of Canada/Un Lieu pour l’art: L’Architecture du Musée des beaux-arts du Canada. National Gallery of Canada, Ottawa, 1993, p. 93.
Ward, Roger and Patricia J. Fidler. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Hudson Hills Press, New York in association with the Nelson-Atkins Museum of Art, Kansas City, MO, 1993, p. 260.
Yager, David, E. A. Carmean, Jr., and Robert C. Morgan. Nancy Graves: Recent Works. Exh. cat., Fine Arts Gallery, University of Maryland, Baltimore County, Catonsville, MD, 1993.
“Nancy Graves: Excavations in Print,” The American Federation of Arts Exhibition Program 1993-94 1993, The American Federation of Arts, New York, p. 19.
Ament, Deloris Tarzan. “Work from Walla Walla Foundry,” The Seattle Times January 7, 1993, p. E2.
Hackett, Regina. “Show has distinct touch of Walla Walla Foundry,” Seattle Post-Intelligence January 20, 1993, pp. C 1 and 11.
Dorsey, John. "Graves' art gains from paradox," The Baltimore Sun February 14, 1993, pp. 1M and 7M.
“Nancy Graves Ill,” The Baltimore Sun February 14, 1993, p. 7M.
Dorsey, John. "Ambitious Display of Graves' Works Challenges Viewers," The Baltimore Sun February 23, 1993.
Cuperman, Pedro and Nancy Graves. “Tango,” Point of Contact 3 April 1993, p. 71-90.
Sanjinés, José. “Tango: a Metaphor of Collaborative Art,” Point of Contact 3 April 1993, pp. 91-103.
Scobie, Ilka. "Nancy Graves: A Contemporary Master's Vibrant Culmination of Allegory and Alloy," Cover April 1993, p. 8.
Wollen, Peter. “Baroque and Neo-Baroque in the Age of Spectacle,” Point of Contact 3 April 1993, p. 14 illus.
“Galleries Uptown: Neither East nor West,” The New Yorker July 26, 1993, p. 18.
Watkins, Eileen. “Art,” The Star Ledge/Weekend Guide and Arts/Entertainment Newark, NJ, July 3, 1993.
Hughes, Robert. “Art: The View from Piccadilly,” Time October 4, 1993, pp. 78 and 79.
Interview: Alex Katz, Nancy Graves, April Gornik, Eric Fischl, Nancy Spero look at Matisse. Nancy Graves interview. "The Amazing, Technicolor Dream Painter," Border Crossings winter 1993, pp. 33-35.
Malone, Maggie. “Vassar’s Gift to the Valley,” Hudson Valley November 1993, p. 47.
Witzling, Mara. "Mutual Implications," Art New England 15 December 1993/January 1994, pp. 30, 31, 49 and cover.
1992
Books and Portfolios: 1957 – 1992. Marlborough Graphics, New York, NY, 1992, p. 6.
Franc, Helen M. An Invitation to See: 150 Works from the Museum of Modern Art. The Museum of Modern Art, New York, NY, 1992, p. 103.
Friend, David and the editors of LIFE. More Reflections on the Meaning of Life. Boston, Toronto, London, 1992, pp. 165 and 217.
Gercke, Irmgard et al. Nancy Graves: ihre Kemele in Aachen… Ludwig-Forum fur Internationale Kunst, Aachen, 1992.
Gilmour, Pat , Taro Armano and Mitsuo Yoshikawa, Innovation in Collaborative Printmaking: Kenneth Tyler 1963 – 1992. Exh. cat. Yokohama Museum of Art, Yokohama, Japan, 1992, pp. 56 – 59 and 196.
Graves, Nancy, Alchemy of Time. Exh. brochure Irving Galleries, Palm Beach, FL, 1992, n.p.
Kelder, Diane. America/Italy: A Visual Dialogue that Continues. Exh. brochure, Gallery 313, The College of Staten Island, City University of New York, Staten Island, NY, 1992, n.p.
Kimmel, Roberta with Edith Newhall. In Artists’ Homes: The Living Space of Contemporary Artists. New York, NY, 1992, pp. 46 – 51 and 179.
Matthews, Gene et al. Visiting Artist Program: 20th Anniversary Show. Exh. cat. CU Art Galleries, University of Colorado at Boulder, 1992, pp. 19 and 20.
Lippard, Lucy. Eva Hesse. Da Capo Press. New York, NY, 1992, pp. 172, 178, 203, 204, 217 fn. 44.
Pekarik, Andrew. Sculpture Behind the Scenes. New York, NY, 1992, cover and pp. 24 – 25.
Pilchick Glass School: Summer 1992. Brochure, Seattle, WA, 1992, Summer Artists-in-Residence, p. 6
Scarpetta, Guy. La Festival d’Automne de Michel Guy. Paris, France, 1992, pp. 235 – 240.
Schwartz, Constance. An Ode to Gardens and Flowers. Exh. cat., Nassau Museum of Art, Roslyn Harbor, NY, 1992, pp. 29 and 77.
The Louis Comfort Tiffany Foundation: 1991 Awards in Painting, Sculpture, Printmaking, Photography and Craft Media. New York, NY, 1992, p. 60.
Yale University: Two Hundred Ninety-First Commencement: May 25, 1992. New Haven, Connecticut, 1992, n.p.
Rose, Barbara, “The Return of the Image,” New York Magazine January 17, 1992, p. 50
Stretch, Bonnie Barrett. "Nancy Graves: Knoedler," ARTnews 91 January 1992, p. 118.
Holg, Garrett, “Graphicstudio, National Gallery of Art,” ARTnews 91 January 1992, p.118.
Sjostrom, Jan. "The Alchemy of Time," Palm Beach Daily News/Arts February 9, 1992, pp. B1 and B4.
Schwan, Gary. "Art Notes: Gallery honors Graves for multicultural works," The Palm Beach Post, February 21, 1992, p. 18.
Wolff, Millie. “Nancy Graves, a potpourri of talents” and “Graves’ artistry on exhibit at Irving,” Palm Beach Today February 29-March 6, 1992, p. 18.
Protzman, Ferdinand. “Peter the Great,” ARTnews February 1992, pp. 74-79
“Multiples & Objects & Books,” Print Collector’s Newsletter 23 March-April 1992, p. 28.
“Opening Exhibitions: Art’s Night Out,” Newsletter: Neuberger Museum, State University of New York at Purchase Spring, 1992.
“Nancy Graves, RAAR, ’79,” Academy/Newsletter of the American Academy in Rome summer 1992, p. 13.
Takagi, Yukie and Elizabeth Armstrong. “ An Introduction to Tyler Graphics,” Mizue 963 summer 1992, pp. 86-89.
“National Gallery of Art: November Calendar of Events,” The Washington Post: Weekend October 30, 1992, p. 5.
Thorson, Alice. “And Then There Were Three,” The Kansas City Star/Style November 10, 1992, Section E, pp. 1 and 8
Kennedy, Shawn G. “‘The Artists’ Homes: The Living Spaces of Contemporary Artists’ by Roberta Kimmel with Edith Newhall; photographs by Karl Haavisto,” The New York Times/The Home Section December 17, 1992, p. C6.
1991
A Selection of Paintings and Sculpture: Nancy Graves, Pat Stier, Sam Francis, Terrance la Noue. Exh. announcement, Ochi Gallery, Sun Valley, ID, 1991.
Bosio, Gérard, Francis Delille and Federico Mayor. Mémoire de la Liberté: Déclaration Universelle des droits de l’homme. UNESCO, Paris, France, 1991, pp. 63 and ‘Les artistes.'
Bourdon, David. “Nancy Graves: The Virtues of Metaphor.” Nancy Graves: Paradigm and Paradox. Exh. cat., Locks Gallery, Philadelphia, PA, 1991, n.p.
Corlett, Mary Lee. “Nancy Graves: Canoptic Legerdemain, 1990. ”Art for the Nation, Gifts in Honor of the 50th Anniversary of the National Gallery of Art. Exh. cat., 1991, p. 514.
Cromwell-Lacy, Sherry. Selections from the Mary & Crosby Kemper Collection of Kansas City Art Institute: The Inaugural Exhibition. Exh. cat. Kansas City art Institute, Kansas City, MO, 1991, n.p., pl. 25.
del Re, Marisa. IIIème Biennale de Sculpture: Montecarlo, 1991. Exh. cat., Montecarlo, 1991, pp. 52 and 53.
Energy Fields Transfixed: Recent Works by Nancy Graves. Exh. brochure, Meredith Long & Company, Houston, TX, 1991.
Fine, Ruth E. and Mary Lee Corlett. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Exh. cat. National Gallery of Art, Washington D.C., 1991, pp. 40, 42, 48, 49, 153, 154, 278 – 283 and 307.
Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Exh. brochure National Gallery of Art, Washington, D.C., 1991, n.p.
Hansen, Trudy Victoria and Eleanor Heartney. Presswork: The Art of Women Printmakers: Lang Communications Corporate Collection. Exh. cat., The National Museum of Women in the Arts, Washington, D.C., 1991, pl. 63 and p. 113.
Hoffman, Katherine. Explorations: The Visual Arts since 1945. Basic Books, 1991, p. ?
Janson, H.W, revised and expanded by Anthony F. Janson. History of Art Fourth ed. New York, NY, 1991, pp. 772, 773 and 775.
Littman, Robert R. El Sueño de Egipto: La Influencia del Arte Egipcio en el Arte Contemporáneo. Exh. cat. Centro Cultural/ Arte Contemporaneo, Mexico, 1991, pp. 112 – 114.
Prints, Posters and Catalogues. Institute of Contemporary Art, University of Pennsylvania, PA, 1991, p. 5.
Saff, Donald J. Collaborations in Contemporary Art: Graphicstudio U.S.F. Exh. cat. University of South Florida Art Museum, Tampa, FL, 1991, n.p..
Stroud, Marion Boulton. An Industrious Art: Innovation in Pattern and Print at The Fabric Workshop. The Fabric Workshop, Philadelphia, PA and W.W. Norton & Company, New York and London, 1991, pp. 121, 201 and 218.
Tannenbaum, Judith. Interactions: Collaborations in the Visual and Performing Arts. Exh. cat. Institute of Contemporary Art, Philadelphia, PA, 1991, pp. 5 and 15.
Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. Englewood Cliffs, NJ, 1991, pp. 294 – 303 and 321.
Brenson, Michael. “Painted Forms: Recent Metal Sculpture Whitney Museum of American Art at Philip Morris,” The New York Times January 4, 1991, p. C20.
Braun-Munk, E.C. ‘Unfettered Art,” Vogue Decoration/International Edition 30 February/March 1991, pp. 70-79.
Mendenhall, Lauri. “Graves Sculpture Suits Her Personality,” Orange Coast Pilot March 3, 1991.
Curtis, Cathy. "Art: Works Mirror Wit, Charm of Metal Sculptor Nancy Graves," Los Angeles Times/Orange County Edition March 4, 1991, pp. F2 and F10.
Sozanski, Edward J. "On Galleries: Locks," The Philadelphia Inquirer March 21, 1991, p. 3-D.
Advertisement for Nancy Graves exhibition Energy Fields Transfixed at Meredith Long & Company, Houston. The Wall Street Journal April 10, 1991, p. A 4.
Chadwick, Susan. 'The energy of Nancy Graves,” The Houston Post April 14, 1991, p. G-14.
Chadwick, Susan. "Brush with Equality," The Houston Post April 16, 1991 pp. D1 and D8.
Johnson, Patricia C. "Graves mixes art, science," Houston Chronicle/Lifestyle & Entertainment April 23, 1991, pp.1D and 10D.
Advertisement for Nancy Graves exhibition at Meredith Long & Company, Houston. Houston Performances: The Arts & Theatre Magazine for Houston April 1991, cover.
“Interactions; Collaborations in the Visual and Performing Arts,” Program, Institute of Contemporary Art, University of Pennsylvania Philadelphia, May 23-June 7, 1991.
Sozanski, Edward J. “In ICA’s new space, ode to performance art,” The Philadelphia Inquirer/View June 2, 1991, p. 1F and 7F.
“Weddings/Engagements: Smith-Graves,” Sunday Freeman, People Kingston, NY, July 7, 1991, p. 5.
Roberts, Roxanne. “Artists & Their Playground: At NGA, Graphicstudio Alums View Own Works,” The Washington Post September 13, 1991, p. C2.
Milani, Joanne. “Graphicstudio: A capital idea,” The Tribune/BayLife September 15, 1991, pp. 1 and 3.
“Special Program: Conversations with Artists, VII and VIII: Jim Dine and Nancy Graves,” National Gallery of Art Calendar of Events September 1991, n.p.
Review of Knoedler Gallery: Nancy Graves “Skin Series” Exhibition. Cover October 1991, pp. 20-21.
Schwartzman, Allan. “Art: Find what connects these five artists (Nancy Graves).” Interview 21 October 1991, p. 56.
“Graduation: Nancy Graves,” Assemblage: Kansas City Art Institute Magazine Fall 1991, p. 28.
Brozan, Nadine. “Chronicle,” The New York Times? December 27, 1991.
May, Stephen. “Washington, D.C.: Graphicstudio, National Gallery of Art,” Artnews December 1991, p. 136.
Stein, Judith. "Nancy Graves at Marian Locks," Art in America 79 December 1991, p. 125.
Schneiders, Monika. “Ein Besuch im Ludwig Forum fúr internationale kunst,” Bad Aachen December 1991, p. 26.
Seong-rok, Seo. “Review/Art: First Seoul Int’l Art Festival,” Koreana 5 1991, pp. 83-85.
1990
Atkins, Robert. ArtSpeak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present. Abbeville Press, New York, 1990, p. 110.
Ceremonial Program. American Academy and Institute of Arts and Letters, New York, NY, May 16, 1990), n. p. (Introduction of New Institute Members by the Secretary of the Institute).
Cooper, Doug. Oh, My! Modula. Norton, New York, NY and London, England, 1990, p. ?
Cornell Collects; American Art from the Collections of Alumni. Cornell University, Ithaca, NY, 1990, p. ?
Cuperman, Pedro. “Nancy Graves: Icons of Language.” Nancy Graves. Exh. cat., Wetterling Gallery, Gothenburg, Sweden, 1990, n.p.
Diversity of Line; A Selection from the Permanent Collection. Exh. gallery guide, Des Moines Art Center, Des Moines, IA, 1990, n.p.
Exhibition of Work by Newly Elected Members and Recipients of Awards. Exh. cat. American Academy and Institute of Arts and Letters, New York, NY, 1990, cat. nos. 33 – 36.
Four Centuries of Women’s Art: The National Museum of Women in the Arts. Exh. cat. The Bunkamura Museum of Art, Tokyo, Japan, 1990, pp. 127, 189 and 190.
Gear, Josephine. Painted Forms: Recent Metal Sculpture. Exh. brochure Whitney Museum of American Art at Phillip Morris, New York, NY, 1990, n.p.
Goddard, Donald and Robert Rosenblum. American Painting. Hugh Lauter Levin Associate, Southport, CT, 1990, p. ?
Heland Wetterling Gallery Shows Knoedler Gallery Artists. Exh. cat. Heland Wetterling Gallery, Stockholm, Sweden, 1990, n.p.
Luebbers, Leslie. Mind and Matter: New American Abstraction. Exh. cat. World Print Council, San Francisco, CA, 1990, pp. 15, 17, 32, 33 and 68.
1990 Seoul International Art Festival: Works on Mulberry Paper. Exh. cat. The National Museum of Contemporary Art, Seoul, Korea, 1990, p. ?.
Perkins, Larry David. Color in Art: American Expressions from the Mid-Twentieth Century to the Present. Exh. cat., Samuel P. Harn Museum of Art, University of Florida, Gainsville, FL, 1990, n. p.
Rubinstein, Charlotte Steifer. American Women Sculptors: A History of Women Working in Three Dimensions. Boston, MA, 1990, pp. 453 – 456.
Simon, Joan. “United States of America.” The 8th International Small Sculpture Triennial of Budapest. Exh. cat., Palace of Exhibitions, Budapest, Hungary, 1990, pp. 30 – 35.
Slatkin, Wendy. Women Artists in History 2nd ed. Englewood Cliffs, NJ, 1990, p. 96, fig. 85.
Strick, Jeremy. National Gallery of Art: Twentieth-Century Art Address Book. National Gallery of Art, Washington, D.C., 1990, n.p.
Cyphers, Peggy. "Nancy Graves," Arts Magazine 64 January 1990, p. 95.
Denson, G. Roger. "Nancy Graves: Knoedler," Flash Art 150 January/February 1990, pp. 131-132.
DeVuono, Frances. "Nancy Graves," ARTnews 89 February 1990, pp. 152-153.
Harris, Anne Sutherland. “Entering the Mainstream, Women Sculptors of the Twentieth Century: Part Three, Jackie Winsor and Nancy Graves,” Gallerie Women Artists 8 [March]1990, pp. 23-28.
Heidenreich, Elke. “Aus Den Kölner Sammlungen,” Kölner Museumszeitung 2 April-May-June 1990, p. 22.
Holloway, Memory. "Nancy Graves: Between Painting and Sculpture," Art International 11 summer 1990, pp. 29-33.
Advertisement for Nancy Graves at Knoedler & Co., NY. Art International 11 summer 1990, p. 109.
“Visiting Committee Formed,” Friends of the Vassar Art Galleries summer 1990, p. 2.
Wolf, Craig. “Foundry chief lets go, lets grow,” Poughkeepsie Journal August 20, 1990, pp. 1B and 5B.
1989
Armstrong, Elizabeth and Sheila McGuire. First Impressions: Early Prints by Forty-Six Contemporary Artists. Exh. cat. The Walker Art Center, Minneapolis, MN, 1989, pp. 80, 81 and 140.
Armstrong, Tom and Susan C. Larsen. Art in Place: Fifteen years of Acquisition. Whitney Museum of American Art, New York, NY, 1989, pp. 197, 201.
Barrie, Dennis et al. Encore: Celebrating Fifty Years. Exh. cat., The Contemporary Arts Center, Cincinnati, OH, 1989, pp. 50 and 61.
Gilmour, Pat. Ken Tyler: 25 Glorious Years. Exh. cat., Heland Wetterling Gallery, Stockholm, Sweden, 1989, pp. 12, 13, 19 and 24.
Important Works on Paper. Exh. cat., Meredith Long & Company, Houston, TX, 1989, p. 13.
Kelder, Diane. “2RC Editions: Tradition and Innovation in Contemporary Printmaking.” Big Prints from Rome. Exh. cat., Museum of Modern Art, Toyama, Japan, 1989, pp. 22, 78, 79 and 152.
Lehrman, Roberta R. Art in Art. Exh. cat. Associated American Artists, New York, NY, 1989, n.p., no. 30.
Naylor, Colin, ed. Contemporary Artists. 3rd edition St. James Press, 1989, p. ?
Rosen, Randy et al. Making Their Mark: Women Artists Move into the Mainstream Abbeville Press, New York, NY, 1989, p?.
Spalding, Phinizy. “With ‘Hubris and Humility:’ A Brief Look at Georgia’s History with an eye toward Collecting.” Georgia Collects. Exh. cat., High Museum of Art, Atlanta, GA, 1989, pp. 192 illus. and 213.
Stein, Judith E. and on video Ann-Sargent Wooster. Making Their Mark: Women Artists Move into the Mainstream, 1970-85. Exh. cat. Cincinnati Art Museum, Cincinnati, OH and Rizzoli International Publishing, 1989, pp. 61, 62 and 68.
Thomas, Sissy. Selected Works. The Greenberg Gallery, St. Louis, MO, 1989, pp. 4, 11 and 46.
Van Wagner, Judy Collischan, Carol Becker Davis and Mary Ann Wadden. Public Art Program 1985 – 1988: Long Island University – C.W. Post Campus. Exh. cat. Hillwood Art Gallery, Long Island University, 1989, Brookville, NY, pp. 10, 11 and 31.
Willers, Karl Emil. The Experience of Landscape: Three Decades of Sculpture. Exh. brochure, Whitney Museum of American Art Downtown at Federal Reserve Plaza, New York, NY, 1989, n.p..
Young, Charles. The Development of Sculptural Form. Exh. cat., Associated American Artists, New York, NY, 1989, n.p., nos. 35 – 45.
“Nancy Graves,” Artist 7 1989, pp. 223-39.
“’BIG little Sculpture’ show opens in Middlebury,” The Burlington Vt. Free Press January 17, 1989, p. 10A.
Barna, Ed. “’Little Sculpture’ Exhibit succeeds in a very big way,” The Valley Voice Burlington, VT, January 24, 1989, p. 10.
“US sculptor Graves in artists’ camp forum,” Bulletin, January 24, 1989.
“Meet the Artist,” Business World January 25, 1989.
Orosa, Rosalinda L., ed. “The nature world of US sculptor Nancy Graves,” The Manila Sunday Times January 29, 1989, p. 13.
Lolarga, Elizabeth. “Nancy with the laughing pieces,” Manila Standard January 30, 1989.
Curtis, Cathy. “Hoag Acquires Graves' Artwork,” Los Angeles Times/Orange County Edition February 1, 1989
Paras-Perez, Rod. “Sculptress with distant memories,” The Manila Chronicle/Lifestyle February 2, 1989.
Russell, John. “Review/Art: Art in Art,” The New York Times March 24, 1989.
“Lines of Vision: Drawings by Contemporary Women,” Pioneer/C.W. Post Campus 35 Long Island University, Brookville, NY, April 28, 1989
Kent, Sarah. “Art: On Nancy Graves,” Time Out May 3 - 10, 1989, p. 26.
“This Week: Art,” Time Out May 3 - 10, 1989, p. 8.
‘The New Museum,” installation with Nancy Graves’s sculpture Proboscid, 1982. Princeton Alumni Weekly May 3 & 17, 1989, front cover.
“Obituaries and Funerals: Walter Graves,” The Berkshire Eagle Pittsfield, MA, May 15, 1989, p. B2.
Jones, Nancy. “Lives of the Artists,” New York Woman 3 May 1989, pp. 80-85.
Allison, Sue. “Art: Her Infinite Variety,” Life 12 June 1989, pp. 64-68.
Gates, Anita. “The Dynamic New York Woman,” Pan Am Clipper Magazine 29 June 1989, pp. 36-45.
“Nancy Graves,” Artist 170 July 1989, pp. 223-239.
Betsy Senior Contemporary Prints Fall 1989, n.p.
“Public Lecture: Nancy Graves, Sculptor,” The Saint Louis Art Museum Calendar September-October 1989, n.p.
Daxland, John. “Nancy Graves in the Abstract,” Daily News/Midway Magazine October 13, 1989, pp. 52-53.
Russell, John. "Review/Art: Nancy Graves," The New York Times October 13, 1989, p. C 24.
“Goings On About Town: Art, Nancy Graves,” The New Yorker October 23, 1989.
Wright, Jeff. "With and Against Purpose," Cover November 1989, p. 8.
“November 1: Nancy Graves,” Lectures at the Y winter 1989, p. 9.
Brenson, Michael. “Egyptian Art is Alive and Well in the West,” The New York Times December 31, 1989, p. H 33.
Graves, Nancy. “On the Design: Did Frank Rich Really Look?,” American Theatre 6 December 1989, p. 29.
1988
A Look Book: A Guide for Enjoying Art with the Preschool Child. The Saint Louis Art Museum, St. Louis, MO, 1988, n.p.
Beckett, Wendy. Contemporary Women Artists 1988, p.?
Bowman, Russell et al. 1988: The World of Art Today. Exh. cat. Milwaukee Art Museum, Milwaukee, WI, 1988, pp. 44, 71 and 123.
Cuperman, Pedro. American Baroque. Exh. cat. Holly Solomon Gallery, New York, NY, 1988, pp. 38 and 105.
Filmmakers’ Cooperative: Master Index for Catalogue No. 7. New American Cinema Group, Inc., New York, NY, 1988, p. 30.
Hazel, Ruth Jacqueline. The Making is the Meaning: The Sculpture of Nancy Graves. Master’s
Thesis, The Meadows School of the Arts, Southern Methodist University, Dallas, TX, 1988.
Master Drawings: 1877 – 1987. Exh. cat., Janie C. Lee Master Drawings, New York, 1988, no. 29.
Matsumoto, Michiko. Portraits; Women Artists. Exh. cat., Soho Photo Gallery, New York, NY, 1988, n.p.
Nancy Graves: Sculptures and Paintings at Heland Wetterling Gallery. Exh. cat., Heland Wetterling Gallery, Stockholm, Sweden, 1988.
1988 New York State Governor’s Awards. The Metropolitan Museum of Art, New York, NY, June 23, 1988, cover and pp. 5 and 7.
O’Connor, Patrick. Nancy Graves: Prints 1972-1988. Exh. cat., Associated American Artists, New York, NY, 1988.
Phillips, Lisa. Vital Signs: Organic Abstraction from the Permanent Collection. Exh. cat., Whitney Museum of American Art, 1988, pp. 11 and 67.
Sloggett, Tony, ed. Art Bibliographies. Oxford, England, 1988, no. 2433.
Tuchman, Phyllis. BIGlittle Sculpture. Exh. cat., Williams College Museum of Art, Williamstown, MA, 1988, n.p.
Van Wagner, Judy Collischan. “Nancy Graves.” Long Island University: Public Art Program. Exh. guide, L.I.U., C.W. Post Campus, Brookville, NY, n.d. 1988, pp. 26 and 27.
Wilmerding, John. American Masterpieces from the National Gallery of Art revised ed. Hudson Hills Press Washington, D.C., 1988, pp. 41, 44 and 46.
Yau, John. “The Nature of Imagination: The Art of Nancy Graves,” Nancy Graves. Exh. cat. Gallery Mukai, Tokyo, Japan, 1988, n.p.
“The Sculpture of Nancy Graves,” Woman’s Art Journal 1988, pp. 62-63.
“Lectures,” Winter & Spring Programs The Brooklyn Museum, 1988, n.p.
Sozanski, Edward J. "Art: Nancy Graves vs. Tradition," The Philadelphia Inquirer January 3, 1988, pp. 1H, 6H.
Advertisement for book signing by Nancy Graves at Rizzoli Bookstore, NY. The New York Times January 8, 1988.
Kramer, Hilton. “Record of Artistic Failure: Sculpture by Nancy Graves,” The New York Observer January 11, 1988.
Larson, Kay. "Art/Origin of the Species," New York January 11, 1988, pp. 56-57.
Kaufman, Jason Edward, ‘Nancy Graves: A Hot Sculptress Whose Work is Lukewarm,” New York City Tribune January 19, 1988, pp. 14 and 15.
McCloskey, William. “Nancy Graves Sculpture Fools the Eye, Defies Gravity” and “Calendar,” Brooklyn Free Press January 22, 1988, pp. 15 and 29.
“In New York notiert,” Aufbau January 29, 1988.
Brenson, Michael. "Fossilization Evolves Into a Modern Metaphor," The New York Times/ Arts & Leisure January 31, 1988, pp. 31 and 33.
Art Now/New York Gallery Guide 18 January 1988, Cover illus.
Galligan, Gregory. "Between Nature and Culture: The Nancy Graves Retrospective, Arts Magazine 62 February 1988, pp. 66-67.
“The Brooklyn Museum,” Tableau Amsterdam, The Netherlands, February 1988.
Kandel, Susan and Elizabeth Hayt-Atkins. "New York: Nancy Graves: Brooklyn Museum, Knoedler, Associated American Artists," ARTnews 87 April 1988, p.135.
Nelson, James R. “Gifts to the Museum make visits there expanding and rewarding experiences,” The Birmingham News May 8, 1988.
Kimmelman, Michael. “Review/Art: Nature’s Influence, at the Whitney,” The New York Times May 31, 1988, p. C
Silva, Arturo. “Nancy Graves at Mukai,” The Daily Yomiuri June 2, 1988.
Mollenkof, Peter. “David Smith: drawings, sculpture,” The Japan Times June 5, 1988
Koplos, Janet. “From Comics, From Kitchens,” Asahi Evening News June 17, 1988, p. 11.
1988 New York State Governor’s Arts Awards The Metropolitan Museum of Art, New York, June 23, 1988, p. 7.
Collins, Amy Fine and Bradley Collins, Jr. "The Sum of the Parts," Art in America 76 June 1988, pp. 112-119.
“Artist’s Talk/Nancy Graves,” Bijutsu Techo 40 August 1988, pp. 19-30.
Hammock, Virgil. “A New Home for The National Gallery of Canada,” ArtPost 29 Summer 1988, pp. 15-22.
“Works Given in Memory of Mildred H. Cummings,” Colby College Museum of Art Waterville, Maine, Summer 1988.
Moonan, Wendy Lyon. "Arts in Residence," Town & Country 142 September 1988, pp. 233-242.
“‘Peripeteia 1988,’” Poughkeepsie Journal October 2, 1988, p. 3F.
Kelder, Diane. “Prints and Editions: New Editions by Nancy Graves,” Arts Magazine 64 October 1988, pp. 17-18.
“Backlist: Hudson Hills Press,” Rizzoli New York, fall 1988, p. 106.
Brozan, Nadine. “Century Club Tradition Nears Its End,” The New York Times November 27, 1988, p. 18.
"Sculptor Nancy Graves' ‘Peripeteia '88’ Stands tall inside Oakbrook Tower," Chicago Tribune November 27, 1988, Section 16, p. IC.
Raynor, Vivien. “Small-Scale Sculpture on View in New Britain,” The New York Times December 11, 1988, p. 42.
“Sudden-Change Sculpture for Jahn’s Tower,” Chicago December 1988, p. 26.
1987
Armstrong, Elizabeth, Pat Gilmour and Kenneth Tyler. Tyler Graphics: Catalogue Raisonné, 1974 – 1985. Abbeville Press, New York, NY in association with the Walker Art Center, Minneapolis, MN, 1987, pp. 140 – 147.
Auping, Michael, Cheryl Brutvan, Susan Krane and Helen Raye. Structure to Resemblance: Work by Eight American Sculptors. Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1987, pp. 30-37, 60 and 71 – 73.
Brutvan, Cheryl A. Master works on Paper from the Albright-Knox Art Gallery. The Buffalo Fine Arts Academy, Buffalo, NY, 1987, pp. 154 – 55.
Carmean, Jr., E. A., Linda L. Cathcart, Robert Hughes and Michael Shapiro. The Sculpture of Nancy Graves: A Catalogue Raisonné. Hudson Hills Press, New York, NY in association with the Fort Worth Art Museum, Fort Worth, TX, 1987.
Cummings, Paul. Dictionary of Contemporary American Artists 5th ed., St. Martin's Press, New York, NY, 1987, p. ?
Feldman, Edmund Burke. Varieties of Visual Experience, 3rd ed. Harry N. Abrams, Inc., New York, NY, 1987, p. 340.
Field, Richard and Ruth Fine. A Graphic Muse: Prints by Contemporary American Women. Exh. cat., Mt. Holyoke College Art Museum, South Hadley, MA in association with Hudson Hills Press, New York, NY, 1987, pp. 8, 22, 24, 27, 29, 30, 35, 39, 92-93, 95 and 139.
Friedman, Martin et al. Tyler Graphics: The Extended Image. Abbeville Press, New York, NY in association with Walker Art Center, Minneapolis, MN, 1987, pp. 10, 11, 17, 82-87 and 245.
Gatto, Joseph A. Drawing Media and Techniques. Worcester, MA, 1987, p. 107.
Heller, Nancy. Women Artists: An Illustrated History. Abbeville Press, New York, NY, 1987, p. ?
Krane, Susan with Robert Evren and Helen Raye. Albright-Knox Art Gallery, The Painting and Sculpture Collection: Acquisitions since 1972. The Buffalo Fine Arts Academy, Buffalo, NY, 1987, pp. 149-150.
Lyons, Lisa and Robert Storr. Chuck Close. New York., NY, 1987, pp. 14, 26, 45 and 46.
Noll, Anna C., Emily Kass and Sharon Blume. Collection Selections: Fort Wayne Museum of Art. Fort Wayne Museum of Art, IN, 1987, p. 73.
Olsen, Sandra Haller. A Survey of American Printmaking from the Collection of the Memorial Art Gallery of the University of Rochester. Rochester, NY, 1987, p. 56.
Richard, Stephen and Anne Livet, eds. Art Against AIDs. American Foundation for AIDS Research, 1987, pp. 5 and 142.
Tolnick, Judith E. Alternative Supports: Contemporary Sculpture on the Wall. Exh. cat., David Winton Bell Gallery, List Art Center, Brown University, Providence, RI, 1987, pp. 10, 16, and 24
van de Marck, Jan and MaryAnn Wilkinson. Reconnecting: Recent Work by Jennifer Bartlett, Mel Bochner, Nancy Graves, Patrick Ireland and Lucio Pozzi. Exh. cat. Detroit Institute of Arts, Detroit, MI, 1987, pp. 7 and 18 – 21.
Vogel, Susan et al. Perspectives: Angles on African Art. Exh. cat., The Center for African Art, New York, NY, 1987, pp. 97 – 99.
Ward, Roger and Eliot W. Rowlands. A Bountiful Decade, Selected Acquisitions 1977 – 1987: The Nelson-Atkins Museum of Art. Exh. cat., The Nelson-Atkins Museum of Art, Kansas City, MO, 1987, pp. 192 – 193.
Weiss, Evelyn, Filiberto Menna and Mario Penelope. Arte Americana Anni Sessanta dal Ludwig Museum di Colonia. Exh. cat. Galleria d’Arte Moderna di Ca’ Pesaro, Venice, Italy, 1987, pp. 24, 33 and 71.
“Art Kunst 16,” International Bibliography of Art Books Basel, Switzerland1987, p. 134.
“Books,” Museum Store Association/Product News 1987.
“Hudson Hills: New Titles,” Phaidon Press Catalogue 1987, p. 46.
“1987 Museum Publications Competition Award Winners,” American Association of Museums 1987.
“Reviews: ‘Text and Image: The Wording of American Art,’ Holly Solomon Gallery, NY,” The New York Times January 2, 1987.
“Hudson Hills Press,” Publishers’ Weekly January 30, 1987, p. 213.
“A Provocative Evening with Artist Nancy Graves,” The Smithsonian Associate 15 Smithsonian Institution, Washington, D.C., January 1987, pp. 1 and 14.
“New Exhibition: Perspectives, Angles on African Art,” Virginia Museum of Fine Arts Bulletin 47 January/February 1987, p. 3.
Sewell, Carol. “Museum Adds Eight New Works,” Fort Worth Star-Telegram February 12, 1987.
Kutner, Janet. “FW Art Museum Has Reason to Celebrate,” The Dallas Morning News February 16, 1987.
Swisher, Kara. “WPAS’ Big-Name Season,” The Washington Post February 16, 1987, p. D7.
Allen, Jane Addams. "Inside the sculpture of Nancy Graves," and “Early bronze spring,” The Washington Times/Capital Life February 19, 1987, pp. I B-2 B.
Kessler, Pamela. "Nancy Graves' Fanciful Flora," The Washington Post Weekend February 20, 1987, p. 44.
Richard, Paul. 'The Harmonious Memoryscape: Nancy Graves' Remarkable Sculptures at the Hirshhorn," The Washington Post February 20, 1987, pp. B 1 and B 3.
"Critics' Picks: Art," Washington Post, February 22, 1987.
“African Arts.” Flyer announcing opening of Perspectives on African Art at the Virginia Museum of Fine Arts, Richmond, Opening February 21, 1987.
Gold, Sylviane. "Nancy Graves' Brilliant Bronzes” and “A sculptor of all she sees," USA Today February 23, 1987, p. 7D.
Boodro, Michael. "Artsmart: Three-Dimensional Graves," Harper’s Bazaar February 1987, pp. 142 and 218.
‘Smithsonian Highlights,” Smithsonian Washington, D.C., February 1987, pp. 145 and 147.
Dorsey, John. "Graves, Sticking To The Original," The Baltimore Sun Baltimore, MD, March 17, 1987, pp. IB and 3B.
Allen, Jane Addams. "Hybrid Sculpture, Disciplined Form," The Washington Times/ Insight, March 23, 1987, pp. 64-65.
Veras, José Miguel. “Escultora Nancy Graves Visita Escuela de Chavón,” Listin Diario March 29, 1987, p. 12C
Russell, John. "Sculpture as A High-Wire Performance," The New York Times March 29, 1987, p. 33 and 36.
B[ourdon], D[avid]. "On View: Sculptor's Garden," House & Garden March 1987, p. 92.
Conroy, S. Claire. “Lectures: An Evening with Nancy Graves,” Dossier Washington, D.C., March 1987, p. 13.
Heller, Nancy G. "Casting New Light on Sculpture," Museum & Arts Washington 3 Washington, D.C., March/April 1987, pp. 21-24.
Hiller, Terry. “On the Scene: Nancy Graves: A Sculpture Retrospective,” Fort-Worth News Tribune April 3, 1987, p. 15D.
Kutner, Janet. ‘D.C. exhibits coming West,” The Dallas Morning News April 11, 1987, pp. 1C and 2C.
Flam, Jack. “Breaking the Rules: Sculptor Nancy Graves,” The Wall Street Journal April 17, 1987, p. 13.
Nixon, Bruce. “Gift to debut six artists at Fort Worth Art Museum,” Dallas Times Herald April 17, 1987, p. G 17
“The Sculpture of Nancy Graves,” Publishers Weekly April 17, 1987, p. 57.
“Keine Rede Mehr von Pop, Zeit Mehr Für Kamele,” Art: Das Kunstmagazin 4 April 1987, pp. 58-59.
Larson, Kay. "Tough Kid, Cerebral Sculptress: Nancy Graves," Vis à Vis 1 April 1987, pp. 86-87.
“Sculpture Show at Brown,” The New York Times May 3, 1987, Section 2, p. 61.
Nixon, Bruce. “Sculptor Casts Tradition Aside in Bronze Works,” The Dallas Times Herald Dallas, May 13, 1987, pp. B1 and B3.
“The Sculpture of Nancy Graves: a catalogue raisonné. Essays by E.A. Carmean [and others],” Booklist Chicago, IL, May 15, 1987.
Kutner, Janet. “Preview,” The Dallas Morning News May 15, 1987, p. 15D?.
Sewell, Carol. "Graves exhibition trashes tradition," Fort Worth Star-Telegram, May 16, 1987, pp. AA1 and AA11.
“Preview: Nancy Graves sculpture,” Dallas Times Herald/Datebook May 17, 1987, p. 36.
Kutner, Janet. "Sculpted Exuberance: Free-spirited Nancy Graves exhibit opens in FW,” The Dallas Morning News May 21, 1987. IC and 2C.
Hiller, Terry. “On the Scene: Graves Sculpture Exhibit Acclaimed,” Fort Worth News-Tribune May 22, 1987, p. 88.
Lee, Melanie. “The Brave New World of Nancy Graves,” Mid-Cities Daily News Magazine Hurst, TX, May 22-29, 1987, Cover and p. 2.
“Fantasy Sculpture,” Mid-Cities Daily News/Kids May 22, 1987, p. 4.
Freudenheim, Susan. “African art show a new angle,” The San Diego Tribune May 25, 1987, pp. D1 and D2.
Russell, John. “Summer Reading: Art,” The New York Times Book Review May 31, 1987, p. 12.
Sewell, Carol. "Restless but not weary: Sculptor Nancy Graves just won’t stand still," Fort Worth Star-Telegram May 31, 1987, Sec. 6, pp. 1 and 10.
Collmer, Kathryn. “Museum Notebook: Nancy Graves Retrospective,” Southwest Art May 1987, p. 106.
F., S. “Art Notes: Lyrical Bronze Sculpture by Nancy Graves at the Fort Worth Art Museum,” Texas Homes May 1987, pp. 13 - 15.
Spieckerman, Shirley. "Wit, Whimsy, Imagination and Intellect: The Work of Nancy Graves," Fort Worth/MuseumMuse 63 May 1987, pp. 21 and 40.
“Nancy Graves: a Sculpture Retrospective, May 17-July 12,” The Fort Worth Art Museum Calendar May/June 1987, cover and pp. 1-4, 9-13.
“Hudson Hills Press,” Rizolli, New York spring 1987, P. 26.
Photos of Fort Worth Art Museum patron members’ dinner to honor Nancy Graves. The Dallas Morning News Dallas, June 7, 1987, p. 15D.
Miro, Marsha. “DIA show catches up with contemporary art,” Detroit Free Press June 12, 1987, pp. 1C and 8C.
Comerford, Ellen S. “Sculpture movement makes impression at Albright,” Niagara Gazette Buffalo, New York, June 19, 1987, p. 2.
Barrow, Ken. “Gay and Grave Sculpture,” D Magazine Dallas, June 1987.
“Books: New and Noteworthy,” Art & Auction June 1987, p. 38.
“Exhibitions: West,” Horizon June 1987, p. 9.
“Special Interest: Fort Worth Art Museum Exhibitions,” Antiques & Fine Art 4 June 1987, pp. 29 and 30.
“Spring 1987 Book Selection” Art in America June 1987, p. 78-80.
Day, J. A. “The Sculpture of Nancy Graves…,” Choice Middletown, CT, July 1, 1987.
Sachson, Gail. “Ask Me About Art,” Plano Star Courier July 1, 1987, p. C8.
Kaido, Kazu. “News From Abroad,” Bijitsu Techo 39 July 1987, pp. 159-161.
McPherson, Heather. “Nancy Graves: A Sculpture Retrospective, Hirshhorn Museum Washington D.C.,” Art Papers July/August 1987, pp. 67 and 68.
“Commissions,” International Sculpture 5 July/August 1987.
“Reviews: Washington, D.C. (Nancy Graves).” Sculpture, July/August 1987 pp. 29-30.
Huntington, Richard. “Albright-Knox Turns Good Idea Into Fine Show,” The Buffalo News August 2, 1987, pp. G 1and G5.
“Sculptor Graves offers inside look at her art,” Santa Barbara News-Press August 21, 1987
Dubin, Zan. "Art News: Nancy Graves Show At Santa Barbara Museum," Los Angeles Times/Calendar August 23, 1987.
Advertisement for Nancy Graves lecture at the Santa Barbara Museum of Art. Santa Barbara News-Press August 23, 1987, p. D7.
“In retrospect,” Santa Barbara News-Press August 24, 1987.
Woodard, Josef. "Nancy Graves's Foundry Objects," The Independent/The Arts Santa Barbara, California, August 27, 1987 p. 25.
“Graves to give slide lecture” and photo of Colubra. Montecito Life Santa Barbara, August 27, 1987.
“Art Exhibits, “ This Week in Santa Barbara August 28, 1987, p. 22.
Wasserman, Isabelle. “Wide-ranging Swiggett exhibit opens season at SDSU gallery,” San Diego Union August 30, 1987.
Hames, James. "Foundry Objects: Sculpture presents her view," Thousand Oaks News Chronicle August 31, 1987.
Freudenheim, Susan. "Still Life artists a study in contrasts," The San Diego Evening Tribune September 2, 1987, pp. C I and C2.
Jackson, Beverly. ‘Nancy Graves exhibit – good reason for a party,” Santa Barbara News-Press September 3, 1987, p. D4.
Baker, Kenneth. ‘The Strangeness of Life,” Review September 6, 1987, pp. 12-13.
Advertisement for “Nancy Graves: A Sculpture Retrospective” at Santa Barbara Museum of Art. Santa Barbara News-Press September 7, 1987.
Melnick, Denise C. "Using panache and wit Graves's sculptures turn common objects into extraordinary works," Montecito Life Santa Barbara, September 10, 1987, p. 15.
Crowder, Joan. "Nancy Graves' Illusion and Transformation," Scene/Santa Barbara News-Press September 11, 1987, pp. 25 and 26.
“Demostrations, workshops offered in county,” Ventura Star News Press September 11, 1987
Wilson, William. "Nancy Graves: Civilized Exotic At Work," Los Angeles Times/ Calendar September 13, 1987, pp. 99 and 101.
Levin, Kim. “An Alternative Guide to the New Season,” The Village Voice September 22, 1987, p. 103.
“In retrospect,” Lompoc Record Lompoc, CA, September 27, 1987.
Klein, Hilary Dole. "Nancy Graves," Santa Barbara 13 September/October 1987, pp. 27-32.
Yau, John. "Visionary Verisimilitude: The Sculpture of Nancy Graves," Sculpture 6 September/October 1987, pp. 26-29 and 63.
“Books,” Museum Store Association/Product News fall 1987, p. 4.
“Books and Catalogues Received,” Art Journal fall 1987, p. 24.
Dills, Keith. "Collections of Colorful Exotica," Artweek Santa Barbara, California, October 17, 1987, p. 5.
Bennetts, Leslie. “An Evening of Song,” The New York Times Magazine/Entertaining Part 2 November 1, 1987, pp. 24-25 and 32.
Salisbury, Stephan. "Today, artist Nancy Graves will be honored for her mettle," The Philadelphia Inquirer November 19, 1987, pp. 1C and 4C.
“Nancy Graves Gets First Major Sculpture Show,” The Phoenix December 3, 1987 Section 2.
“A Graves Retrospective: Her Sculpture Goes on View,” Daily News New York, December 3, 1987, p. 3.
“…That Help Bridge the Generation Gap,” New York Newsday/Weekend December 4, 1987, p. 19.
McGuigan, Cathleen. "Forms of Fantasy," The New York Times Magazine December 6, 1987, pp. 62-64, 92-95, 156 and 158.
“The Guide: Art Museums,” The New York Times December 6, 1987, p. G23.
Brenson, Michael. "Sculptures by Nancy Graves at the Brooklyn Museum," The New York Times December 18, 1987, p. C 36.
Wallach, Amei. "The Modernist Derring-Do of Nancy Graves" and "A Sculptor who Welds Art with Science," Newsday December 20, 1987, pp. 11 and 21 pt.2.
Glatzer, Randi. “An Art Rooted in Science: Nancy Graves Retrospective Highlights an American Artist who has Taken Many Directions,” The Phoenix Brooklyn, New York, December 24, 1987, Section 2, pp. 11 and 15.
Wolff, Theodore F. “Nancy Graves: transforming diverse objects into art,” The Christian Science Monitor December 28, 1987, pp. 19 and 20.
Kotik, Charlotta. ‘Nancy Graves: A Sculpture Retrospective,” The Brooklyn Museum Newsletter The Brooklyn Museum, Brooklyn, New York, December 1987, p. 1.
“Exhibitions Calendar: Big Little Sculpture,” Williams College Museum of Art Williams College Museum of Art, Williamstown, MA, December 1987, n.p.
1986
American Prints, 1960 – 1985 in the Collection of the Museum of Modern Art (Museum of Modern Art, New York, NY, 1986), pp. 136 – 137.
Arnason, H. H. History of Modern Art, 3rd ed. New York, NY, 1986, pp. 309, 662 – 664.
Art in the Environment: A Publication in Cooperation with the President’s Ball. Boca Raton Museum of Art, Boca Raton, FL, 1986, p. 54.
Balken, Debra Bricker and Linda Nochlin. Nancy Graves: Painting, Sculpture, Drawing, 1980 – 85. Exh. cat. Vassar College Art Gallery, Poughkeepsie, NY, 1986.
Caldwell, Susan, Stephen Nowlin and Melinda Wortz. Pasadena Collects: The Art of Our Time. Exh. cat. Pasadena Art Alliance, Pasadena, CA, 1986, pp. 7, 37 and 42.
Dreishpoon, Douglas and Katy Kline. Natural Forms and Forces: Abstract Images in American Sculpture. Exh. cat. List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, MA, 1986, pp. 19, 30 – 34 and 66.
Fischer, Alfred M. et al. 100 Arbeiten auf Papier aus der Graphischen Sammlung des Museums Ludwig Köln. Museum Ludwig, Cologne, Germany, 1986, p. A15.
Gohr, Siegfried, Evelyn Weiss and Gerhard Kolberg. Museum Ludwig Köln - Gemälde, Skulpturen, Environments vom Expressionismus bis zur Gegenwart: Bestandskatalog. Munich, Germany, 1986, vol. II, pp. 83 and 84.
Hopkins, Henry T. Sculpture and Works in Relief. Exh. cat. John Berggruen Gallery, San Francisco, CA, 1986, p. 34.
Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940. Exh. cat. Museum of Fort Lauderdale, Ft. Lauderdale, FL, 1986, pp. 24, 25, 219, 234, 235, 262 and 264.
Marshall, Richard and Robert Mapplethorpe. 50 New York Artists. San Francisco, CA, 1986, pp. 10, 50 and 51.
Master Drawings 1918 – 1985. Exh. cat. Janie C. Lee Master Drawings/ Hermine Chivian-Cobb, New York, NY, 1986, no. 27.
Nancy Graves: New Sculpture. Exh. cat., Richard Gray Gallery, Chicago, IL, 1986.
Nierengarten-Smith, Beej, George McCue and Catherine Cleary. Laumeier Sculpture Park First Decade: 1976 – 1986. Laumeier Sculpture Park, St.. Louis, MO, 1986, p. 105.
Opitz, Glen B., ed. Mantle Fielding’s Dictionary: American Painters, Sculptors and Engravers. Dealers Choice Books, 1986 , p. ?
The Robert O. Anderson Building, Los Angeles County Museum of Art: Post Cards of the 20th Century Art Collection. Los Angeles County Museum of Art, Los Angeles, CA, 1986.
Powell, III, Earl A., Robert Winter, Tim Street-Porter and Stephanie Barron. The Robert O. Anderson Building. Los Angeles County Museum of Art, Los Angeles, CA, 1986, pp. 89 and 95.
Rose, Barbara. American Painting: The Twentieth Century 2ed. Skira - World Publishing Company, 1986, p. ?
Rosenthal, Mark and Ann Percy. Philadelphia Collects: Art Since 1940. Exh. cat. Philadelphia Museum of Art, Philadelphia, CA, 1986, pp. 16 and 127.
Ruhrberg, Karl. Kunst im 20. Jahrhundert: Das Museum Ludwig-Köln: Auswahlkatalog Stuttgart, Germany, 1986, pp. 268, 269 and 315.
Sculpture and Works in Relief. Exh. cat., John Berggruen Gallery, San Francisco, CA, 1986, p. 134.
Sims, Patterson, Painting and Sculpture Acquisitions: 1973-1986from the Whitney Museum of American Art Collection. Exh. cat. Whitney Museum of American Art, New York, NY, 1986, p. 129.
Speck, Von Reiner. Peter Ludwig Sammler. Frankfurt-am-Main, Germany, 1986, pp. 248 and 333.
Stebbins, Jr., Theodore E. and Judith Hoos Fox. Boston Collects: Contemporary Painting & Sculpture. Exh. cat. Museum of Fine Arts, Boston, 1986, pp. 52, 53 and 138.
The Gihon Foundation Presents Works by Women. Brochure, the Gihon Foundation, Dallas, TX, 1986 n..p.
Walker, Barry. Public and Private: American Prints Today/ The 24th National Print Exhibition. Exh. cat., The Brooklyn Museum, Brooklyn, NY, 1986, p. 70.
Watson-Jones, Virginia. Contemporary American Women Sculptors. Phoenix, AZ, 1986, p. 237.
Larson, Kay, "The Shrinking Spiral," New York 19 January 13, 1986, pp. 58 and 59.
Russell, John. “Jim Dine,” The New York Times January 31, 1986, p. C 18
Vreeland, Nancy. “Trisha Brown, City Center Theater, September 17-22, 1985,” Dancemagazine January 1986, p. 40.
“F.W. Museum Acquires 8 Works," The Dallas Times Herald February 12, 1986.
Kutner, Janet. "FW Museum Obtains Works by 6 Contemporary Artists," Dallas Morning News February 12, 1986.
Sewell, Carol. "Fort Worth Museum Adds 8 New Pieces," Fort Worth Star-Telegram, February 12, 1986, pp. El, E7.
“Nancy Graves on Nancy Graves,” College Art Association Annual Meeting Program February 12-15, 1986, n.p.
Program. “UCLA Center for the Arts presents Trisha Brown Company.” February 14 and 15, 1986, p. 4.
McTavish, Brian. "Sculpture commissioned for Downtown bank," The Kansas City Star Kansas City, MO, February 19, 1986, p. 12B.
Muchnic, Suzanne. "A Nancy Graves Sculpture Grows at Crocker Center," Los Angeles Times February 21, 1986. Part IV, pp. 1 and 8.
Berman, Avis. "Nancy Graves’ New Age of Bronze," Artnews 85 February 1986, cover and pp. 56-64.
Frank, Elizabeth. "Her Own Way: The Daring and Inventive Sculptures of Nancy Graves," Connoisseur 216 February 1986, pp. 54-61.
“People Watching,” The Berkshire Eagle Pittsfield, MA, March 15, 1986.
“Cover Story,” The Fort Worth Art Museum Calendar Fort Worth Art Museum, Fort Worth, Texas, March-April 1986, cover and pp. 6-9.
Pennella, Florence. "Artist is Cut From a Very Unique Mold," Poughkeepsie Journal April 11, 1986, pp. 1D and 16D.
“Graves at Vassar,” Southern Dutchess News April 16, 1986, p. 1B.
Forman, Alice. "Graves exhibit a celebration of reality, imagination,” Poughkeepsie Journal April 18, 1986, p. 8D.
Tobias, Emily. "Graves Show Takes Art From Its Pedestal," The Miscellany News April 25, 1986.
Bos, Michiel. "Abstract sculpture show is very impressive," The Tech, MIT, Cambridge, MA, May 13, 1986, p. 7.
Wallach, Jill. “NASC to Honor Vt. Gov. Kunin, NPR’s Lurtsema,” The Union May 17, 1986.
“Vt. Governor, 5 Others to Receive NASC Honorary Degrees,” The Transcript North Adams, MA, May 17, 1986.
“Kunin to be Key Speaker at NASC Graduation,” The Berkshire Eagle Pittsfield, MA, May 17, 1986, p. 22.
Taylor, Robert. "Sculpture Show a Pioneering Effort," The Boston Globe May 18, 1986, pp. A17 and A20.
Program conferring honorary degrees, North Adams State College, North Adams, Massachusetts, 1986 Commencement Exercises May 31, 1986.
Louppe, Laurence. “Luxe, Danse et Volupté: Trisha Brown,” Pour la Danse 125 May 1986, pp. 16-17
“Works of Nancy Graves ’61 Form Friends’ 1986 Exhibition,” Gallery Friends of the Vassar Art Gallery 11 spring 1986, pp. 1and 2.
Philips, Susan C. “NASC Graduates 470 Students” and “Honorary Degree Recipients,” The Berkshire Eagle Pittsfield, MA, June 2, 1986, pp. 1, 20 and contd.
“Honorary Degree Recipients,” The Berkshire Eagle Pittsfield, MA, June 2, 1986, Section 3, p. 20.
Bonetti, David. "Art: Back to Natural," The Boston Phoenix, June 3, 1986, pp. 4-5.
“NASC celebrates 87th Graduation,” The Transcript North Adams, MA, June 3, 1986, p. 1
“Arts: Berkshire Museum to Feature Pittsfield Native” and “Integration of Art, Sculpture in Show,” The Transcript North Adams, MA, June 27, 1986, p. or sec. 6.
“Berkshire Museum Presents Works by Nancy Graves,” Antiques & The Arts Weekly June 27, 1986, p. 27.
“From Bones to Bronzes: ‘A Garden of Delights’” Vassar Views 87 June 1986, pp. 3 and 4.
“Graves exhibit due at the Berkshire Museum,” The Berkshire Eagle Pittsfield, MA, July 1, 1986, p. 15.
Bonenti, Charles. "Nancy Graves updated," The Berkshire Eagle, Pittsfield, MA, July 3, 1986, pp. 25 and 28.
“Art for Lunch program in July,” The Advocate, July 9, 1986, p. 26.
Gibbons, Anne. “Graves’ sculpture, paintings reiterate, reaffirm each other,” The Transcript/Arts North Adams, MA, July 25, 1986, p. 6.
Johnson, Ken. "Graves' work at Berkshire delightful," The Albany Times Union July 27, 1986.
"Commissions," International Sculpture 5 July/August 1986, pp.36-37.
Russell, Gloria. "Berkshire exhibits appealing to a variety of tastes,” The Sunday Republican August 3, 1986, p. F-6.
Dunning, Jennifer. “Dance: Jacob’s Pillow Presents Trisha Brown,” The New York Times August 7, 1986, p. C23.
The Berkshire Museum Calendar Pittsfield, Massachusetts, summer 1986.
Photograph of Linda Nochlin Pommer and her daughter at Nancy Graves Exhibition. Vassar Quarterly summer 1986, p. 68?.
“Modern Masters and Ancient Treasures,” The New York Times September 7, 1986, pp. H43-44
Degener, Particia. ‘Laumier Park: A 10-Year-Old Success,” The St. Louis Post-Dispatch Sunday Magazine September 14, 1986, pp. 7-14.
“Dancers and Performers receive Bessie Rewards,” The New York Times September 19, 1986.
Ryan, Lisa. ‘Art: Playful, yet daring,” The Brown Daily Herald’s Weekend Leisure Magazine Providence, RI, September 19, 1986, p. 10.
Van Siclen, Bill. “Art and a cast of vegetables: Nancy Graves offers a new vision of the natural world,” The Providence Journal-Bulletin September 19, 1986.
Waisnis, Edward. 'The Berkshire Museum/Pittsfield: Nancy Graves," Art New England, September 1986, p. 17.
Advertisement for Nancy Graves: New Sculpture at Richard Gray Gallery, Chicago. Art in America September 1986.
Hanken, James. “Small Wonders,” The Sciences 26 The New York Academy of Sciences, September/October 1986, pp. 41-43.
Artner, Alan G. “Graves’ winning sculpture on view at Gray,” Chicago Tribune, October 9, 1986, Section 5, p. 10.
Artner, Alan G. “At Gray it’s unmistakably Graves,” Chicago Tribune, October 29, 1986.
Berman, Avis. “Art Climbs the Corporate Ladder: Exxon,” Art & Auction 9 October 1986, pp. 122-127.
Weir, Georgette. “President’s Distinguished Subversive: She looks at the real and fancies the unlikely," Vassar Quarterly 82 fall 1986, cover and pp. 6 and 7.
“Gifts 1985 – 86,” Friends of the Vassar College Art Gallery 12 Vassar College Art Gallery, Poughkeepsie, New York, fall 1986, p. 6.
Tuchman, Phyllis. ”Shapiro: Redirecting Sculpture’s Shapes,” New York Newsday November 28, 1986, Weekend p. 25
Lisi, David. “Journal: On the arts scene,” House & Garden November 1986, p. 82.
Yau, John. “Pittsfield: Nancy Graves, Berkshire Museum,” Artforum 25 November 1986, p. 141.
Tuchman, Phyllis. “’70s Imagery Tells How We Got to Where We Are Today,” Newsday December 14, 1986, Part II, p. 19.
Brenson, Michael. "Nancy Graves," The New York Times December 19, 1986, p. C 36.
Harrold, Rose L. “Nancy Graves Sculpture ‘Sequi’ To Deck Crocker Center Plaza,” Crocker Center Communique 2 winter 1986, pp. 1-3.
Shapiro, Michael Edward. “Nancy Graves," Twentieth-Century American Sculpture, The Saint Louis Art Museum, 1986 Winter Bulletin, p. 22.
“Tape #23: Women in Art…” Art/New York: A Video Magazine on Art Inner Tube Video, New York, 1986, n.p.
“Performing Arts: Dance,” Walker Art Center Annual Report Walker Art Center, Minneapolis, Minnesota 1985 – 1986, pp. 4 and 5.
1985
Apropos Alumnae. Miss Hall’s School, Pittsfield, MA., 1985, pp. 65 and 66.
Becker, Wolfgang, Peter Ludwig, Louise Robbert and Øystein Hjort. Amerikanst 80-tal: Måleri, skulptur och textil frånNeue Galerie, Sammlung Ludwig, Aachen. Exh. cat., Liljevalchs Konsthall, Stockholm, Sweden, 1985, pp. 13 and 68 – 71.
Des Moines Art Center: Selected Paintings, Sculpture and Works on Paper. Des Moines Art Center, Des Moines, IA, 1985, pp. 77 and 78.
Dreikausen, Margaret. Aerial Perception:The Earth as Seen From Aircraft and Spacecraft and Its Influence on Contemporary Art. Philadelphia, London and Toronto: Associated University Presses, 1985, pp. 46, 55, 57 – 59.
Felshin, Nina and Thomas McEvilley. Focus on the Image: Selections from the Rivendell Collection. Exh. cat. The Art Museum Association of America, 1985, pp. 10, 66 and 67.
Giamatti, Bart. “Foreword.” Yale Arts Award for Outstanding Achievement 1985. New Haven, CT, 1985, n. p.
Golahny, Amy, Anne Sutherland Harris and Elaine King. Sculpture by Women in the Eighties. Exh. cat., University of Pittsburgh Gallery, Pittsburgh, PA, 1985, pp. 8, 9, 13, 22 – 24 and 28.
Henry, Sara Lynn. "Introduction.” Debra Jellenik. "Nancy Graves.” The Graves Donation: Contemporary Art in the University Collection. Drew University, Madison, NJ, 1985, n.p.
Hunter, Sam and John Jacobus. Modern Art. New York, NY, 1985, pp. 386 and 390.
Krantz, Les. American Artists/An illustrated survey of leading contemporary Americans. New York, NY and Oxford, England, 1985, p. 125.
Kramarsky, Werner. The Drawing Center Show. Exh. cat., Elaine Benson Gallery, Inc., Bridgehampton, NY, 1985, n. p.
Lucie-Smith, Edward. Movements in Art since 1945. New and Revised edition. New York, NY, 1985, pp. 266, 267 and 282.
Mile-4: Chicago Sculpture International. Exh. cat., State Street Mall, Chicago, IL, 1985, pp. 17 and 33.
Monaghan, Kathleen M. New Dimensions. Exh. brochure, Akron Art Museum, Akron, OH, 1985
Mulaire, Bernard. Chien: Essai sur une installation de Suzanne Gauthier. Saint-Boniface, Manitoba Canada, 1985, pp. 24, 25 and 42.
Neff, Terry A. R., ed. Selections from the Frito-Lay Collection. Frito Lay, Dallas, TX, 1985, p. 24.
Neuberger Museum, New Acquisitions: 1984 – 85. State University at Purchase. Purchase, NY, 1985.
Smith, Roberta, Vernacular Abstraction. Exh. cat., Spiral, Wacoal Art Center, Tokyo, Japan, 1985, pp. 34, 35 and 55 – 60.
Trisha Brown Company: Premiere City Center Season. Brochure, New York, September 17 – 22, 1985
Yard, Sally. An Architect's Eye: Selections from the Collection of Graham Gund. Exh. cat., Mount Holyoke College Art Museum, South Hadley, MA, 1985, pp. 7, 8, 41 and 53.
Tucker, Paul. “Paris Attempts to Reassert Itself as a Creative Force.” The New York Times , Arts, May 12 1985.
“Mile - 4 1985 Review." Chicago Sculpture International 1985, n.p.
“On Art and Artists: Video Data Bank 85.” The Video Data Bank, The School of the Art Institute of Chicago, 1985, pp. 18 and 50.
Larson, Kay. “The Player and the Game: In Brief…” New York, January 7, 1985 p. 73.
Sorkin, Michael. “A Light in the Forest.” House & Garden 157, January 1985, p. 92.
“Exhibitions: New Dimensions.” Akron Art Museum Newsletter, January-February 1985.
Bourdon, David. "Lady Bountiful: Bronze flowers, gauze butterflies: the protean nature of Nancy Graves." Vogue, February 1985, pp. 82 and 84.
Nadelman, Cynthia. “Broken promises: Primitivism at MOMA.” Artnews 84, February 1985, pp.88-95.
Wilson, William. “Art Moves With, Against the Times,” Los Angeles Times/Calendar March 10, 1985, p. 75.
Cohen, Ronny. "New York Reviews: Nancy Graves Knoedler." Artnews 84, March 1985, p. 137.
Silverthorne, Jeanne. "Nancy Graves, Knoedler Gallery." Artforum 23, March 1985, p. 92.
“American Prints 1860-1985 in the Collection of The Museum of Modern Art.” Print Collector’s Newsletter 16, March-April 1985.
McGill, Douglas C. “Battery to Get Four More Artworks.” The New York Times, April 25, 1985, p. C21.
Bois, Yves-Alain. “La Pensée sauvage,” Art in America 73, April 1985, pp. 178-189.
Kirshner, Judith Russi. “Public sculpture carves out its niche.” Chicago Sun Times May 5, 1985, pp. 7 and 25.
Larson, Kay. “Combat Zone.” New York, May 13, 1985, p. 117-118.
Artner, Alan G. “Tempo: Jury to select ‘Mile 4’ winner.” Chicago Tribune, May 23, 1985, Sec. 5 p. 16B
Hanson, Judith. “‘Mile 4:’ Sculpture Moves to State Street.” CAC News, May 1985, pp. 6-7.
“Jack Levin Named Executive Director of Chicago Sculpture International.” The Lakeside Group 1 May 1985, n.p.
Schantz, Judith. “The Art of Nancy Graves.” The Alumnae Bulletin 7, Miss Hall’s School, Pittsfield, Massachusetts, spring 1985, pp. 10 and 11.
“Annual Art Events Center on Chicago: Chicago’s ‘Mile of Sculpture.’” ArtWire II, Spring 1985.
Glueck, Grace. “Are the Whitney’s Satellite Museums on the Right Course?” The New York Times, June 9, 1985, pp. H 31 and H34.
Larson, Kay. “Boomtown Hype-and Real Quality.” New York June 17, 1985, pp. 46-47.
Alexander, Ron. “The Evening Hours.” The New York Times/Style, June 21, 1985.
Long, Robert. “A Showcase for the Art of Drawing.” The East Hampden Star, June 27, 1985, p. II12
Hanson, Henry. “Chicago’s Cultural Showman.” Crain’s Chicago Business, July 1, 1985, p. 42.
Sommer, Sally. “Virtuosic Pass.” Vanity Fair 48, August 1985, p. 96.
Storr, Robert. "Spotlight." Vanity Fair 48, August 1985, p. 97.
Dornberg, John. “Peter the Great.” Connoisseur 215, August 1985, pp. 70-77.
“Dance: Trisha Brown Company.” Walker Art Center, Summer 1985.
Yood, James. “‘Mile’ on the Mall: public sculpture/ public pressure.” New Art Examiner summer 1985, pp. 37-38.
“1986 Annual Meeting: Studio Sessions.” CAA Newsletter 10, summer, 1985, p. 1
“Focus on the Collection.” Neuberger Museum Calendar summer 1985.
Grant, Daniel. “Gund collection at Holyoke.” The Berkshire Eagle, Pittsfield, MA, September 1985.
Close, Roy M. “Trisha Brown Brings Her Dances to City Center.” The New York Times September 15, 1985, pp. H 18 and 27.
Tobias, Tobi. "Dance: Trisha Brown’s Permanent Revolution." New York 18, September 16, 1985, pp. 80-81.
Program: Trisha Brown Company. City Center Theater, New York September 17-22, 1985, p. 16.
Kisselgoff, Anna. “Dance: Trisha Brown Opens at City Center,” The New York Times September 18, 1985, p. C19.
Barnes, Clive. “Trisha Brown Company – fluttering in the murk.” New York Post September 20, 1985, p. 32.
Degener, Patricia. “Nancy Graves’ Progressive Disclosures of a Rich and Fertile Natural World.” The St. Louis Post-Dispatch c. September 24?, 1985.
Hardy, Camille. “Brown Celebrates Fifteen Years with Two Landmarks,” Dancemagazine September 1985.
Kendall, Elizabeth. “People are Talking About…Private Dancer,” Vogue September 1985.
Robertson, Allen. “Gravity’s Rainbow,” Ballet News 7 September 1985, pp. 28-30.
Tedeschi, Joan. “Dance Party,” Vanity Fair 48 September 1985.
‘Lectures: Nancy Graves,” Walker Art Center [Calendar] September 1985.
Jowitt, Deborah. “A Mind on the Fly,” The Village Voice October 1, 1985.
“Alumni To Receive Awards At First Arts Convocation,” Yale Weekly Bulletin and Calendar October 1 – 7, 1985, pp. 1 and 2.
“Yale Honors 13 of Its Own,” Yale Weekly Bulletin and Calendar October 1 – 7, 1985.
“Yale to Honor Distinguished Arts Alumni,” The Hartford Courant October 2, 1985.
Tobias, Tobi. “Dance: Trisha Brown,” New York October 7, 1985, p.73.
“Museum holiday ball chairmen are announced,” The Berkshire Eagle Pittsfield, MA, October 30, 1985, p. 22.
“Frito-Lay Collection,” Horizons 28 October 1985, pp. 33-40.
“Museum names sculptor Nancy Graves honorary chairman of ball on Dec. 7,” The Berkshire Eagle Pittsfield, MA, November 25, 1985, p. 21.
Russell, John. “Art: At the Guggenheim, 40 Years of Sculpture,” The New York Times November 29, 1985.
Tuchman, Phyllis. “Four Decades of Sculpture at the Guggenheim,” Newsday December 8, 1985, part II, p. 13.
Brenson, Michael. “Art: 8 Artists in ‘Between Drawing and Sculpture: Nancy Graves,’” The New York Times December 20, 1985, p. C 29.
Connors, Thomas. “Dancewatch,” Ballet News 7 December 1985.
1984
A Celebration of American Women Artists, Part II: The Recent Generation. Exh. cat. Sidney Janis Gallery, New York, NY, 1984, n.p., no. 12 (work shown in part I and illus. in part II.
Armstrong. Elizabeth and Martin Friedman. Prints From Tyler Graphics. Exh. cat. Walker Art Center, Minneapolis, MN, 1984, pp. 5, 11 and 17.
Bates, Mary, Albert Elsen and Susan Moulton, Works in Bronze: A Modern Survey. Exh. cat,. University Art Gallery, Sonoma State University, Rohnert Park, CA, 1984, pp. 3, 15, 36 and 37.
Becker, Wolfgang Astrid Becker and Ardi Poels. Aspekte Amerikanischer Kunst der Gegenwart: Neue Erwerbungen der Sammlung Ludwig . Exh. cat. Neue Galerie–Sammlung Ludwig, Aachen, Germany, 1984, n.p.
Bulletin of the Whitney Museum of American Art. Whitney Museum, New York, NY, 1983-84, p. 9.
De Coppet, Laura and Alan Jones. The Art Dealers: The Powers Behind the Scenes Tellthe Art World Really Works. C.N. Potter, New York, NY, 1984.
Freeman, Phyllis, Eric Himmel, Edith Pavese and Anne Yarowsky, eds. New Art. New York, NY, 1984, p. 90.
Hammond, Harmony. “Reviewing from the Center.” Wrappings: Essays on Feminism, Art, and the Martial Arts. New York, NY, 1984, pp. 50 and 52.
Hudson, David C., Roger Mandle and Susan LeCron. Citywide Contemporary Sculpture Exhibition in Downtown Toledo. Exh. cat., The Toledo Museum of Art and Crosby Gardens, Toledo, OH, 1984, pp. 11, 14 and 53.
International Book of Honor (Raleigh, NC, 1984)
Lauter, Estella. Women as Mythmakers: Poetry and Visual Art by Twentieth-Century Women. Bloomington, IN, 1984, pp. 158 – 163.
Master Drawings, 1928 – 1984. Exh. cat., Janie C. Lee Gallery, Houston, TX, 1984, no. 22.
Master Drawings, 1879 – 1984. Exh. cat. Janie C. Lee Gallery, New York, NY, 1984, no. 34.
McDonald, Robert. Art of the States: Works from a Santa Barbara Collection. Exh. cat. Santa-Barbara Museum of Art, Santa Barbara, CA, 1984, pp. 18, 19 and 46 – 49.
Miller-Keller, Andrea and John B. Ravanel. From the Collection of Sol LeWitt. Exh. cat.
The University Art Museum, California State University at Long Beach, CA, 1984, n.p..
Olympian Gestures. Exh. brochure Los Angeles County Museum of Art, Los Angeles, CA, 1984
Phillips, Lisa. The Third Dimension: Sculpture of the New York School. Exh. cat., Whitney Museum of American Art, NY, 1984, pp. 41 and 43.
Polich, Richard F., Nancy Graves, Toni Putnam and Michael Steiner. Transformations. Exh. brochure, The Katonah Gallery, Katonah, NY, 1984, n.p., nos. 3 and 4.
Reynolds, Gary A. American Bronze Sculpture: 1850 to the Present. Exh. cat., The Newark Museum, Newark, NJ, 1984, p. 65.
Robinson, Joan Seeman. "Nancy Graves." Great American Artists: The Skowhegan Medal Recipients. Calvin Tompkins. New York, London and Skowhegan, Maine, 1984, pp. 84 and 85.
Severinghaus, J. Walter, Dorothy C. Miller and Robert Rosenblum. Art as Work: The Chase Manhattan Collection. New York, NY, 1984, p. 221.
Spector, Nancy. “Nancy Graves.” Six in Bronze, cur. Phyllis Tuchman. Exh. cat., Williams College Museum of Art, Williamstown, MA, 1984, n. p.
Varnedoe, Kirk. “Contemporary Explorations.” Primitivism’ in 20th Century Art vol. 2 William Rubin, ed. The Museum of Modern Art, New York, NY, 1984, pp. 678 and 679.
Ronte, Dieter. "Le Temps des vestiges ou la projection du passé dans l’art des années 70.” L’Art et le temps. Société des Expositions du Palais des Beaux-Arts, Brussels, Belgium, 1984, pp. 243 and 244.
Women Artists/Filmmakers: A Festival of Film as Art, The Woman’s Perspective. Exh. cat., University of North Carolina at Greensboro, NC, 1984, p. 14.
“New Work." Trisha Brown Company, Inc. 1984, n.p.
Wright, Caroline. “The Gihon Art Collection.” Helicon Nine: The Journal of Women’s Arts and Letters, Kansas City, MO,1984, pp. 34 and 41.
Bonenti, Charles. “'Top Sculptor Nancy Graves Slips Home to Open a Show." The Berkshire Eagle, Pittsfield, MA, January 17, 1984, p. 16.
Glueck, Grace. “Art: Janis Presents ‘American Women.’” The New York Times, January 17, 1984.
Russell, John. “Galleries Are the Seedbeds of Tomorrow’s Art.” The New York Times/Arts & Leisure, January 22, 1984, Section 2, pp. 1 and 27.
Russell, John. “Dallas Christens its Exemplary Home-Grown Museum.” The New York Times, January 29, 1984, p. H 25
Rose, Barbara. "Bronze: sculptors make a traditional medium hot again." Vogue 174, February 1984, p.172.
Brenson, Michael. "Bronze Garden of Sculptured Plants." The New York Times, March 16, 1984, p. C 21.
"Nancy Graves." New York Tribune/Culture, March 23, 1984, p. 6B.
Hughes, Robert. "Intensifications of Nature." Time 123, April 2, 1984, pp. 80-81.
“Contemporary Works in Three Media are Given by Friends of Art.” The Nelson-Atkins Museum of Art, Calendar of Events, April 1984, p. 1.
Ennis, Michael. “Art Builds a House.” House & Garden 156, May 1984, pp. 174-181.
Brochure. “Olympian Gestures.” Los Angeles County Museum of Art, June 7, 1984, n.p.
Muchnic, Suzanne. "A Monumental Affair by First Rate Artists." Los Angeles Times, June 11, 1984, p. 1.
Galloway, David. “Sculptor Finds Links To Neanderthal Man.” International Herald Tribune: Arts/Leisure, June 30-July 1, 1984, p. 5
Muchnic, Suzanne. “Art Review: Santa Barbara's Bold Strokes." Los Angeles Times, July 10, 1984, p. 1 and 5.
Russell, John. “Mark Schlesinger and Richard Hennessy.” The New York Times, August 10, 1984.
Manstein, Von Horst. “Weltstadt-Phantasien: Neue Galerie – Aspekte aktueller amerikanischer Kunst.” Dem kulturellen Leben August 17, 1984.
White, John H. “A Bronze Sampler,” August/September 1984
“High Wires.” Los Angeles Times/Westside Digest, August 23, 1984, p. 2.
McGill, Douglas C. “Personal Art and The Skowhegan Experience.” The New York Times, September 2, 1984, pp. 6 and 20.
Russell, John. “Art: Prints to Amuse, Provoke and Instruct.” The New York Times, September 7, 1984, p. C 16.
Miro, Marsha. “Sculpture clearly for the public.” Free Press, Toledo, Ohio, September 11, 1984.
Bonenti, Charles. “Williams Museum shows off its art.” The Berkshire Eagle, Pittsfield, MA, September 13, 1984, p. 23
McGill, Douglas C. “What Does Modern Art Owe To the Primitives?” The New York Times/Arts and Leisure September 23, 1984, pp. 1 and 16.
“‘Primitivism’ in 20th Century Art,” Museum of Modern Art, September 27 1984- January 15, 1985
Russell, John. "Primitive Spirits Invade the Modern." The New York Times/Weekend, September 28, 1984, pp. C1 and C28.
Richard, Paul. “Magical Affinities: Linking Tribal and Western At the Museum of Modern Art.” The Washington Post, September 30, 1984, pp. H 1 and H6-H8.
Stevens, Mark. “Paying Tribute to the ‘Primitive.’” Newsweek, October 1, 1984, pp. 92-94.
Smith, Roberta. “A Primitive Look at the Modern.” The Village Voice, October 2, 1984, p. 85.
Buckvar, Felice. "Museum Visitors Vote on Sculpture," The New York Times October 14, 1984, sec. 22, p. WC23.
La Badie, Donald. “Rare Foundry Works Wonders for Artists.” The Commercial Appeal Memphis, TN, October 18, 1984, pp. C1 and C2.
Taylor, Dan. “Bronze Look.” The Press Democrat/Empire Weekend, Sonoma and Napa Valley, CA, October 19, 1984, p. 1D.
Knight, Christopher. “Exhibiting the commonality of tribal and modern art.” Herald Examiner, Los Angeles, October 21, 1984.
Martin, Mary Abbe. “Walker show exhibits growth of printmaking.” Minneapolis Star and Tribune, October 21, 1984, pp.1G and 8G.
Wilson, William. “Primitivism: Dinosaur in Modernism’s Living Room.” Los Angeles Times, October 28, 1984, pp. 3 and 4.
Advertisement for “Nancy Graves” at the Janie C. Lee Gallery, Houston. Art in America, October 1984, p. 51.
Advertisement for M. Knoedler & Company, Inc., New York. Arts Magazine, 59 October 1984, p. 65.
Curtis, Carolyn. “Artful Seminar Designed Around University Collection.” Drew/News From Drew University, Drew University, Madison, New Jersey, October 1984, p. 9.
Kotik,Charlotta. “Six in Bronze.” The Brooklyn Museum/Newsletter, The Brooklyn Museum, Brooklyn, New York, October 1984, p. 5 illus.
“Hidden Desires: Six American Sculptors.” State of New York, Neuberger Museum Calendar, State Museum of New York at Purchase, Purchase, New York, fall 1984, p. 1 illus.
Image of Nancy Graves’ sculpture Cantileve, 1983. Bulletin of The Whitney Museum of American Art 1983-1984, Fall 1984, p. 9.
Advertisement for “Works in Bronze” at the Sonoma State University Art Gallery, Rohnert Park, California. Artweek 2 November 3, 1984, p. 13.
Artner, Alan G. “N.Y.’s ‘Primitive’ show a Modern masterpiece.” Chicago Tribune November 4, 1984, pp. 13 and 14.
Brenson, Michael. "A Lively Renaissance for Sculpture in Bronze." The New York Times November 4, 1984, p. H9.
Freedman, Samuel G. “Metropolis of the Mind.” The New York Times Magazine November 4, 1984, pp. 32, 33, 68 and 70.
Wallach, Amei. “Bronze in Brooklyn.” New York Newsday, November 4, 1984, Part 2, pp. 4 and 5.
Wolff, Theodore F. “Primitivism: A vision revisited.” The Christian Science Monitor, November 5, 1984, p. 37.
Brunetta, Gian Piero. "Picasso l’africano.” La Repubblica, Rome, Italy, November 14, 1984
“Reviews.” New York November 19, 1984, p. 63.
Russell, John. “The Image of the Buddah Continues to Enthrall,” The New York Times, Art section, December 2, 1984.
Ashton, Dore. "On an Epoch of Paradox: ‘Primitivism’ at the Museum of Modern Art." Arts Magazine 59, November 1984, pp. 76-79.
McEvilley, Thomas. “Doctor Lawyer Indian Chief.” Artforum, November 1984, p. 55
Shapiro, Michael Edward. "Nature into Sculpture: Nancy Graves and the Tradition of Direct Casting." Arts Magazine 59, November 1984, pp. 92-96.
Tomkins, Calvin. “The Art World: Perception at All Levels.” The New Yorker December 3, 1984, p. 176 and 179-181.
Glueck, Grace. "Nancy Graves." The New York Times, December 14, 1984, p. C 16.
Glueck, Grace. “Bronze in the Hands of American Sculptors.” The New York Times December 23, 1984, pp. C 29 and C 31.
Bonenti, Charles. “Primitivism in art of the 20th Century.” The Berkshire Eagle/Entertainment, Pittsfield, MA, December 27, 1984, Section 3, p. 19 illus.
1983
Andrews, Oliver. Living Materials: A Sculptor’s Handbook. University of California Press, London, England, 1983.
Balken, Debra Bricker, New Decorative Art. Exh. cat. The Berkshire Museum, Pittsfield, MA, 1983, n.p.
Firnberg, Hertha and Dieter Ronte, Egyetemes Müvészet 1960 Után: A Bécsi Museum Moderner Kunst és a Ludwig — Alapitvány kiállitása Elé (Internationale Kunst Seit 1960: Ausstellung des Museums moderner Kunst, Wein mit Stiftung Ludwig). Exh. cat. Museum of Modern Art, Budapest, Hungary, 1983, pp. 11, 26 and 27.
Geldzahler, Henry, American Accents. Exh. cat. Rothmans of Pall Mall, Canada, 1983, n.p.
Hahnhardt, John G., Barbara Haskell, Richard Marshall and Patterson Sims. 1983 Biennial Exhibition: Painting, Sculpture, Photography: Installations, Films, Video. Exh. cat. Whitney Museum of American Art, New York, NY, 1983, p. 27.
Muriel Emanuel, ed. Contemporary Artists. St. Martin’s Press, Inc., New York, NY, 1983.
Ruhrberg, Karl et al. Handbuch Museum Ludwig — Kunst des 20 Jahrhunderts; Gemalde/Skulpturen/Collagen/Objekte/Environments vol. 2. Museum Ludwig, Cologne, Germany, 1983, p. 178.
Tuchman, Phyllis. Nancy Graves: Painting & Sculpture 1978/1982. Exh. cat. Santa Barbara Contemporary Art Forum, Santa Barbara, CA, 1983, n. p.
“Teure Tiere.” Schweizer Illustrierte, Zurich, January 10, 1983.
Mallet, Gina. “ Stratford invites Nancy to open U.S. art exhibition,” Toronto Star January 11, 1983.
Hardy, Jean. “Personal Choice: Tailoring an Old House to New Needs,” Houston Home and Garden 9 January 1983, cover and pp. 96-101.
Hazel, Ruth Jacqueline. The Making is the Meaning: The Sculpture of Nancy Graves, Unpublished Master’s Thesis, Southern Methodist University, 1983
"New York Reviews: Nancy Graves (Knoedler)." Artnews 82 January 1983, p. 144.
Rose, Barbara. "Two American Sculptors: Louise Bourgeois and Nancy Graves," Vogue 173 January 1983, pp. 222-223.
Timberman, Marcy. “Metaphor and Paradox.” Artweek 14, Oakland, California, March 5, 1983, p. 16.
Schreuber, Mathias. “Der dritte Weg.” Frankfuter Allgemeine/Feuilleton, March 17, 1983, p. 23.
“Notes on New York.” The New York Times, March 24, 1983, p. 21.
Harper, Dr. Paula. “Miami Art Scene: A multi-layered depiction of our world.” The Miami News, March 25, 1983, p. 7D
“La Chronique des arts: Principales acquisitions des musées en 1982.” Gazette Des Beaux-Arts 101, March 1983, supp. p. 48.
Myers, John Bernard. "The Other." Artforum 21, March 1983, pp. 44-49.
Storr, Robert. "Natural Fictions." Art in America 71, March 1983, pp. 118-121.
Anderson, Alexandra. "The New Bronze Age." Portfolio 5, March/April 1983, pp. 78-83.
Houston Arts 6, First Quarter 1983, cover.
Larson, Kay. “All American Energy.” New York, April 11, 1983, pp. 61-63.
Hoelterhoff, Manuela. “Whitney Double: No Blue Faces.” The Wall Street Journal, April 15, 1983
Ashbery, John. “Art: Biennials Bloom in the Spring.” Newsweek, April 18, 1983, pp. 93 and 94.
“Important Old Master Prints: British Modern and Contemporary Prints.” Christie’s, April 21-22, 1983, p. 149.
Hall, Lee. “Material Pleasures.” House & Garden 155, April 1983, pp. 6, 8 and 12.
[American Academy in Rome Celebration of Vatican Exhibition] Graphics Design: USA April 1983.
Kalil, Susie. "Nancy Graves." The Houston Post May 8, 1983, p. 8F.
Bomb 6, May 1983, p. 41 illus.
“1,000 Attend Gallery Opening: Major American Art Exhibit Opens at Gallery.” The Beacon Herald, Stratford, Ontario, June 7, 1983, pp. 4, 5, 6 and 7.
“Exhibit Serious, Not Solemn: American Accents Show is Colorful and a Lot of Fun,” The Toronto Star June 11, 1983.
Edinborough, Arnold. “ ‘American Accents’: A tribute to the passion to communicate.” The Financial Post, Stratford, Ontario, June 25, 1983, p. 21.
Kritzwiser, Kay. "Making artistic statements in an American accent." The Globe & Mail, Stratford, Ontario, June 27, 1983, p. 3.
“‘Intelligence, Imagination and Technical Talent: Graves’ Art Encompasses All.” Arts & Friends/Friends of Art, Lowe Art Museum, 1 University of Miami, Coral Gables, Florida, June 1983, p. 11
Brooks, Valerie. "Where Sculptors Forge Their Art." The New York Times/Arts and Leisure July 7, 1983, Section 2, pp. 1 and 24.
Russell, John, "It's Not ‘Women's Art,’ It's Good Art," The New York Times/Arts and Leisure July 24, 1983, Section 2, pp. 1 and 25.
Brooks, Valerie. “Where Sculptors Forge Their Art.” The New York Times July 31, 1983, Section 2, pp. 1 and 24.
Geldzahler. Henry. "American Accents." Artmagazine 14, Canada, summer 1983, pp. 13-17 and 74-75.
Rickey, Carrie. "A Project by Nancy Graves." Artforum 21, Summer 1983, pp. 48-52.
The Berkshire Museum Calendar, Pittsfield, MA, summer 1983, cover.
Friedman, Jon R. “Modern Objects.” Arts Magazine 58, September 1983, p. 9.
Russell, John. ‘Today’s Artists are in Love with the Stage,” The New York Times/Arts & Leisure October 30, 1983, Section 2, pp.1 and 26.
Inperformance: BAM, A Monthly Guide to the Brooklyn Academy of Music 3 October 1983, p. 14.
Brenson, Michael. “Battery Park Plaza Design Unveiled.” The New York Times December 1, 1983.
Russell, John. “Art View: Where City Meets Sea to Become Art.” The New York Times December 11, 1983, Section 2, pp. 1 and 31.
Shapiro, Michael Edward. "Four Sculptors on Bronze Casting: Nancy Graves, Bryan Hunt, Joel Shapiro, Herk Van Tongeren." Arts Magazine 58, December 1983, pp. 111-117.
1982
Ackerman, Andrew S. and Susan L. Braunstein. Israel in Antiquity. Exh. cat., The Jewish Museum, New York, 1982, p. 125, no. 126.
Balken, Debra Bricker. 1982 Invitational Exhibition. Exh. cat., The Berkshire Museum, Pittsfield, MA. 1982, pp. 9 and 16.
Belz, Carl et al., A Private Vision: Contemporary Art from the Graham Gund Collection. Exh. cat. Museum of Fine Arts, Boston, MA, 1982, pp. 26 and 27.
Brutvan, Cheryl A., Marti Mayo and Linda L. Cathcart, In Our Time: Houston’s Contemporary Arts Museum, 1948 – 1982. Exh. cat. Contemporary Arts Museum, Houston, TX, 1982, pp. 58, 67 and 74.
Des Moines Art Center, Annual Report, July 1, 1981-June 30, 1982. Des Moines Art Center, Des Moines, IA, 1982.
Elsen, Albert. Casting: A Survey of Cast Metal Sculpture in the 80’s. Exh. cat. Fuller Goldeen Gallery, San Francisco, CA, 1982, n.p., nos. 3 and 11.
Feldman, Edmund Burke. The Artist (Englewood Cliffs, NJ, 1982), p. 15.
Fox, Judith Hoos. Metals: Cast-Cut-Coiled. Exh. brochure, Museum of Art, Rhode Island School of Design, Providence, RI, 1982, n.p.
Hassan and Speicher Fund Purchase Exhibition. Exh. brochure, American Academy and Institute of Arts and Letters, New York, NY, 1982, n.p., nos. 26 and 27.
Le 2ème Festival international du film sur l’art. Exh. cat., Le Musée d’art contemporain Montreal, Canada, 1982, p. 32.
On Art and Artists: The Video Data Bank. The School of the Art Institute of Chicago, Chicago, IL, 1982, pp. 6 and 17.
Osterwald, Tilman and Andreas Vowinckel. Vergangenheit/ Gegenwart/ Zukunft: Zeitgenössische Kunst und Architektur. Exh. cat. Württembergischer Kunstverein, Stuttgart, Germany, 1982, pp.158, 159 and 313.
Rubinstein, Charlotte Streifer. American Women Artists from Early Indian Times to the Present. Boston, MA and New York, NY, 1982, pp. 416 – 418, 513 and 514.
The Gihon Foundation Presents Works. The Gihon Foundation, Dallas, TX, 1982, brochure, n.p.
Women of the Americas: Emerging Perspectives. Exh. cat., Center for Inter-American Relations and Kouros Gallery, New York, NY, 1982, n.p.
“Cover.” Akron Art Museum Newsletter, January/February 1982, n.p.
“Interview: Norman Dubrow Talks with Paul Cummings.” Drawing 3, January-February 1982, p. 109.
Amaya, Mario. "Artist's Dialogue: A Conversation with Nancy Graves." Architectural Digest 39, February 1982, pp. 146, 150-151 and 154-155.
Lauzon, Lorraine. “Ancient Egyptian ‘common man’ celebrated at Museum of Fine Arts.” The Berkshire Eagle, Pittsfield, MA, March 11, 1982, p. 21.
Russell, John. “In Boston: From the Old World to the New.” The New York Times, March 14, 1982
Hoelterhoff, Manuela. “Three New Museum Wings that Make No Sense.” The Wall Street Journal/Leisure and the Arts, April 2, 1982
Fischer, Valerie. “Entdeckungsreise einer Künstlerin durch das Universum.” Brigitte April 21, 1982.
Contemporary Art. Sale cat., Christie’s, New York, May 5, 1982, pp. 150-151.
Hogrefe, Jeffrey. “Stella Ties Record.” The Washington Post, May 6, 1982, pp. B1 and B2.
Hogrefe, Jeffrey. “2 Art Treasures and $1 Million, Change Hands.” The Philadelphia Inquirer, May 8, 1982, p. 1D
Advertisement. “Artists Against Nuclear Arms.” The New York Times, June 6, 1982, p. H 29.
Bonenti, Charles. “Art Reviews: 2nd Museum Invitational.” The Berkshire Eagle, Pittsfield, MA, July 8, 1982, p. 22.
Tannin, Christine. “Critic’s Tips.” Boston Globe, August 26, 1982.
Sozanski, Edward J. “Best Bets.” Providence Journal, August 27, 1982
Sozanski, Edward J. “RISD Exhibit Redefines Traditional Sculpture.” Providence Journal, August 27, 1982.
Glueck, Grace. “Art.” The New York Times/The Guide, October 10, 1982, p. 3 G
“Art.” The Village Voice, October 13-19, 1982.
Glueck, Grace. "Botanical Bronzes from Nancy Graves." The New York Times, October 22, 1982, p. C 22.
“Bronzes by Nancy Graves Receive Top Critical Praise.” The Berkshire Eagle, Pittsfield, MA, October 23, 1982, p. 21.
Dickinson, Nancy Godwin. “Metals: Cast-Cut-Coiled Museum of Art/RISD, Providence.” Art New England, October 1982.
“Recent Acquisitions: Gifts 1981-1982.” Gallery/Friends of the Vassar College Art Gallery 8, Fall 1982, p. 4
Smith, Roberta. "Art: Four Formulas in Flux." The Village Voice, November 9. 1982, p.78.
M., J. "In Review: New York, Graves at M. Knoedler." The Art Gallery Scene, Washington, D.C., November 16, 1982, pp. 4-5.
Morais, Frederico. “Nova York, capital da arte latino-americana.” O Globo, November 19, 1982, p. 30.
Larson, Kay. "Art: Nancy Graves." New York Magazine, November 22, 1982, p. 74.
Schriber, Jon. “Whatever Happened to Akron?” Forbes 130 November 22, 1982, pp. 170-173.
Tully, Judd. "New York Exhibitions: Nancy Graves." Art World, New York, November 1982, p. 6.
Raye, Helen. “Recent Acquisitions: Nancy Graves.” Albright-Knox Art Gallery Calendar, Buffalo, November 1982, p. 5.
Goodman, Vera. “Women of the Americas exhibit excellence.” New Directions for Women, November-December 1982.
“Recent benefit prints of interest follow.” Print Collectors Newsletter, November-December 1982.
Wolff, Theodore F. “The Home Forum: The Many Masks of Modem Art." The Christian Science Monitor, December 16, 1982, p. 20.
‘Die ‘beautiful show’ der Nancy Graves.” Tages Anzeiger, Zurich, December 17, 1982, pp. 34-35
“Malerin mit Köpfchen.” ZüriWoche, December 23, 1982, p. 33.
Walker, James Faure. “Impressions of a Wandering Lecturer.” Artscribe 38, December 1982, pp. 36-45.
“Das Sammler-Journal-Interview mit Prof. Dr. Dr. h.c. Peter Ludwig.” Sammler Journal 11 December 1982, pp. 1108-1113.
“Nancy Graves Lecture at the Lowe.” Lowe Friends of Art Calendar of Events, University of Miami, Coral Gables, Florida, 1982-1983.
1981
Agee, William C.. “Introduction.” The Museum of Fine Arts, Houston: A Guide to the CollectionHouston, TX, 1981, p. 176.
Chisholm, Lorraine. “Introduction.” Projects and Projections: Drawings for Contemporary Sculpture. Exh. brochure, The Upstairs Gallery, Mount Saint Vincent University, Halifax, Canada, 1981, cat. no. 3.
Kelly, James J. The Sculptural Idea 3rd ed. Minneapolis, MN, 1981, pp. 58, 67 and 89.
Namuth, Hans and Tomkins, Calvin. Hans Namuth, Artists 1950-81: A Personal View. Pace Gallery Publications, New York, NY, 1981, n.p.
Russell, John. The Meanings of Modern Art New York, NY, 1981, pp. 395-398.
Sandler, Irving. Twenty Artists: Yale School of Art, 1950 – 1970. Exh. cat., Yale University Art Gallery, New Haven, CT, 1981, pp. 17, 19, 20, 42 and 43.
Smith, Roberta. 4 Artists and the Map: image/process/data/place. Exh. cat., Spencer Museum of Art, The University of Kansas, Lawrence, KS, 1981, pp. 7, 11 – 13, 18 and 24 – 31.
“New Traveling Exhibitions 1981-1985.” Independent Curators Incorporated, York 1981, n.p.
Radio advertisement. “Nancy Graves at the Neuberger Museum.” January 21-March 15.
Raynor, Vivien. “From Camel Bones to Diverse ‘Sensibilities.’” The New York Times, February 1, 1981, p. 16.
Beals, Kathie. “Art of the Future.” Gannett Westchester Newspapers/Weekend, February 13, 1981, p. 13.
Beals, Kathie. “Art People: Footnotes.” Gannett Westchester Newspapers, February 15, 1981.
Elliott, Thyra. “Nancy Graves: a decade of development.” Darien News, February 26, 1981, sec. 3, p. 8.
McVinney, Donald. “Nancy Graves Survey at Museum an ‘Inspirational Event.’” The Load Purchase, New York, February 1981.
“Artsnews Calendar.” Westchester Artsnews 2, Council for the Arts in Westchester, White Plains, NY, March 1981, n.p.
Zimmer, William. “Turning Over Graves.” The Soho News, New York, March 11, 1981, p. 43.
Witt, Gary. “Flying Colors.” Memphis Magazine, April 1981, pp. 43-45.
“TV Listings.” Des Moines Register, April 8, 1981, p. 9C?
Kramer, Hilton. “Nancy Graves.” The New York Times, April 10, 1981, p. C 19.
Bretz, Lynn. “Arts: A serious look at art and science.” Lawrence Journal-World, April 12, 1981, Section B, pp. 1 and 6.
“Art: Galleries Uptown.” The Guide April 12, 1981, pp. 21-22.
Baldwin, Nick. "Art in Process." Des Moines Register/The Arts, April 19, 1981, p. 5C.
Skowhegan School of Painting & Sculpture: 35th Anniversary Awards Dinner: The Plaza Hotel. April 21, 1981, n. p.
Morrison, Don. “Artist’s stunningly life-like camel highlights exhibition.” The Minneapolis Star, May 29, 1981, p. 3B.
“Graves, Nancy (Stevenson).” Current Biography 42, May 1981, pp. 33-36.
“Nancy Graves: A Survey 1969/1980.” Walker Art Center Newsletter, Minneapolis, MN, May 1981, p. 1.
Addington, Fran. “Graves show seeks unity in art, science.” Minneapolis Tribune/Entertainment Arts, June 3, 1981.
Morris, Margaret. “Walker Opens Exhibition for Latest Find.” Minneapolis Tribune, June 3, 1981, p. 2B.
Hellekson, Diane. “Graves’ Cold Core.” d’Art, June 4, 1981, pp. 11 and 15.
Protzman, Bob. “Science inspires artist Graves.” Saint Paul Dispatch, June 4, 1981, pp. 1B and 10B.
Robertson, Allen. “Visual Art: A Graves Matter.” MPLS St. Paul Magazine, June 1981, p. 46.
Tulenko, Karelei. "Nancy Graves (New York City)." Art Voices July/August 1981.
“Variability and Repetition of Similar Forms II.” Akron Art Journal 17, 1981, p. B8.
Fell, Derek. “The Collectors: Art in the Domestic Context.” Architectural Digest 38, December 1981, pp. 128-135.
Schwartzman, Allan. “All nature is but art unknown: From ocean floor to lunar sea, sculptor/painter/film maker Nancy Graves reconsiders the universe.” Vassar Quarterly 77, Winter 1981, pp. 20-23 and cover.
Sello, Dr. Gottfried. “Nancy Graves.” Brigitte 19, 1981, p. 168.
“New American Filmmakers Series: Films by Artists.” Films/4: The American Federation of Arts, New York, NY, 1981.
“Nancy Graves (Richard Gray Gallery).” Storm King Art Center Sculpture Newsletter, 1981/1982, n.p.
1980
Cathcart, Linda. Nancy Graves: A Survey, 1969/1980. Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1980.
Daval, Jean-Luc et al. Skira Annual: Art Actuel: Numéro Special 1970 – 1980/Actual Art: Special Issue 1970-1980. Geneva, Switzerland, 1980, pp.126, 127 and 157.
Harkavy, Donna and Holden Luntz. The Continuing Tradition of American Abstraction. Exh. cat. Gallery 700, Milwaukee, WI, 1980, n.p.
Kardon, Janet et. al., Drawings: The Pluralist Decade. Exh. cat. 39th Venice Biennale, Venice, Italy Institute of Contemporary Art, Philadelphia, PA, 1980, pp. 93 and 107.
Kardon, Janet et al., Drawings: The Pluralist Decade. Exh. cat. Institute of Contemporary Art, Philadelphia, PA, 1980, pp. 89 and 90.
Lindey, Christine. Superrealist Painting and Sculpture London, England and New York, NY, 1980, pp. 142 – 144 and 147.
Lucie-Smith, Edward. Art in the Seventies. Oxford, England, 1980, p. ?
Malangré, Kurt and Heiner Berger. 10 Jahre Neue Galerie — Sammlung Ludwig: Aachen 1970 – 1980. Aachen, Germany, 1980. n.p.
Perceiving Modern Sculpture: Selections for the Sighted and Non-Sighted. Exh. cat., Grey Art Gallery and Study Center, New York University, New York, NY, 1980, pp. 36 and 37.
Quargnal, Elettra and Marisa Volpi Orlandini. Arte Americana Contemporanea. Exh. cat., Civici Musei e Gallerie di Storia e Arte, Udine, Italy, 1980, pp. 74 and 75.
Schwartzman, Allan, Kathleen Thomas and Marcia Tucker. The 70’s: New American Painting /Az 1970 — es évek új amerikai festézete/ Lata Siedemdziesiate: Nowe Malarstwo Amerykaskie. Exh. cat., The New Museum, New York, NY, 1980, n. p.
Metken, G. “Skona vetenskaper – eller det humanas arkeoligi.” Paletten 1, January 1980, pp. 47-48, 82.
Minaty, Wolfgang. “Weich und plastisch – Soft Art.” Das Kunstwerk 33, January 1980, pp. 47-48 and 82.
“Masks, Tents, Vessels, Talismans.” The Pennsylvania Gazette 78, Philadelphia, February 1980, pp. 25-27.
Hjort, Øystein, “Mot en ny sensibiliet: Nagra tandenser i amerikansk konst.” Paletten 2 February 1980, pp. 26-36.
H., S. F. "Nancy Graves." Art/World, March 19-April 18, 1980, p. 8.
Kramer, Hilton. "Nancy Graves." The New York Times March 21, 1980, p. C 19.
Larson, Kay. "Come Together." The Village Voice March 24 1980, p. 81.
Michel, Jacques. “Artistes Américains Pour 1980: La peinture recommencée.” Le Monde April 23, 1980, p. 1 and 18.
"Nancy Graves show to open in Buffalo." Herald American, Syracuse, NY, April 27, 1980.
Robinson, Joan Seeman. “Nancy Graves.” Skowhegan: 34th Anniversary Awards Dinner April 29, 1980, n.p.
Rose, Barbara. "Portfolio: Abstract Art in America." Dialogue 58 Washington, DC, April 1980, cover and pp. 47 and 52.
“Zürich Kunsthaus, Ausstellung: Weich und Plastisch – Soft Art, 16 November 1979 - 3 February 1980.” Pantheon 38, April 1980, pp. 129-130.
"Events & Openings." The Buffalo News, May 2, 1980.
Bannon, Anthony. "Graves' Work Celebrates the Mind." The Buffalo News, May 3, 1980.
Branche, Bill. "Graves exhibit is pleasing despite some shortcomings." Niagara Gazette, Niagara Falls, NY, May 8, 1980, pp. 1D, 2D.
Huntington, Richard. "Nancy Graves' Art: Natural History in the Abstract." Buffalo Courier-Express, Buffalo, NY, May 11, 1980, pp. E3 and 4.
Bass, Milton R. "Nancy Graves: A Survey 1969/1980." The Berkshire Eagle, Pittsfield, MA, May 29, 1980, p. 11.
Frank, Elizabeth. “Nancy Graves at Knoedler." Art in America 68, May 1980, pp. 154-155.
Wedewer, Rolf. “Neuer Exotismus.” Das Kunstwerk 33, May 1980, pp. 3-33.
Goldman, Judith. “Izdavanje I Štampanje Grafika U Americi.” Pregled 211, May- June 1980, pp. 4-13.
Russell, John. “Gallery View: Nancy Graves Makes Art of Science." The New York Times/Art, June 1, 1980, p. D 25.
“Eye for Art.” The Buffalo News, June 21, 1980, p. 1.
“Over the Hump.” Akron Journal, June 26, 1980.
Rose, Barbara. "Nancy Graves." Vogue 170 June 1980, pp. 202-203 and 235-236.
Saunders, Wade. “Hot Metal.” Art in America 68, June 1980, pp. 87, 90, 91 illus., 93
“Neuerwerbungen der Sammlung Ludwig 2." Aachener Nachrichten, July 19, 1980.
“Sculptors Meet in Washington to Talk and Show Their Work.” American Institute of Architects Journal 69, July 1980, pp. 32-33.
Carr, Carolyn Kinder. "Nancy Graves: A Survey 1969/1980: Observations and ... Discussion of Sculpture." Dialogue/The Ohio Arts Journali, Akron, OH, July-August 1980, pp. 18-21.
La Badie, Donald. "Natural history dominates Nancy Graves' arena." The Commercial Appeal, Memphis, TN, August 24, 1980, p. 18.
“Perceiving Modern Sculpture.” Grey Art Gallery Bulletin , Summer 1980, pp. 1 and 3.
“Sculpture Carves Out Audience in U.S.” U.S. News and World Report 89, September 1, 1980, pp. 66-67.
Crossley, Mimi. "Nancy Graves' perspective of nature." The Houston Post/Spotlight on Travel/The Arts, September 21, 1980, p. 1AA.
Tennant, Donna. "Doing what comes naturally." Houston Chronicle, September 21, 1980, pp. 16 and 30.
Lunn, Judy. “Clothes Circuit: Dressing up for the fun of it,” The Houston Post September 24, 1980.
Tennant, Donna. “ Nancy Graves On View.” Texas/Houston Chronicle Magazine September 28, 1980, pp. 7-10 and 12-13.
Castaneda, Chris. "Nancy Graves at CAM: Boning up on Science." Rice Thresher Rice University, Houston, September 1980.
Nadelman, Cynthia. "Nancy Graves." Artnews 79, September 1980, p. 247.
“Nancy Graves: A Survey 1969/1980.” Contemporary Arts Museum Calendar Houston, TX, September-October 1980.
“Self Portrait.” Artnews 79, October 1980, cover and p. 7.
Kalil, S. “Illusion with Presence: Contemporary Arts Museum, Houston.” Artweek 11 Oakland, CA, October 18, 1980, p. 7.
“Nancy Graves: A Survey 1969/1980.” Contemporary Art Museum, Houston, Texas, Annual Report, October 1979-November 1980.
“Sculpture 11 Highlights: The 11th International Sculpture Conference, Washington, D.C.” International Sculpture Center Bulletin 25, Fall/Winter 1980, p. 10.
La Badie, Donald. "'Camel' Endures Artistic Snags." The Commercial Appeal, Memphis, TN, November 11, 1980, p. 26.
La Badie, Donald. "Real World is the Springboard for Creations of Nancy Graves." The Commercial Appeal, Memphis, TN, November 16, 1980, cover and pp. 26-27.
“Nancy Graves: A Survey 1969/1980.” Fanfare/The Commercial Appeal, Memphis, TN, November 16 1980.
La Badie, Donald. “Graves’ Artwork is ‘Special Show’ for Curator, 33.” The Commercial Appeal Memphis, TN, November 1980, Section A, p. 14.
Jensen, Dean. "New Esthetic Spirit Emerging in US Art." Milwaukee Sentinel, November 28, 1980.
E., C.C. “Thomas Couture and the Presentation of History Painting." Art Journal Fall/Winter 1980, pp. 397-399.
“Nancy Graves: A Survey 1969/1980.” International Sculpture Center Bulletin 25, Washington, D.C. Fall-Winter 1980, p. 10.
“Nancy Graves: A Survey 1969/1980” and ‘Films and Introduction by Nancy Graves.” Neuberger Museum Fall/Winter Calendar 1980-81, Purchase, NY, fall/winter 1980, n.p.
Auer, James. "Manhattan Modern." Milwaukee Journal, December 7, 1980.
“Neuberger Hours.” Reporter Dispatch, December 12, 1980, p. 15.
“Neuberger plans survey of art by Nancy Graves, architectural panels.” Greenwich Times, December 26, 1980.
Baum, Peter. “Die Biennale von Venedig, 1980.” Alte und Moderne Kunst 172/173 1980, p. 62.
1979
Annual Exhibition: American Academy in Rome. Exh. cat., American Academy, Rome, Italy, 1979, n. p.
Annual Report. Contemporary Art Museum, Houston, TX, 1979
Billeter, Erika et al., Weich und Plastisch: Soft-Art. Exh. cat. Kunsthaus Zurich, Zurich, Switzerland, 1979, pp. 84, 85, 188 and 200.
Butler, Hiram Carruthers et al. Documents, Drawings and Collages: Fifty American Works on paper from the Collection of Mr. and Mrs. Stephen D. Paine. Exh. cat. Williams College Museum of Art, Williamstown, MA, 1979, pp. 49, 58 – 59, 72 and 123.
Cladders, Johannes. Museum moderner Kunst: Sammlung Hahn. Vienna, Austria, 1979, n.p., no. 131.
Coopérative des cinéastes indépendants: catalogue and guide 5. Montréal, Québec, Canada, 1979 – 1980, p. 59.
Fillitz, Hermann, ed. Museum Moderner Kunst: Kunst der Letzten 30 Jahre. Vienna, Austria, 1979, n.p.
Fillitz, Hermann, ed. Museum Moderner Kunst: Sammlung Ludwig. Vienna, Austria, 1979, n.p.
Goldman, Judith. Print Publishing in America. Exh. cat., United States International Communication Agency, 1979, n.p.
Harvey, Donald. Seven Artists at Tyler Graphics Ltd. Exh. cat., Trisolini Gallery, Ohio Univeristy, Athens, Ohio, 1979, pp. 5, 8, 9 and 22.
Haverstock, Mary Sayre. An American Bestiary. New York, NY, 1979, pp. 228-229.
Kardon, Janet. Masks, Tents, Vessels, Talismans. Exh. cat., Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA. 1979, pp. frontispiece, 15, 17, 19, 26, 27 and 36.
Karlin, Renata and Lucy R. Lippard, Exchanges I. Exh. cat. Henry Street Settlement, Louis Abrons Arts for Living Center, New York, NY, 1979, n.p.
Karpel, Bernard, ed. Arts in America: A Bibliography, vol. 1. Washington D.C., Smithsonian Institution, 1979, p. ?
Munro, Eleanor. Originals: American Women Artists. ew York, 1979, pp. 41, 54, 55, 313, 391, 486, 506 and Portfolio of Color Part III.
Peterson, Karen and J.J. Wilson. Women Artists: Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century 2 ed. London, England, 1979, p. 130.
Rose, Barbara. American Painting: The Eighties, A Critical Interpretation. Vista Press, 1979, n.p.
Ruhrberg, Karl, Evelyn Weiss and Dieter Ronte. Handbuch Museum Ludwig: Kunst des 20 Jahrhunderts Gemälde, Skulpturen, Collagen, Objekte, Environments (Cologne, Germany, 1979), pp. 256 – 258 and 850.
Skowhegan School of Painting & Sculpture. Skowhegan, ME, Summer 1979, n.p.
Sollins, Susan and Elke Solomon. Supershow. Exh. cat. Independent Curators Incorporated, New York, NY, 1979, pp. 2, 9, 23 and 27.
Thorson, Victoria. Great Drawings of All Time: The Twentieth Century. Shorewood Press, 1979
“Newz.” Skowhegen Newsletter, 1979, p. 22.
Russell, John. "Art People." The New York Times, January 26, 1979, p. C 16.
Russell, John. ‘Nancy Graves fixes camel for ancient city of Aachen.” The Berkshire Eagle Pittsfield, MA, January 30, 1979, p. 5.
Russell, John. "Art: Nancy Graves." The New York Times, February 23, 1979, p. C 20.
Lubell, Ellen. “Cutting Out.” Soho Weekly News, New York, March 8, 1979.
Graves, Nancy. "Nancy Graves: Excerpts from Notebooks." Artscribe 17, London, April 1979, pp. 39-41.
“La Chronique des arts: Principales acquisitions des musées en 1978.” Gazette Des Beaux-Arts 93, April 1979, suppl. p. 25.
Zimmer, William. “Exchanges I, Henry Street Settlement.” The Soho News May 30, 1979.
Perrone, Jeff. "Nancy Graves." Artforum 17 May 1979, pp. 66-67.
“Women in Art.” May at 13, WNET Members Calendar, May 1979, p. 10.
“NewsBriefs: Art and artist on the move." Vassar Quarterly Spring 1979, p. 24.
Russell, John. “Where to See New Artists.” The New York Times, June 8, 1979, pp. C 1 and 20.
Frank, Peter. “Rates of Exchange.” The Village Voice June 18, 1979, p. 2.
“New York Lecturer.” St. Louis Globe-Democrat, October 22, 1979
Rickey, Carrie. “The More the Merrier,” The Village Voice October 29, 1979, p. 79.
Contemporary Arts Museum, Houston Annual Report, Contemporary Arts Museum, Houston, October 1979-1980, cover and p. 8.
Cooperative des cinéstes indépendants catalogue and guide 5, Montréal,Canada, 1979-1980.
“Galleries.” New York Promenade, Plaza Hotel, New York, NY, 1979, cat no. 5.
1978
Artists/America. Brochure, The Brooklyn Museum, Brooklyn. NY, Education Department Public Programs Brochure, Spring 1978.
Becker, Wolfgang and David Galloway. The Ludwig Collection. Exh. cat. Tehran Museum of Contemporary Art, Tehran, Iran, 1978, n.p.
Cathcart, Linda L. American Painting of the 1970s. Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1978, pp. 8, 28 and 76.
Distel, Herbert and Peter Killer. Das Schubladenmuseum/Le Musée en Tiroirs/The Museum of Drawers. Exh. cat., Kunsthaus Zurich, Zurich, Switzerland, 1978, pp. 24 and 57.
Frank, Peter. Mapped Art: Charts, Routes, Regions. Exh. brochure, Nobé Gallery, New York, NY, October 1978.
Kardon, Janet, Point. Exh. cat., Phildelphia College of Art, Philadelphia, PA, 1978, pp. 10, 11, 15 and 27.
Metken, Günter. “Annotazioni di Cultura e Scienza Nello Stesso Tempo…,” in Giorgio Cortenova, La Creazione Volgea alla Fine. Genoa, Italy, 1978, pp. 34 – 36.
Plous, Phyllis. Contemporary Drawing/New York .Exh. cat., University of California at Santa Barbara Art Museum, Santa Barbara, CA, 1978, pp. 6, 20 and 21.
Schwartz, Therese. Perspective ’78: Works by Women. Exh. cat., Freedman Gallery, Albright College, Reading, PA, 1978, pp. 16 and 17.
Serious Business Company. Film and video rental catalogue. Oakland, CA, 1978, cover and p. 14.
Simonds, Charles, moderator. Nancy Graves, Leo Rosshandler, Tony Urquhart and Alex Wyse, panelists. “Primitivism and Cult Objects,” Sculpture Today: 10th International Sculpture Conference/ Sculpture aujourd’hui: 10e conference internationale de la sculpture. Symposium catalogue, International Sculpture Center, Toronto,Canada, May 31 to June 4, 1978, pp. 33 – 35.
The Lawrence H. Bloedel Collection of American Art. Published Privately, 1978, p. 19.
Saikali, Soumaya. “First exchange plan art exhibition opens in city.” Kayhan International, January 12, 1978, p. 2.
Hess, Thomas B. "Where Have All The Isms Gone?" New York 11, February 13, 1978, pp. 68-70.
Russell, John. “ New Paintings by Nancy Graves.” The New York Times February 24, 1978, p. C 20.
Dickinson-Brown, Roger. “The Visual Arts: Stanton Catlin’s Brilliant, and Final, Show at the Lowe Gallery.” Syracuse Guide, February 1978, p. 9.
Heinrich, Theodore Allen. “documenta 6/part II: drawings.” Artscanada, April-May 1978, p. 77.
“Artists/America.” The Brooklyn Museum, Spring 1978, n.p.
Senie, Harriet. “Sculpture - on a Modern Plane.” New York Post, March 4, 1978, p. 17.
Ratcliff, Carter. "New York Letter." Art International 22, March 1978, pp. 50-51.
Graves, Nancy statement. "The Late Cezanne: A Symposium." Art in America 66 March-April 1978, pp. 86-87.
Heinrich, Theodore Allen. “documenta 6/part III: painting.” Atrscanada, April-May 1978, p. 61
Frackman, Noel. "Nancy Graves." Arts Magazine 52, May 1978, p. 29.
Schwartz, Ellen. "Nancy Graves." Artnews 77, May 1978, p. 187.
Panel discussion. Simonds, Charles, moderator and Nancy Graves, Leo Rosshandler, Toni Urquhart and Alex Wyse, panelists. “Primitivism and Cult Objects.” Sculpture Today: 10th International Sculpture Conference, Toronto Sculpture Center, Canada, May 31-June 4, 1978, pp. 33-35.
“Bronze aus New York.” Kölner Stadt Anzeiger: Quer durch Köln, June 23, 1978, p. K11
“Ludwig erwarb Plastik von Nancy Graves.” Cologne newspaper, June 24, 1978, p. 3.
Rollins, David. “An Eclectic Approach." Architectural Digest 35, June 1978, pp. 116 - 123.
Rubinfien, Leo. "Nancy Graves: Dag Hammarskjold." Artforum 16, Summer 1978, pp. 73-74.
Vomm, Wolfgang. “Ceridwen – Urwelt im Museum." Museum der Stadt Köln Bulletin 8, August 1978, cover and pp. 1642-1643.
Announcement. Electronic Arts Intermix, “Merce by Merce by Paik.” Channel Thirteen, WNET TV, New York 13, September 16, 20 and 24, 1978
“Review: Nancy Graves.” The Weekly Seattle, September 20-26, 1978.
“TV/Video: Merce by Merce by Paik.” The Village Voice/Voice Choices September 25, 1978, p. 87
Campbell, R.M. “Nancy Graves.” Seattle Post-Intelligencer, October 1, 1978, p. P1.
Tarzan, Deloris. "Graves is great, Benjamin bright and bold.” The Seattle Times/Arts and Entertainment, October 4, 1978, Section H, p. 1.
Berger, David A. "The Gallery Scene: Three Shows of Particular Interest - Nancy Graves," Argus Seattle, October 6, 1978, p. 11.
Moser, Charlotte. "Energy, spirit in two shows." Houston Chronicle, November 15, 1978, Section 4, p. 1.
Crossley, Mimi. "Review: Works by Andy Burns, Nancy Graves," The Houston Post, November 24, 1978, p. 9A.
Bannon, Anthony. “A Slice of American Paintings from the 1970s.” The Buffalo Evening News November 26, 1978.
Ratcliff, Carter. “A Prejudiced Guide to the Art Market.” New York, November 27, 1978, pp. 68 - 71.
Bannon, Anthony. “Art: In a spirit of daring the Albright-Knox puts a decade of painting into perspective.” The Buffalo Evening News, December 8, 1978, p. 34.
Kline, Katy. “Painting of the’70s’ Exhibit Has Variety.” Courier Express, Buffalo, December 9, 1978.
1977
Becker, Wolfgang. Der Ausgestellte Künstler: Museumskunst seit 45/ The Artist Exhibited: Art for the Museum since 45 / L’Artiste Exposé: L’art de Musée depuis 45, vol.1 Ludwig Collection, Aachen, Germany, 1977, n.p.
Brodsky, Judith K. Contemporary Issues: Works on Paper by Women. Exh. brochure, The Women’s Caucus for Art and the Woman’s Building, Los Angeles, CA, 1977, n.p.
Contemporary Artists. St. James Press, London, 1977 illus.
Documenta 6: Malerei/Plastik-Environment/Performance. Exh. cat. Documenta 6, Kassel, Germany, 1977, vol. 1, pp. 76 and 77.
Documenta 6: Handzeichnungen/Utopisches Design/Bücher. Exh. cat. Documenta 6, Kassel, 1977, vol. 3, pp. 127, 136 and 137.
Ekdahl, Janis. American Sculpture: A Guide to Information Sources. Gale Research Co. 1977
Gablik, Suzi. Progress in Art. Rizzoli, New York, NY, 1977, p. 89, no. 154.
Goldman, Judith. Art Off the Picture Press: Tyler Graphics, Ltd. Exh. cat., The Emily Lowe Gallery, Hofstra University, Hempstead, Long Island, NY, 1977, pp. 35, 37, 38, 46 and 47.
Invitational American Drawing Exhibition. Exh. cat., Fine Arts Gallery of San Diego, San Diego, CA, 1977, n.p.
Kardon, Janet. Artists’ Maps. Exh. cat., Philadelphia College of Art, Philadelphia, Pa, 1977, n.p.
Kardon, Janet. Time. Exh. cat., Philadelphia College of Art, Philadelphia, PA, 1977, pp. 9 and 39.
Lippard, Lucy R. Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor. Exh. cat., The Vancouver Art Gallery, Vancouver, Canada, 1977, pp. 4 – 7, 28 and 29.
Marshall, Richard. Maps: Selections from the Art Lending Service, Winter Penthouse Exhibition, The Museum of Modern Art, New York. Exh. checklist, The Museum of Modern Art, New York, NY, 1977, n.p.
Mayr, Hans, Wolfgang Becker, Kristin Sotriffer, and Peter Baum. Sammlung Ludwig Aachen — Kunst um 1970 /Art Around 1970. Exh. cat., Künstlerhaus, Vienna, Austria, 1977, n.p..
Metken, Günter. Spurensicherung: Kunst als Anthropologie und Selbstforschung/Fiktive Wissenschaften in der heutigen Künst. Cologne, Germany, 1977, pp. 81 – 84 and 148.
Nevelson, Louise and Alan Ellenzweig. Artists Salute Skowhegan. Exh. cat., Kennedy Galleries, NY, 1977, n.p.
Nancy Graves. Tyler Graphics, Ltd., Bedford Village, NY, 1977. Brochure for six prints produced between January and August 1977.
Prown, Jules David and Barbara Rose. American Painting: From the Colonial Period to the Present, 2nd ed. Macmillan, New York, NY, 1977, pp. 241-243.
Recent Works on Paper by American Artists. Exh. cat., The Madison Art Center, Madison, WI, 1977, pp. 15 and 44.
Richter, Wolfgang and Hermann Weisweiler. Kunststadt Aachen Cologne, Germany, 1977, pp. 156, 162, 169, 187, 189, 200, 202, 214 and 215.
Sale, Courtney. New York: The State of Art. Exh. checklist, The New York State Museum, Albany, NY, 1977, no. 518.
Seabolt, Fred and Donald Goodall. New in the Seventies. Exh. cat., Archer Huntington Gallery, University Art Museum, The University of Texas at Austin, TX, 1977.
The School of Art at Yale. The Campaign for Yale, New Haven, CT, 1977, n.p.
Thomas, Karin and Gerd de Vries. DuMont’s Künstler Lexikon: Von 1945 bis zu Gegenwart. DuMont Buchverlag, Cologne, 1977, pp. 169 – 170.
W., A. B., Works from the Collection of Dorothy and Herbert Vogel. Exh. cat. The University of Michigan Museum of Art, Ann Arbor, MI, 1977, n.p.
Zimmer, William. “Alone on a Balcony.” The Soho Weekly News, February 24, 1977, p. 19
Hess, Thomas B. "Feel of Flying.” New York 10, February 28, 1977, pp. 58-60. [Reprinted in Die Schlosshofgalerie Kisslegg, Germany, December 1977]
Heinemann, Susan. “Nancy Graves: The Painting Seen.” Arts Magazine 51, March 1977, pp. 139-141.
Moser, Charlotte. “Graves’ carnival–colored works prove unique.” Houston Chronicle. March 12, 1977, Section 2, p. 6.
Crossley, Mimi. “Exhibit of advanced abstractions.” The Houston Post, March 13, 1977, p. 26.
Henry, Gerrit. “Nancy Graves: André Emmerich, downtown.” Artnews 76, April 1977, p. 130.
Lippard, Lucy. “Four Contemporary Artists Go ‘Back to Nature:’ A New Landscape Art.” Ms., April 1977, pp. 68-73.
Lubell, Ellen. “Nancy Graves.” Arts Magazine 51, April 1977, p. 36.
Auer, James. “America 1976’ Proves Learning is Fun.” Milwaukee Journal, April ?, 1977.
Copland, Roger. “Where Theatrical and Conceptual Art Are Blended.” The New York Times, May 1, 1977, p. 12.
Gussow, Mel. “ ‘Dressed Like an Egg,’ From Mabou Mines, Is Visual Counterpart to Words of Colette.” The New York Times, May 17, 1977, p. 27
Beaucamp, Eduard. "Auftakt der Sechsten: In Kassel Wurde die Documenta Eröffnet/ Erster Überblick.” Frankfurter Allegemeine Zeitung, June 25, 1977, p. 21
Kutner, Janet. “‘America 1976’ reflects waste.” The Dallas Morning News, June 29, 1977.
“Documenta 6.” Stern 27, June 1977, pp. 22-46, Graves p. 28.
Rose, Barbara. “Out in Front: Dorothea Rockburne and Nancy Graves.” Vogue 167, June 1977, pp. 152-153, 189, 193.
Greiner, Ulrich. “Auftakt der Sechsten.” Frankfurter Allemeine Zietung, June 25, 1977, p. 21.
Feaver, William. “The Password is ‘Media’ at This Year’s Documenta.” The New York Times, July 3, 1977, Section D, p. 17.
Ronnen, Meir. "The Nine-Ring Art Circus.” The Jerusalem Post Magazine, July 15, 1977, p. 11
W., P. K. “Galerien/Erkenntnis und Erfahrung.” Die Weltwoche 31, Zurich, Switzerland, August 3, 1977. [Reprinted in Die Schlosshofgalerie Kisslegg, Germany, December 1977]
V.H. “Wandlungen der Nancy Graves.” Neue Zürcher Nachrichten 197, August 25, 1977.
“Nancy Graves: Muin, Ngetal, Onon, Ruis, Saille, Toch 1977.” The Print Collector’s Newsletter 8, September-October 1977, p. 115.
“The Evolution of Nancy Graves: New Work at the André Emmerich Gallery, Zurich.” New Zurich News, September 8, 1977.
Russell, John. “New Prints by Nancy Graves.” The New York Times, September 16, 1977.
Lippard, Lucy R. “Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Windsor.” Vanguard The Art Gallery of Vancouver, October 1977, p. 17
Perry, Art. “Strata Exhibit Moves from Burlesque to the Sublime.” The Vancouver Province/Entertainment October 21, 1977
Russell, John. “It Could Have Been a Disaster. But…” The New York Times November 2, 1977.
Jones, Bill. “STRATA: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor.” Criteria 3 November 1977, p. 21.
“Der Künstlerweg der Nancy Graves.” Die Schlosshofgalerie Munich, December 1977, n.p.
Peters, Hans Albert. “Nancy Graves in der Schlosshofgalerie.” Die Schlosshofgalerie Kisslegg im Allgau, Germany, December 1977, n.p.
“Nancy Graves aus der Sicht der Documenta 6 1977.” Die Schlosshofgalerie Kisslegg im Algau, Germany, December 1977, n.p. [reprinted in part from New York Magazine February 28, 1977]
W., P. K. “Galerien/Erkenntnis und Erfahrung.” Die Schlosshofgalerie Munich, December 1977. [reprint from Die Weltwoche 31 Zurich, August 3, 1977.]
Morrison, A. “Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Windsor.” Parachute 24 winter 1977-78, pp. 12-14.
1976
Block, René et al. New York — Downtown Manhattan: Soho. Exh. cat., Akademie der Künste, Berliner Festwochen, Berlin, Germany, 1976, pp. 358, 412 and 416.
DuMont’s Bild-Lexikon der Kunst: Künstler/Stile/Techniken. DuMont Buchverlag. Cologne, Germany, 1976, pp. 263 and 264.
Ellenzweig, Allen et al. A Selection of American Art: The Skowhegan School, 1946 – 1976. Exh. cat., Institute of Contemporary Art, Boston, MA, 1976, pp. 76 and 77.
Second International Festival of Women’s Films. Cinema Studio, New York, NY, 1976, p. 33.
Geelhaar, Christian. American Historical Images: US Druckgraphik der Gegenwart. Exh. cat., Staatliche Graphische Sammlung, Munich, Germany, 1976.
Hess, Thomas B. Project Rebuild: An exhibition to aid earthquake-damaged Udine. Exh. brochure, Grey Art Gallery and Study Center, New York University, New York, NY, 1976, p. 3.
Honisch, Dieter and Jens Christian Jensen. Amerikanische Kunst von 1945 bis heute. Cologne, Germany, 1976, pp. 188, 189, 220 and 331.
Kardon, Janet. Private Notations: Artists’ Sketchbooks II. Exh. cat., Philadelphia College of Art, Philadelphia, PA, 1976, n.p.
Lippard, Lucy R. From the Center: Feminist Essays on Women's Art. New York, NY, 1976, pp. 109, 118 – 120, 277, 280 – 290.
Livingston, Jane, The Liberation: 14 Women Artists. Exh. brochures published by the United States Information Agency, 1976.
Mendelowitz, Daniel M. A Study Guide to Drawing. Holt, Rinehart & Winston, New York, NY, revised edition, 1976, p. ?
New American Filmmakers: Selections from the Whitney Museum of American Art Film Program. The American Federation of Arts, New York, NY, 1976, p. 52.
Rosenblum, Robert R. et al., America 1976: A Bicentennial Exhibition Sponsored by the United States Department of the Interior. Exh. cat. Department of the Interior and Corcoran Gallery of Art, Washington, D.C., 1976, pp. 11, 12, 44, 45 and 80
Simkins, Alice C. American Artists ’76: A Celebration. Exh. cat. Marion Koogler McNay Art Institute, San Antonio, TX, 1976, n.p. no. 23.
Tucker, Marcia. “Shared Space; Contemporary Sculpture and its Environment,” and Libby Seaberg, “Artist’s Biography” in Two Hundred Years of American Sculpture. Exh. cat., Whitney Museum of American Art, New York, NY, 1976, pp. 216, 217, 219, 229, 235, 237, 241, 275 and 340.
Weiss, Evelyn. Katalog der Gemalde des 20. Jahrhunderts: Die jüngeren Generation ab 1915 im Museum Ludwig Cologne, Germany, 1976, pp. 38 and 39 and no. 155.
Weiss, Evelyn and Peter Ludwig. Stiftung Ludwig Köln, 1976 Ludwig Donation Museum der Stadt Köln, Cologne, Germany, 1976, n.p., nos. 74 – 81.
Who’s Who in American Art. Jacques Cattell Press, 1976.
Larson, Kay. “Painting the public lands.” Artnews 75, January 1976, pp. 32-36.
Rosenblum, Robert. “Painting America First.” Art in America 64, January/February 1976, pp. 82-85.
Kramer, Hilton. “Art View: A Monumental Muddle of American Sculpture.” The New York Times, March 28, 1976, Section D, p. 34.
Forgey, Benjamin. “Artists Rediscover Nature.” The Washington Star Portfolio, April 23, 1976, Section E.
Advertisement for “Two Hundred Years of American Sculpture” catalog by the Whitney Museum of American Art. Artscanada 33, April-May 1976, p. ii.
Hoelterhoff, Manuela. “The Realistic Revival by a Dam Site.” The Wall Street Journal May 12, 1976.
“American Drawings: Recent Gifts.” The Museum of Modern Art Members Calendar June-August 1976.
Alloway, Lawrence. “Art.” The Nation, June 12, 1976
Leja, Michael. “ America 1976.” New Boston Review, Fall 1976.
O., H. “Nicht das Beste aus SoHo, Jetzt Malerei in der Akademie.” Der Tagesspiegel Berlin, September 28, 1976
Hill, Lafe and Bill King. “The Greening of Greenwich Village.” Viva, September 1976, pp. 60-65.
Isaacson, Philip. “The Wonderful World of Skowhegan.” Maine Sunday Telegram October 17, 1976, p. 7.
Bannon, Anthony. “Albright-Knox Adds to Collection.” Buffalo Evening News, December 31, 1976
1975
Butor, Michel, Jean Clair and Suzanne Houbart-Wilkin. Delvaux. Brussels, Belgium, 1975, pp. 125 and 127.
Collins, Jim L. Women Artists in America II. Collins, Chattanooga, Tenn., 1975.
Junkin, Sara and John H. Lawrence. “Nancy Graves.” Primitive Presence in the ‘70’s. Exh. cat., Vassar College Art Gallery, Poughkeepsie, NY, 1975, pp. 5 and 10.
Kultermann, Udo. Neue Formen des Bildes. Wasmuth, Tübingen, Germany, 1975.
Read, Herbert. A Concise History of Modern Painting 3 ed. Praeger New York, NY, 1975, pp. 365 and 381.
Rose. Barbara. Readings in American Art, 1900 – 1975. Praeger Publishers, Inc., New York, NY, 1975
Rosenberg, Harold. “On the Edge: Documenta V.” Art on the Edge: Creators and Situations. New York, NY, 1975, pp. 268 and 269.
Shapiro, Miriam. Art: A Woman’s Sensibility. California Institute of the Arts, Valencia, CA, 1975, pp. 25 and 80.
Smith, Sharon. Women who Make Movies. Hopkinson and Blake, New York, NY, 1975
Thomas, Karin. Bis Heute: Stilgeschichte der bildenden Kunst im 20. Jahrhundert. Cologne, Germany, 1975, pp. 273, 314, 343 and 357.
Wedewer, Rolf, “Zeichnungen III/Drawings III,” USA Zeignungen 3. Exh. cat., Stadtisches Museum, Schloss Morsbroich, Leverkusen, Germany, 1975, pp. 46 and 127.
Wechsler, Jeffrey. A Response to the Environment. Exh. cat., Rutgers University Art Gallery, New Brunswick, NJ, 1975
K., K. I. “Graphik von vier Küstlern aus USA.” Aachener Volkszeitung, February 1, 1975.
Levathes, Kiki. “Society: Artists Find Friends In Fight For Rights,” Sunday News February 2, 1975, p. 70
K-i-k. “Faszination des Papieres – Graphische Neuerwerbungen der Sammlung Ludwig.” Kunst in Koeln: Nachrichten aus Museen und Galerien 10, February 1975.
Advertisement for exhibition “Artists as Filmmakers Series – 75” at Artists Space, New York. The Soho Weekly News, March 20, 1975.
“Voice Centerfold: Artists’ Movies!” The Village Voice, New York, March 24, 1975.
Moser, Charlotte. “Graves’ Art Makes Concessions.” Houston Chronicle, April 9, 1975, section 6, p. 11.
Fischer, Lucy. “CAPS and Gowns.” The Soho Weekly News, New York, July 31, 1975, pp. 26 and 34.
Kozloff, Max. "Remarks on Their Medium by Four Painters: Pat Adams, Nancy Graves, Budd Hopkins, Irving Petlin." Artforum 14, September 1975, pp. 55-72.
Thomsen, Barbara. “Nancy Graves at Emmerich.” Art in America 62, September-October 1975, p. 113.
Channin, Richard. "Facture and Information: Nancy Graves' Antarctica Paintings." Arts Magazine 50, October 1975, pp. 80-82.
Ratcliff, Carter. “On Contemporary Primitivism.” Artforum 14, November 1975, pp. 59-60.
Lippard, Lucy R. "Distancing: The Films of Nancy Graves." Art in America 63, November December 1975, pp. 78-82.
“Calendar of Events.” Dallas Museum of Fine Arts Newsletter, November-December 1975.
1974
Art Now 74: A Celebration of the American Arts. Exh. cat. John F. Kennedy Center for the Performing Arts, Washington D.C., 1974, pp. 43 illus. and 93.
Bauer, John I.H. Whitney Museum of American Art: Catalogue of the Collection of American Art. New York, NY, 1974, np.
Baum, Peter. Kunst der sechziger Jahre: Internationale Graphik in Beispielen der Sammlung Ludwig, Köln. Exh. cat., Wallraf-Richartz-Museum, Cologne, Germany; 1974, n. p., cat. nos. 4 – 13.
Call, H. and W. Reuter. Das Gesicht Aachens. Mayer'schen Buchhanlung Aachen, Aachen, Germany, 1974, np.
Fried, Raymond John. Twentieth Century Art: The Fort Wayne Art Museum. Ex. Cat., Fort Wayne Art Museum, Fort Wayne, IN, 1974 or 75?, n.p.
Kelly, James J. The Sculptural Idea, 2 ed. Burgess Publishing Co., Minneapolis, MN, 1974, pp. 99 and 100.
Sammelmappe1. Sammlung Ludwig Neue Galerie, Aachen, Germany, 1974.
Speyer, A. James. Seventy-first American Exhibition. Exh. cat., The Art Institute of Chicago, IL, 1974, p. 24, nos. 37 and 38.
Weiss, Evelyn. “Die wiedergefundene Zeit/The Rediscovered Time.” Kunst belibt Kunst: Projekt ’74. Exh. cat. Kunsthalle, Cologne, Germany, 1974, pp. 20, 210, 211 and 431.
Weisweiler, Crous, C. Aachen. Cologne, Germany, 1974, p. 42.
Wood, James N. and Douglas Schultz. American Art in Upstate New York: Drawings, Watercolors and Small Sculpture from Public Collections in Albany, Buffalo, Ithaca, Rochester, Syracuse and Utica. Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1974, p. 25.
Cuyler, Susanna. “Caps Grants.” The Soho Weekly News, March 21, 1974, p. 9
“Film Showings.” The Museum of Modern Art Members Calendar, March 1974, n.p.
Reeves, Jean. “Camel Consciousness, All That’s Seen is Herd.” Buffalo Evening News, April 4, 1974.
Rose, Barbara. “First-Rate Art by the Second Sex.” New York 7 April 8, 1974, pp. 80-81.
Holmes, Ann. “Nancy Graves’ Art Imposing, Dramatic.” Houston Chronicle, May 29, 1974, Section 6, p. 10.
Derfner, Phyllis. “Nancy Graves: André Emmerich Gallery, New York.” Art International 18, May 1974, p. 51.
Lerman, Leo. “People are Talking About…” Vogue May 1974, p. 145.
Moser, Charlotte. “Art: Lunar Landscapes.” The Houston Post/Spotlight June 2, 1974, p. 32.
Bell, Jane. “Art Reviews: Nancy Graves André Emmerich Gallery.” Arts Magazine 48 June 1974, p. 56.
Arn, Robert. "The Moving Eye…Nancy Graves Sculpture, Film, and Painting." Artscanada 31, Spring 1974, pp. 42-48.
Graves, Nancy. “Unskirting the Issue.” Art-Rite 5, Spring 1974, p. 6.
Weiss, Evelyn. “Kunst von Heute in der Sammlung Ludwig Des Wallraf-Richarts-Museums.” Museen in Köln 8, August 1974, pp. 1258-1259 and cover.
Thomsen, Barbara. “Nancy Graves at Emmerich.” Art in America 62, September/October, 1974, p. 113.
Wick, Rainer. “Projekt ’74 - Rumpelkammer des Inkommensurablen?” Kunstforum 11 October/November 1974, pp.75-92.
Channin, Richard. "Nancy Graves: Map Paintings." Art International: The Lugano Review 18, November 15, 1974, pp. 26-27, 32 and 62.
“Art and Money: Group Portrait with Accountant: Rubin Gorewitz and the Revenge of Art.” Esquire, November 1974, pp. 124-125.
Advertisement for film “Aves: Magnificent Frigate Bird, Great Flamingo” and rental index. Art + Cinema 2 Visual Resources, Inc., New York, 1974/1975, pp. 12, 26-27 and 29.
1973
Alloway, Lawrence. Photo-Realism: Paintings, Sculpture and Prints from the Ludwig Collection and Others. Exh. cat., The Arts Council/Serpentine Gallery, London, England, 1973.
Belloli, Jay, Sebastien Adler and Nancy Graves. Nancy Graves. Exh. cat., La Jolla Museum of Contemporary Art, La Jolla, CA, 1973.
Budde, Rainer and Evelyn Weiss. Katalog der Bildwerke und Objekte: Neuzugänge seit 1965 im Wallraf-Richartz Museum mit Teilen der Sammlung Ludwig. Cologne, Germany, 1973, pp. 26 and 49.
Ginsburg, Susan. 3D into 2D: Drawing for Sculpture. Exh. cat., The New York Cultural Center, New York, NY, 1973, pp. 3, 10 and 29.
Hess, Thomas B. and Elizabeth Baker. Art and Sexual Politics: Women’s Liberation, Women Artists and Art History. Collier Macmillan Publishers, 1973, p. 121. Reprint of essays from ARTnews 69, January 1971.
Johnson, Charlotte Buel. Contemporary Art: Exploring Its Roots and Development Worcester, MA, 1973, pp. 86 and 88.
1973 Biennial Exhibition: Contemporary American Art. Exh. cat., Whitney Museum of American Art, NY, 1973, pp. 10 and 40 illus.
Sager, Peter. “Fotografischer Realismus.” Neue Formen des Realismus; Kunst zwischen Illusion und Wirklichkeit. Cologne, Germany, 1973, pp. 54, 134, 264, and 281.
Solomon, Elke. American Drawings: 1963-1973. Exh. cat., Whitney Museum of American Art, New York, NY, 1973, pp. 27 and 58.
The Art Collection of First City National Bank of Houston. First City National Bank of Houston, TX, 1973, n.p.
Visual Resources: Contemporary Art Slides/73. New York, NY, 1973, pp. 7, 8 and 20.
Covert, Nadine. “Voice Over: 16th Annual Film Festival Report.” Sight Lines 7 New York, 1973/1974, p. 2.
“Contemporary Art Slides/73.” Visual Resources, 1973.
Greenspun, Roger. “Screen: Feminine View.” The New York Times, January 29, 1973.
Nikolajsen, Eigil. “Skal vi sluge Kemelen?,” Berlingske Tidende Copenhagen, February 10, 1973.
Wasserman, Emily. “Samtale Med Nancy Graves.” Louisiana Revy 13, Louisiana Museum, Humlebæk, Denmark, February 1973, pp. 27, 28 and 39.
“Sea Anemone?” Springfield Union, Springfield, MA, May 3, 1973, p. 20.
Program. “Phillip Glass, Another Look at Harmony, Parts 1 & 2.” The Phillip Glass Ensemble, Town Hall, New York, New York, May 6, 1973.
Flynn, Anne-Gerard. “Nancy Graves explains world as she sees it.” The Berkshire Eagle Pittsfield, MA, May 7, 1973, p. 16.
Bell, Winifred. “Nancy Graves at the Museum.” The Berkshire Eagle Pittsfield, MA, May 8, 1973, p. 6.
Kalavinka, Mia. "Nancy Graves: Six Brain Maps." Artscanada 30, May 1973, pp. 50-55.
Des Moines Art Center Bulletin, May/June 1973.
Richter, Von Wolfgang. “Die Verwandlung eines Museums.” Aachener Volkzeitung August 4, 1973
“Art World: Space and Ocean Put on Canvas.” The San Diego Union, August 12, 1973, p. E-7.
Perry, Jackie. “Art museum plans members’ preview exhibition.” Evening Tribune San Diego, August 15, 1973, p. A-17.
“La Jolla Exhibit to honor San Diego.” The Sentinel, August 15, 1973, p. 3-B.
“A lunar look at outer space.” The San Diego Union, August 16, 1973, p. 31.
“New York Artist Visits Scripps.” The San Diego Union, August 22, 1973.
Jennings, Jan. “Art Arena: Graves Show Set to Open.” Evening Tribune, San Diego, August 24, 1973, p. F-4.
Adler, Sebastian. “Art: Artist Makes Maps Live.” The San Diego Union, August 26, 1973, p. E-7.
“Artist Nancy Graves Honored.” The San Diego Union, August 29, 1973, pp. D-1 and D-2.
Rose, Barbara. "Fast Talk About Art.” Vogue August 1973.
LB [Bear, Liza]. “Rumbles: Aves: Magnificent Frigate Bird, Great Flamingo.” Avalanche 8, summer/fall, 1973, p. 67.
Seldis, Henry J. "Art: From Outer Space, a New Vision of the Self." Los Angeles Times/ Calendar, September 2, 1973, pp. 53-54.
Kotter, Jennifer. “Kotter Takes on the Dotter.” Reader San Diego, CA, September 6-12, 1973.
Danieli, Fidel. “Art: Nancy Graves & the new landscape.” Los Angeles Weekly News 1 September 14-21, 1973.
Fish, Mary. “Macrocosmic Mapping.” Artweek 4, Oakland, CA, September 15, 1973, pp. 1, 16.
“Exhibitions.” Newsletter on the Arts: Diana Zlotnick, Studio City, CA, September 1973, n.p.
Mekas, Jonas. "Movie Journal." The Village Voice, New York, NY, October 4, 1973.
Wisbar, Eva Kroy. “Part III Artists of the Present: The Artist/Filmmaker.” Art + Cinema 1, Visual Resources, Inc., New York, fall 1973, p. 11.
Thompson, Howard. “Screen: 2 Documentaries.” The New York Times, November 17, 1973 p. 26.
Rothenberg, Jerome and Dennis Tedlock. “The Shaman as Proto-Poet.” Artscanada 30 December 1973/January 1974, pp. 172-181.
1972
Annual Report 1971 – 72, Museum of Modern Art, New York, NY 1973.
Becker, Wolfgang. “Graves,” Neue Galerie der Stadt Aachen/Der Bestand ’72: Kunst um 1970_Art around 1970: Sammlung Ludwig in Aachen. Aachen, Germany, 1972, n.p.
Documenta V: Befragung der Realität Bildwelten Heute. Kassel, 1972.
Fourth Annual Review of the National Gallery of Canada, Ottawa 1971 – 1972/Quatrième revue annuelle de la Galerie nationale du Canada Ottawa 1971-1972. National Museums of Canada, 1972, frontispiece, pp. 7, 8, 33, and 73.
1972 Annual Exhibition, Contemporary American Painting. Exh. cat., Whitney Museum of American Art, New York, NY, 1972, p. 8, no. 48.
Niester, Sibylle and Lil Picard. GEDOK:American Women Artists Show. Exh. cat., Kunsthaus Hamburg, Hamburg, Germany, 1972, p. 44 and 47, no. 37.
Rainer, Yvonne and Martin W. Cassidy. Nancy Graves: Sculpture and Drawings 1970 – 1972. Exh. cat. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, 1972.
W., C. J. and R. L. W., Painting and Sculpture Today: 1972. Exh. cat., Indianapolis Museum of Art, Indianapolis, IN, p. 16.
Perreault, John. “Reports, Forecasts, Surprises, and Prizes.” The Village Voice New York, January 6, 1972, pp. 21 and 24.
Sanders, Jacquin. “ ‘Neither soft nor sentimental and most certainly not fragile:’ The Woman in Art.” San Francisco Examiner, January 7, 1972, p. 26.
Rose, Barbara. "The Return of the Image." New York 5, January 17, 1972, p. 50.
Sanders, Jacquin. “Not soft, not sentimental: Women artists gain new image.” Boston Sunday Globe, January 30, 1972, p. 62
Die Kunst und das schöne Heim, January 1972, p. 6.
“Projects: Nancy Graves.” The Museum of Modern Art Members Calendar, January 1972, n.p.
“Visiting Artists.” Institute for the Study of Art in Education, January 1972, n.p.
Montelbaens, Maria. “Het Echtpaar Ludwig en zijn opzienbarende Pop-Collectie.” Elegance, February 29, 1972, p. 48.
Borden, Lizzie. “New York.” Artforum 10, February 1972, pp. 89- 90
Ratcliff, Carter. "Reviews," Art International 16, February 1972, p. 55.
Hughes, Robert. “Myths of Sensibility.” Time, March 20, 1972, p. 72.
“U.C. Museum,” San Leandro News, April 5, 1972.
Advertisement for ‘The New American Filmmakers Series: Films by Artists’ at the Whitney Museum of American Art. The Village Voice, April 13, 1972, p. 77.
Greenspun, Roger. “Screen: Palette of Art.” The New York Times, April 14, 1972.
Flemming, Hanns Theodor. “Schule der Frauen: American Woman Artist Show.” Die Welt, April 15, 1972, p. 23
Mösch, Inge. “Die Kunst beginnt Schon vor dem Kusnthaus: Amerikanerinnen am Ferdinandstor Querschnitt durch die US-Moderne.” Hambürger Abendblatt, April 15-16, 1972.
“Short Film by Nancy Graves Gets High Critical Praise.” The Berkshire Eagle, Pittsfield, MA , April 18, 1972.
“Women in the Arts.” Newsweek, April 24, 1972, p. 80.
Richardson, Brenda. "Nancy Graves: A New Way of Seeing." Arts Magazine 46, April l972, pp. 57-61.
Schwartz, Barbara. “Letter from New York: Nancy Graves.” Craft Horizons 32, April 1972, p. 57.
“Art: Eight New York Painters.” San Raphael Independent, May 4, 1972.
B.B. “New York Painters.” Auburn Westart, May 5, 1972.
“Exhibitions.” Fairfield Republic, May 7, 1972.
“University Art Museum, Berkeley.” Oakland Tribune, May 7, 1972.
“Museum Gallery.” San Francisco Chronicle, May 10, 1972.
“University Art Museum Show Features New York Painters.” Alameda Time-Star, May 11, 1972.
“‘The Best’ From NY on Display Here.” Berkeley Gazette, May 19, 1972
“Art Museum.” Daily Californian, May 23, 1972
Frankenstein, Alfred. "At the UC Museum: Good Art From New York." San Francisco Chronicle, May 25, 1972, p. 59
Mekas, Jonas. “Movie Journal.” The Village Voice, June 8, 1972, p. 63.
Cross, Miriam Dungan. “N.Y. vs. Sacramento Artists.” Oakland Tribune, June 11, 1972
“S Dem: Kulturellen Leb.” Aachener Nachrichten, June 23, 1972
Sundell, Michael. "Nancy Graves at the New Gallery." Cleveland Magazine, 1 June 1972, pp. 76-77.
Cowan, Bob. “New York Letter.” Take One, July 24, 1972, p. 31.
Rose, Barbara. “Living the Loft Life.” Vogue, August 1, 1972, pp. 72-75 and 124.
Stadnik, Tom. “Graves exhibit ‘lusty and exotic.’” Pennsylvania Voice, Philadelphia, September 20, 1972.
“Bones, Skins, Feathers.” The Philadelphia Inquirer, September 22, 1972, p. 31.
Donohoe, Victoria. “Nancy Graves and ’Dem Bones.'” The Philadelphia InquirerArt and Science, September 24, 1972, p. H8.
Dever, Joseph X. “‘The Wasteland’?” The Sunday Bulletin, Philadelphia, September 24, 1972, Sec. 4, p. 22.
Forman, Nessa. ‘The Work of Nancy Graves: And It All Began with the Camel…” The Sunday Bulletin, Philadelphia, September 24, 1972, section 5.
Gross, Michael Stephen. “Art: Beautification of the Bizarre.” The Daily Pennsylvanian/34th Street Magazine 5, Philadelphia, September 28, 1972, section 5, p. 15.
Donohoe, Victoria. “On the Art Scene.” The Philadelphia Inquirer, September 29, 1972.
“Documenta 5 – Slalom im Kassel.” Artis 9, September 1972, pp. 24-27.
Schultz, Victoria. “Film: Women’s Film Festival.” Changes, September 1972, pp. 1 and 10.
Serber, John. “The Rough Beasts of Nancy Graves.” The Free Drummer, Philadelphia, October 26, 1972, pp. 15-16.
Pleynet, Marcelin. “Documenta 5 – Art sociologie Histoire.” Art International/The Lugano Review 16, October 1972, pp. 81-85 and 104.
Staber, Margit. “Documenta 5 – Einige Bemerkungen.” Art International/Lugano Review 16, October 1972, pp. 78-85.
Chandler, John Noël. “Notes Toward a New Aesthetic.” Artscanada 29, October/November 1972, p. 30.
Townshend, Charlotte. “5.” Artscanada 29, October/November 1972, pp. 42 and 43.
Adams, Eleanor. “CAC Show Artist Channels Energy Toward The Untried.” The Cincinnati Enquirer, November 30, 1972, p. 23.
“Documenta fünf.” Magazin Kunst 47, Fall 1972, pp. 2943-57.
“Kunst-Bericht aus dem Rheinland.” Magazin Kunst 47, Fall 1972, pp. 2974-83.
“Dokumenta 5.” Magazin Kunst 47, 1972, pp. 2954 illus. as Eva Hesse and p. 2978.
Documenta 5: Befragung der Realität Bildwelten Heute Kassel, 1972.
Durrell, Jane. “Nancy Graves’ work.” The Cincinnati Post/Saturday Magazine, December 2, 1972, cover and p. 8.
McCaslin, Walt. “Graves moves freely in her trade.” The Dayton Journal Herald/Modern Living December 13, 1972, p. 41.
Meyer, Ruth K. “Nancy Graves Members Opening.” The Contemporary Arts Center Bulletin Cincinnati, OH, December 1972.
Taft, Frances Prindle. “Alumnae Week.” Vassar Quarterly 63 winter 1972, pp. 7-8 and cover.
“Projects: Nancy Graves.” The Museum of Modern Art Annual Report, New York, 1971-1972, n.p., illus.
1971
"Schedule of Special Events: Nancy Stevenson Graves ‘61,” A.A.V.C. Centennial Celebration1871 – 1971: Alumnae Week, 1971. Vassar College, Poughkeepsie, NY, 1971, n.p.
Becker, Wolfgang, Nancy Graves, Michael Strohmeyer and Phyllis Tuchman. Nancy Graves. Exh. cat., Neue Galerie im Alten Kurhaus, Aachen, Germany, 1971, n.p., no. 17.
Boggs, Jean Sutherland. The National Gallery of Canada. Toronto, 1971, p. 62.
Burback, Bill. Kid Stuff? Exh. cat. Albright-Knox Art Gallery, Buffalo, NY, 1971, n.p.
Dia-Serie: Kunst der Gegenwart IV: Neue Abstraktion und neuer Realismus. Garmisch-Partenkirchen, Germany, 1971, fig. 805.
Fischer, Konrad, Jurgen Harten and Hans Strelow. Prospect ’71: Projection. Exh. cat.,
Städtische Kunsthalle, Düsseldorf, Germany, 1971, n.p.
Larabee, Eric and Irving Sandler. Visiting Artists: A Program Organized by the Institute for the Study of Art in Education with the Support of the New York State Council for the Arts. New York, 1971, n.p.
Millard, Nancy. Nancy Graves: Sculpture, Drawings, and Films of 1969-197. Unpublished manuscript, 1971, 10 pages.
Propokoff, Stephen S. Depth and Presence. Exh. cat., The Corcoran Gallery of Art, Washington, D.C., 1971, n.p.
Prokopoff, Stephen S. Six Sculptors: Extended Structures. Exh. cat., Museum of Contemporary Art, Chicago, IL, 1971, n. p.
Second Annual Review of the National Gallery of Canada, Ottawa, 1969 – 1970/ Deuxième revue annuelle de la Galerie National du Canada, Ottawa, 1969 – 1970. Ottawa, 1971, p. 6.
Septième biennale de jeunes artistes. Exh. cat., Parc Floral, Paris, France, 1971, p. 93, no. 80.
Tuchman, Phyllis. Nancy Graves: Sculpture/Drawings/Films, 1969 – 1971. Neue Galerie im Alten Kurhaus, Aachen, Germany, 1971, n.p.
Von der Osten, Gert and Horst Keller. Kunst der sechziger Jahre: Sammlung Ludwig im Wallraf-Richartz Museum Köln/Art of the Sixties: The Ludwig Collection in the Wallraf-Richartz Museum Cologne. Wallraf-Richartz Museum, Cologne, Germany, 1971, pp. 59 – 60.
Hughes, Robert. “Out of the Junkyard.” Time 97 January 4, 1971, pp. 50-51.
“At the Galleries.” The Village Voice, January 14, 1971, p. 20.
Advertisement for Nancy Graves exhibition at Reese Palley Gallery. The New York Times January 9, 1971.
Kramer, Hilton. “Downtown Scene: A Display of Bones.” The New York Times, January 19, 1971, p. 30.
Keefe, Nancy Q. “Nancy Graves.” The Berkshire Eagle, Pittsfield, MA, January 29, 1971, p. 5.
Baker, Edith, C. “Sexual Art Politics.” Artnews 69, January 1971, pp. 47-48, 60-62.
Daimonstein, Barbaralee. “100 Women in Touch with Our Time.” Harper’s Bazaar January 1971, p. 106.
Perreault, John. “Camels.” The Village Voice, New York, February 4, 1971, pp. 13-14.
Frankenstein, Alfred. “Art: Black Rock, Beans and Bones: Sculpture at the Whitney – and Solos.” San Francisco Sunday Examiner & Chronicle/This World, February 7, 1971, pp. 41-42.
Henry, Gerrit. “New York Letter.” Art International 15, February 1971, pp. 78-80.
Masheck, Joseph. “Sorting out the Whitney.” Artforum 9, February 1971, pp. 70-74.
Linville, Kasha. “Whitney 1970 Sculpture Circus.” Arts Magazine 45, February 1971, pp.28-30.
Domingo, Willis. “New York Galleries.” Arts Magazine 45, March 1971, p. 55.
“Contemporary American Sculpture.” Kunstwerk 24, March 1971, p. 90.
“Nancy Graves, Reese Palley Gallery.” Artforum 9, March 1971, pp. 64-65.
“Nancy Graves.” Artnews 70, March 1971, p. 20.
Chandler, John Noel. “Symposium on the Sacred in Art." Artscanada 28, April 1971, pp. 17-25.
Catoir, Barbara. "Interview mit Nancy Graves." Das Kunstwerk 24, May 1971, pp. 10-15.
Cowan, Bob. “New York Letter.” Take One 3, Unicorn Publishing Corp., Montreal, May-June 1971, p. 31.
McCook, Sheila. “Camel lady returns.” The Ottawa Citizen, September 3, 1971, p. 29.
F[rankenstein], A[lfred]. “The Lyrical ‘Totems’ with Sprouting Forms.” San Francisco Sunday Examiner & Chronicle/This World, September 19, 1971.
“Nancy Graves: Variability and Repetition of Variable.” Artweek 2, Oakland, California, September 25, 1971, p. 2.
Rice, Leland. “Graves Totems.” Artweek 32, Oakland, CA, October 2, 1971, p. 2.
Rubenstein, Erica B. “Nancy Graves Exhibition Illustrates Imagination.” Poughkeepsie Journal, Poughkeepsie, NY, October 24, 1971.
Taft, Frances Prindle. “Nancy Stevenson Graves ’61.” AAVC Centennial Celebration 1871-1971, Vassar College, Poughkeepsie, NY, October 24-29, 1971.
Haydon, Harold. “Bold experiments in spatial design mark new MCA.” Chicago Sun-Times/Showcase, October 31, 1971, Section 5, p. 15.
Battock, Gregory. “Celluloid Sculptors.” Art and Artists: International Art Guide. October 1971, pp. 24-26.
"Advertisement for Nancy Graves at Reese Palley San Francisco.” Avalanche, Fall 1971, back cover.
Schulze, Franz. “Matter over Mind: The new art festishism [sic].” Chicago Daily News/Panorama, November 6-7, 1971, p. 11.
Auer, James. “Lucas Samaras’ Whimsical Boxes.” Sunday Post-Crescent, Appleton, Wisconsin, November 14, 1971, p. E8.
Davis, Douglas. "The Invisible Woman Is Visible." Newsweek 78, November 15, 1971, pp. 130-31.
Stiles, Knute. “San Francisco.” Artforum 10, November 1971, p. 86.
“Current Exhibitions.” Museum of Contemporary Art, November/December 1971, n.p.
Shirey, David L. “Display by Nancy Graves Adds Vitality to Art Series.” The New York Times, December 18, 1971, p. 25.
Schjeldahl, Peter. “From Stuffed Camels to Clam Shells." The New York Times, December 26, 1971, p. D25.
Tarshis, Jerome. “Art Shows Are Not Brought by the Stork.” The San Francisco Fault 1971, p. 21.
Celant, Germano. “Documenta 5: Imperealismo com imperialismo.” Qui arte contemporanea 9.
1970
Becker, Wolfgang. Die Neue Galerie Aachen — Bilder und Berichte 29. Aachen, Germany, 1970, p. 12.
Ludwig, Peter and Wolfgang Becker. Klischee und Antiklischee: Bildformen der Gegenwart. Exh. cat., Neue Galerie im Alten Kurhaus, Aachen, Germany, 1970, n.p.
1970 Annual Exhibition: Contemporary American Sculpture. Exh. cat., Whitney Museum of American Art, NY, 1970, p. 8, no. 30, p. 43 illus.
Zeichnungen amerikanischer Künstler. Exh. cat., Galerie Ricke, Cologne, Germany, 1970, cat. nos. 26, 27 and 28.
“The Art of Being a Camel.” Canadian Weekly Bulletin 25, Ottawa, Canada, April 8, 1970, p. 5.
“Entretin avec Brydon Smith,” Vie des Arts, Spring 1970, pp. 56 and 57.
Lord, Barry. “The Eleven O’ Clock News in Colour.” Artscanada 27, June 1970, pp. 4-29.
Wasserman, Emily. "A Conversation with Nancy Graves." Artforum 9, October 1970, pp. 42-47.
Tuchman, Phyllis. “American Art in Germany: The History of a Phenomenon.” Artforum November 1970, pp. 61 and 68.
1969
Tucker, Marcia and Nancy Graves. Nancy Graves: Camels. Exh. brochure Whitney Museum of American Art, New York, NY, 1969.
Battcock, Gregory. “Art: Nancy Graves.” The Village Voice, April 3, 1969, p. 21.
“Sculpture: The Camel as Art.” Time 93. April 4, 1969, p. 70.
Frankenstein, Alfred. “Art: ‘Cubis’ Confined to a Ramp: Eight Odorless Camels,” San Francisco Sunday Examiner & Chronicle/This World, April 6, 1969, pp. 37 and 39.
Andreae, Cristopher. “Review.” The Christian Science Monitor/The Home Forum, April 17, 1969, p. 10.
Feldman, Anita. “Nancy Graves.” Arts magazine 43, May 1969, p. 58.
“De Passage à la Galerie nationale.” La Presse, Montreal, Canada, June 14, 1969, p. 43.
“Happy Membership,” The Christian Science Monitor/The Home Forum, July 14, 1969, p. 8.
Lord, Barry. “Five cents worth of Art.” The Five Cent Review 1 August 1969, pp. 24-28.
1968
Glueck, Grace. “You Can Almost See Bedouins.” The New York Times. March 31, 1968, section 2, p. 32.
“Art in New York/Uptown” Time. April 26, 1968, p. NY1.
Dienst, Rolf-Gunter. “Ausstellungen im New York.” Das Kunstwerk 21, April 1968, pp. 23-73.
”Reviews and Previews,” ARTnews 67. April 1968, p. 14.
Battcock, Gregory. “Art: Camels Today.” The New York Free Press. May 2, 1968, pp. 8 and 11.
Simon, Rita. “Nancy Graves.” Arts Magazine 43, May 1968, p. 63.
1966
“Please Don’t Feed the Sculpture.” Time Magazine, June 10, 1966, p. 38
1964
Graves, Nancy Stevenson. “Statement.” Paintings by N. Stevenson Graves. Exh. brochure, The Berkshire Museum, Pittsfield, MA, 1964.
Thomas, Ned. “Abstract Painting: Those Who Dislike it Don’t Understand Art, Says Jack Tworkow, head of Yale Art Faculty.” The New Haven Register/ Features, April 5, 1964, p. 2.
“Nancy Graves Exhibit at the Museum.” The Berkshire Eagle, December 12th, 1964.
“Nancy Graves is Awarded Fulbright.” The Berkshire Eagle, Pittsfield, MA, June 16, 1964, p. 6.
Mukherjee, Sushil. “Nancy Graves Exhibit at the Museum." The Berkshire Eagle. Pittsfield, MA, December 12, 1964, p. 4.
Smith, Wayne C. “Amherst College Adds Fuel to Pop Art Controversy, Distaff Artists Dominate Scene in This City, Pittsfield with Solo, Duo Shows.” The Springfield Sunday Republican, December 20, 1964, p. 14B