V Montes Appeninus Region of the Moon, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inches
V Montes Appeninus Region of the Moon, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inches
 VI Maskelyne DA Region of the Moon, 1972 Lithograph on paper 22.5'' x 30''
VI Maskelyne DA Region of the Moon, 1972 Lithograph on paper 22.5'' x 30''
 VII Sabine D Region of the Moon, Lunar Orbiter Site II P-6 Southwest Mare Tranquilitatis, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inches
VII Sabine D Region of the Moon, Lunar Orbiter Site II P-6 Southwest Mare Tranquilitatis, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inches
 VIII Geologic Map of the Sinus Iridum Quadarangle of the Moon, 1972, Lithograph on Arches Cover white paper, 22.5 x 30 inches
VIII Geologic Map of the Sinus Iridum Quadarangle of the Moon, 1972, Lithograph on Arches Cover white paper, 22.5 x 30 inches
 X Riphaeus Mountains Region of the Moon, 1972, Lithograph on paper, 22.5 x 30 inches
X Riphaeus Mountains Region of the Moon, 1972, Lithograph on paper, 22.5 x 30 inches
 IX Sabine DM Region of the Moon, 1972, Lithograph on Arches Cover white paper and Mylar with chine colle, 22.5 x 30 inches
IX Sabine DM Region of the Moon, 1972, Lithograph on Arches Cover white paper and Mylar with chine colle, 22.5 x 30 inches
 Ngetal, 1977, Color etching, aquatint, drypoint, engraving, and pochoir with pastel on Arches Cover white paper, 31.5 x 35.5 inches
Ngetal, 1977, Color etching, aquatint, drypoint, engraving, and pochoir with pastel on Arches Cover white paper, 31.5 x 35.5 inches
 5745, 1984 Silkscreen on Arches Cover white paper 30'' x 42''
5745, 1984 Silkscreen on Arches Cover white paper 30'' x 42''
 Mappe Rossi, 1985, Etching, aquatint, and drypoint on Fabriano Artistico paper, 35 x 44 inches
Mappe Rossi, 1985, Etching, aquatint, and drypoint on Fabriano Artistico paper, 35 x 44 inches
 75 x 75, 1985, Screenprint on Arches Cover white paper. 29.5 x 41.75. Collection of the Whitney Museum of American Art
75 x 75, 1985, Screenprint on Arches Cover white paper. 29.5 x 41.75. Collection of the Whitney Museum of American Art
 Six Frogs, 1985, Screenprint on Arches Silkscreen paper, 29.5 x 41.75 inches. Collection of the Whitney Museum of American Art
Six Frogs, 1985, Screenprint on Arches Silkscreen paper, 29.5 x 41.75 inches. Collection of the Whitney Museum of American Art
 Hercules, Eve and the Parting of Night and Day, 1989 Drypoint, etching, screenprint, gold leaf silver leaf, 25 colors on Magnani paper 51.5'' x 50.38''
Hercules, Eve and the Parting of Night and Day, 1989 Drypoint, etching, screenprint, gold leaf silver leaf, 25 colors on Magnani paper 51.5'' x 50.38''
 Stuck, the Flies Buzzed, 1990, Etching, aquatint, drypoint, and screenprint on Magnani Acqueforti paper with screenprinted and embossed collage, 47.5 x 90.5 inches. Collection of the Whitney Museum of
Stuck, the Flies Buzzed, 1990, Etching, aquatint, drypoint, and screenprint on Magnani Acqueforti paper with screenprinted and embossed collage, 47.5 x 90.5 inches. Collection of the Whitney Museum of
 Tracing Its Own Footsteps, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches cover white paper with photogravure on Arches Text Wove paper, 36 x 26 inches
Tracing Its Own Footsteps, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches cover white paper with photogravure on Arches Text Wove paper, 36 x 26 inches
 In Circles, Circling, 1991, Direct gravure etching with aquatint, burnishing, drypoint, and embossing on Arches Cover white paper, 36 x 26 inches
In Circles, Circling, 1991, Direct gravure etching with aquatint, burnishing, drypoint, and embossing on Arches Cover white paper, 36 x 26 inches
 Imagine the Music, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
Imagine the Music, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
 Logic of Neon Signs, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
Logic of Neon Signs, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
 Parables of Nostalgia, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
Parables of Nostalgia, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
 Reversed Polychrome, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
Reversed Polychrome, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
 His Fires Fully, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
His Fires Fully, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
 Sculptor's Vacated Touch, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
Sculptor's Vacated Touch, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
 To Belittle Consciousness, 1991 Hard- and soft-ground etching, aquatint, drypoint, and screenprint on Hahnemuhle German Etching white paper 31.38'' x 42.5''
To Belittle Consciousness, 1991 Hard- and soft-ground etching, aquatint, drypoint, and screenprint on Hahnemuhle German Etching white paper 31.38'' x 42.5''
V Montes Appeninus Region of the Moon, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inches
V Montes Appeninus Region of the Moon, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inchesV Montes Appeninus Region of the Moon, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inches
VI Maskelyne DA Region of the Moon, 1972 Lithograph on paper 22.5'' x 30''
VI Maskelyne DA Region of the Moon, 1972 Lithograph on paper 22.5'' x 30''
VII Sabine D Region of the Moon, Lunar Orbiter Site II P-6 Southwest Mare Tranquilitatis, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inches
VII Sabine D Region of the Moon, Lunar Orbiter Site II P-6 Southwest Mare Tranquilitatis, 1972 Lithograph on Arches Cover white paper 22.5 x 30 inchesVII Sabine D Region of the Moon, Lunar Orbiter Site II P-6 Southwest Mare Tranquilitatis, 1972, Lithograph on Arches Cover white paper, 22.5 x 30 inches
VIII Geologic Map of the Sinus Iridum Quadarangle of the Moon, 1972, Lithograph on Arches Cover white paper, 22.5 x 30 inches
VIII Geologic Map of the Sinus Iridum Quadarangle of the Moon, 1972, Lithograph on Arches Cover white paper, 22.5 x 30 inchesVIII Geologic Map of the Sinus Iridum Quadarangle of the Moon, 1972, Lithograph on Arches Cover white paper, 22.5 x 30 inches
X Riphaeus Mountains Region of the Moon, 1972, Lithograph on paper, 22.5 x 30 inches
X Riphaeus Mountains Region of the Moon, 1972, Lithograph on paper, 22.5 x 30 inchesX Riphaeus Mountains Region of the Moon, 1972, Lithograph on paper, 22.5 x 30 inches
IX Sabine DM Region of the Moon, 1972, Lithograph on Arches Cover white paper and Mylar with chine colle, 22.5 x 30 inches
IX Sabine DM Region of the Moon, 1972, Lithograph on Arches Cover white paper and Mylar with chine colle, 22.5 x 30 inchesIX Sabine DM Region of the Moon, 1972, Lithograph on Arches Cover white paper and Mylar with chine colle, 22.5 x 30 inches
Ngetal, 1977, Color etching, aquatint, drypoint, engraving, and pochoir with pastel on Arches Cover white paper, 31.5 x 35.5 inches
Ngetal, 1977, Color etching, aquatint, drypoint, engraving, and pochoir with pastel on Arches Cover white paper, 31.5 x 35.5 inchesNgetal, 1977, Color etching, aquatint, drypoint, engraving, and pochoir with pastel on Arches Cover white paper, 31.5 x 35.5 inches
5745, 1984 Silkscreen on Arches Cover white paper 30'' x 42''
5745, 1984 Silkscreen on Arches Cover white paper 30'' x 42''
Mappe Rossi, 1985, Etching, aquatint, and drypoint on Fabriano Artistico paper, 35 x 44 inches
Mappe Rossi, 1985, Etching, aquatint, and drypoint on Fabriano Artistico paper, 35 x 44 inchesMappe Rossi, 1985, Etching, aquatint, and drypoint on Fabriano Artistico paper, 35 x 44 inches
75 x 75, 1985, Screenprint on Arches Cover white paper. 29.5 x 41.75. Collection of the Whitney Museum of American Art
75 x 75, 1985, Screenprint on Arches Cover white paper. 29.5 x 41.75. Collection of the Whitney Museum of American Art75 x 75, 1985, Screenprint on Arches Cover white paper. 29.5 x 41.75. Collection of the Whitney Museum of American Art
Six Frogs, 1985, Screenprint on Arches Silkscreen paper, 29.5 x 41.75 inches. Collection of the Whitney Museum of American Art
Six Frogs, 1985, Screenprint on Arches Silkscreen paper, 29.5 x 41.75 inches. Collection of the Whitney Museum of American ArtSix Frogs, 1985, Screenprint on Arches Silkscreen paper, 29.5 x 41.75 inches. Collection of the Whitney Museum of American Art
Hercules, Eve and the Parting of Night and Day, 1989 Drypoint, etching, screenprint, gold leaf silver leaf, 25 colors on Magnani paper 51.5'' x 50.38''
Hercules, Eve and the Parting of Night and Day, 1989 Drypoint, etching, screenprint, gold leaf silver leaf, 25 colors on Magnani paper 51.5'' x 50.38''
Stuck, the Flies Buzzed, 1990, Etching, aquatint, drypoint, and screenprint on Magnani Acqueforti paper with screenprinted and embossed collage, 47.5 x 90.5 inches. Collection of the Whitney Museum of
Stuck, the Flies Buzzed, 1990, Etching, aquatint, drypoint, and screenprint on Magnani Acqueforti paper with screenprinted and embossed collage, 47.5 x 90.5 inches. Collection of the Whitney Museum ofStuck, the Flies Buzzed, 1990, Etching, aquatint, drypoint, and screenprint on Magnani Acqueforti paper with screenprinted and embossed collage, 47.5 x 90.5 inches. Collection of the Whitney Museum of American Art.
Tracing Its Own Footsteps, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches cover white paper with photogravure on Arches Text Wove paper, 36 x 26 inches
Tracing Its Own Footsteps, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches cover white paper with photogravure on Arches Text Wove paper, 36 x 26 inchesTracing Its Own Footsteps, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches cover white paper with photogravure on Arches Text Wove paper, 36 x 26 inches
In Circles, Circling, 1991, Direct gravure etching with aquatint, burnishing, drypoint, and embossing on Arches Cover white paper, 36 x 26 inches
In Circles, Circling, 1991, Direct gravure etching with aquatint, burnishing, drypoint, and embossing on Arches Cover white paper, 36 x 26 inchesIn Circles, Circling, 1991, Direct gravure etching with aquatint, burnishing, drypoint, and embossing on Arches Cover white paper, 36 x 26 inches
Imagine the Music, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
Imagine the Music, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inchesImagine the Music, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
Logic of Neon Signs, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
Logic of Neon Signs, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inchesLogic of Neon Signs, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
Parables of Nostalgia, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
Parables of Nostalgia, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inchesParables of Nostalgia, 1991, Direct gravure etching with aquatint, drypoint, and burnishing on Arches Cover white paper, 36 x 26 inches
Reversed Polychrome, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
Reversed Polychrome, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inchesReversed Polychrome, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
His Fires Fully, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
His Fires Fully, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inchesHis Fires Fully, 1991, Direct gravure etching with spit biting, aquatint, burnishing, and drypoint on Arches Cover white paper, 36 x 26 inches
Sculptor's Vacated Touch, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
Sculptor's Vacated Touch, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inchesSculptor's Vacated Touch, 1991, Direct gravure etching with aquatint and drypoint on Arches Cover white paper, 36 x 26 inches
To Belittle Consciousness, 1991 Hard- and soft-ground etching, aquatint, drypoint, and screenprint on Hahnemuhle German Etching white paper 31.38'' x 42.5''
To Belittle Consciousness, 1991 Hard- and soft-ground etching, aquatint, drypoint, and screenprint on Hahnemuhle German Etching white paper 31.38'' x 42.5''
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